Roman Sources of Christian ArtColumbia University Press, 1951 - 248 páginas |
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... tradition , and their sculptures , however grotesque and daunt- ing , nevertheless show scenes whose messages we still can read and understand . Nearest us in point of time , most closely attached by the bonds of faith and our own ...
... tradition , and their sculptures , however grotesque and daunt- ing , nevertheless show scenes whose messages we still can read and understand . Nearest us in point of time , most closely attached by the bonds of faith and our own ...
Página 152
... tradition of sculp- ture.39 And yet , it is quite clear that of all these assertions only the last may be allowed , if by the " classic tradition of sculpture " is meant the old tactile - optic Greek tradition . In the light of the ...
... tradition of sculp- ture.39 And yet , it is quite clear that of all these assertions only the last may be allowed , if by the " classic tradition of sculpture " is meant the old tactile - optic Greek tradition . In the light of the ...
Página 173
... tradition ; it likewise explains the more traditional handling of the figures in those sarcophagi classified as " Western imitations . " It is also , of course , a fact that , in Western Roman architecture , carved ornament , as such ...
... tradition ; it likewise explains the more traditional handling of the figures in those sarcophagi classified as " Western imitations . " It is also , of course , a fact that , in Western Roman architecture , carved ornament , as such ...
Contenido
ROME AND THE MIDDLE AGES | 3 |
PAGAN ANCESTORS OF THE CHRISTIAN BASILICAS | 9 |
CHRISTIAN SYMBOLISM AND THE NARRATIVE STYLE | 50 |
Derechos de autor | |
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Términos y frases comunes
aisles Alinari photo Ancient Rome Anthemius appears apse arch architects artistic Baalbek Baptistery Baths Baths of Diocletian brick building Byzantine Architecture Cathedral century B.C. Christian Art circular classic Claudia Antonia colorism coloristic columns Constantine Constantinople corbel Creswell crown dated decoration developed dome domical vault drill earlier earliest early Christian Early Muslim Architecture East Eastern effect Empire entirely esthetic example exterior fact figures flat Flavian frescoes frieze frontal Galla Placidia Greek Hadrian Hagia Sophia half-domes Hellenistic Ibid illusionistic interior Italy Kunst L'Art later lbid Lepcis marble ment merging pendentives monuments mosaic nave octagonal optical oriental origin pagan painting panels Pantheon period Perkins Pompeii principles Ravenna relief Rivoira Roman Architecture Roman art Roman Imperial roof sarcophagi scenes sculpture second century Septimius Severus slabs space spatial structure Syria techniques Temple theory third century tion tomb tradition Trajan tunnel vault ture walls West Western Roman Wickhoff