Roman Sources of Christian ArtColumbia University Press, 1951 - 248 páginas |
Dentro del libro
Resultados 1-3 de 51
Página 136
... rendering , it should be noted , is that of a real miniaturist style , with details meticu- lously represented by the graver and effects of modeling attained by delicate hatching or shading . Later , however , as in the great majority ...
... rendering , it should be noted , is that of a real miniaturist style , with details meticu- lously represented by the graver and effects of modeling attained by delicate hatching or shading . Later , however , as in the great majority ...
Página 148
... rendering of landscape , according to the evolving principles of atmospheric perspective , appears for the first time in antiquity well before the middle of the first century B.C. in the Second Style of wall painting at Rome and Pompeii ...
... rendering of landscape , according to the evolving principles of atmospheric perspective , appears for the first time in antiquity well before the middle of the first century B.C. in the Second Style of wall painting at Rome and Pompeii ...
Página 163
... rendering , so that men and horses are now correctly shown in profile as in Greek and Roman art , it gives no evidence whatever of an advance beyond the tactile - optic stage of of representation attained centuries earlier in Western ...
... rendering , so that men and horses are now correctly shown in profile as in Greek and Roman art , it gives no evidence whatever of an advance beyond the tactile - optic stage of of representation attained centuries earlier in Western ...
Otras ediciones - Ver todas
Términos y frases comunes
aisles Alinari photo Ancient Rome Anthemius appears apse arch architects artistic Baalbek Baptistery Baths Baths of Diocletian brick building Byzantine Architecture Cathedral century B.C. Christian Art circular classic Claudia Antonia colorism coloristic columns Constantine Constantinople corbel Creswell crown dated decoration developed dome domical vault drill earlier earliest early Christian Early Muslim Architecture East Eastern effect Empire entirely esthetic example exterior fact figures flat Flavian frescoes frieze frontal Galla Placidia Greek Hadrian Hagia Sophia half-domes Hellenistic Ibid illusionistic interior Italy Kunst L'Art later lbid Lepcis marble ment merging pendentives monuments mosaic nave octagonal optical oriental origin pagan painting panels Pantheon period Perkins Pompeii principles Ravenna relief Rivoira Roman Architecture Roman art Roman Imperial roof sarcophagi scenes sculpture second century Septimius Severus slabs space spatial structure Syria techniques Temple theory third century tion tomb tradition Trajan tunnel vault ture walls West Western Roman Wickhoff