Roman Sources of Christian ArtColumbia University Press, 1951 - 248 páginas |
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Página 126
... seen , for example , that , contrary to Greek and oriental tradition , the Imperial Roman builders commonly employed colored marbles for the monolithic shafts of their columns and pilasters and that their use of brick for structural ...
... seen , for example , that , contrary to Greek and oriental tradition , the Imperial Roman builders commonly employed colored marbles for the monolithic shafts of their columns and pilasters and that their use of brick for structural ...
Página 195
... seen in Roman painting and somewhat later in relief sculpture , where the ef- fect of atmospheric depth was attained either by a subtle gradation of planes in relief or by the skilful blending of lighter and darker pigments , of clear ...
... seen in Roman painting and somewhat later in relief sculpture , where the ef- fect of atmospheric depth was attained either by a subtle gradation of planes in relief or by the skilful blending of lighter and darker pigments , of clear ...
Página 213
... seen that almost all details in Hagia Sophia , even those of an architectonic nature , are consistently subordinated to a general illusionistic- coloristic effect . This trait , which it has in com- mon with late Roman decoration as a ...
... seen that almost all details in Hagia Sophia , even those of an architectonic nature , are consistently subordinated to a general illusionistic- coloristic effect . This trait , which it has in com- mon with late Roman decoration as a ...
Contenido
ROME AND THE MIDDLE AGES | 3 |
PAGAN ANCESTORS OF THE CHRISTIAN BASILICAS | 9 |
CHRISTIAN SYMBOLISM AND THE NARRATIVE STYLE | 50 |
Derechos de autor | |
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Términos y frases comunes
aisles Alinari photo Ancient Rome Anthemius appears apse arch architects artistic Baalbek Baptistery Baths Baths of Diocletian brick building Byzantine Architecture Cathedral century B.C. Christian Art circular classic Claudia Antonia colorism coloristic columns Constantine Constantinople corbel Creswell crown dated decoration developed dome domical vault drill earlier earliest early Christian Early Muslim Architecture East Eastern effect Empire entirely esthetic example exterior fact figures flat Flavian frescoes frieze frontal Galla Placidia Greek Hadrian Hagia Sophia half-domes Hellenistic Ibid illusionistic interior Italy Kunst L'Art later lbid Lepcis marble ment merging pendentives monuments mosaic nave octagonal optical oriental origin pagan painting panels Pantheon period Perkins Pompeii principles Ravenna relief Rivoira Roman Architecture Roman art Roman Imperial roof sarcophagi scenes sculpture second century Septimius Severus slabs space spatial structure Syria techniques Temple theory third century tion tomb tradition Trajan tunnel vault ture walls West Western Roman Wickhoff