Roman Sources of Christian ArtColumbia University Press, 1951 - 248 páginas |
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Página 94
... round or elliptical cupolas . Another authority of more recent date declares unequivocally that the slab from Nin- eveh , with " a number of buildings surmounted by domes of varying shapes and sizes , proves con- clusively that the ...
... round or elliptical cupolas . Another authority of more recent date declares unequivocally that the slab from Nin- eveh , with " a number of buildings surmounted by domes of varying shapes and sizes , proves con- clusively that the ...
Página 110
... round dome over a building which is square ( or approximately so ) on plan , a feat accomplished by Roman architects only after centuries of consistent and determined effort by the invention and use of a totally new structural member ...
... round dome over a building which is square ( or approximately so ) on plan , a feat accomplished by Roman architects only after centuries of consistent and determined effort by the invention and use of a totally new structural member ...
Página 145
... round and the rise to new importance of relief sculpture . It seems to be due to the fact that the statue or sculptural group , as such , could not express the realistic content of environment which the Romans prized so highly , whereas ...
... round and the rise to new importance of relief sculpture . It seems to be due to the fact that the statue or sculptural group , as such , could not express the realistic content of environment which the Romans prized so highly , whereas ...
Contenido
ROME AND THE MIDDLE AGES | 3 |
PAGAN ANCESTORS OF THE CHRISTIAN BASILICAS | 9 |
CHRISTIAN SYMBOLISM AND THE NARRATIVE STYLE | 50 |
Derechos de autor | |
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Términos y frases comunes
aisles Alinari photo Ancient Rome Anthemius appears apse arch architects artistic Baalbek Baptistery Baths Baths of Diocletian brick building Byzantine Architecture Cathedral century B.C. Christian Art circular classic Claudia Antonia colorism coloristic columns Constantine Constantinople corbel Creswell crown dated decoration developed dome domical vault drill earlier earliest early Christian Early Muslim Architecture East Eastern effect Empire entirely esthetic example exterior fact figures flat Flavian frescoes frieze frontal Galla Placidia Greek Hadrian Hagia Sophia half-domes Hellenistic Ibid illusionistic interior Italy Kunst L'Art later lbid Lepcis marble ment merging pendentives monuments mosaic nave octagonal optical oriental origin pagan painting panels Pantheon period Perkins Pompeii principles Ravenna relief Rivoira Roman Architecture Roman art Roman Imperial roof sarcophagi scenes sculpture second century Septimius Severus slabs space spatial structure Syria techniques Temple theory third century tion tomb tradition Trajan tunnel vault ture walls West Western Roman Wickhoff