Roman Sources of Christian ArtColumbia University Press, 1951 - 248 páginas |
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Página 136
... noted the " colors , " PRASINICVS ( green ) , of this presumably winning team . It has been as- signed , within broad limits , to the " Roman Im- perial period . " Although it is difficult to tell ex- actly when the art of goldglass ...
... noted the " colors , " PRASINICVS ( green ) , of this presumably winning team . It has been as- signed , within broad limits , to the " Roman Im- perial period . " Although it is difficult to tell ex- actly when the art of goldglass ...
Página 166
... noted above as typically oriental . This style is equally clear in the two flanking figures . The handling , in short , is the retarded tactile - optic , with no trace of coloristic accent . And the same can be said for the consid ...
... noted above as typically oriental . This style is equally clear in the two flanking figures . The handling , in short , is the retarded tactile - optic , with no trace of coloristic accent . And the same can be said for the consid ...
Página 171
... noted further that the chisel technique throughout is summary , offering in this respect a marked contrast to the delicate drill work . In conclusion we should remark that the architec- tural details of the mausoleum in which this sar ...
... noted further that the chisel technique throughout is summary , offering in this respect a marked contrast to the delicate drill work . In conclusion we should remark that the architec- tural details of the mausoleum in which this sar ...
Contenido
ROME AND THE MIDDLE AGES | 3 |
PAGAN ANCESTORS OF THE CHRISTIAN BASILICAS | 9 |
CHRISTIAN SYMBOLISM AND THE NARRATIVE STYLE | 50 |
Derechos de autor | |
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Términos y frases comunes
aisles Alinari photo Ancient Rome Anthemius appears apse arch architects artistic Baalbek Baptistery Baths Baths of Diocletian brick building Byzantine Architecture Cathedral century B.C. Christian Art circular classic Claudia Antonia colorism coloristic columns Constantine Constantinople corbel Creswell crown dated decoration developed dome domical vault drill earlier earliest early Christian Early Muslim Architecture East Eastern effect Empire entirely esthetic example exterior fact figures flat Flavian frescoes frieze frontal Galla Placidia Greek Hadrian Hagia Sophia half-domes Hellenistic Ibid illusionistic interior Italy Kunst L'Art later lbid Lepcis marble ment merging pendentives monuments mosaic nave octagonal optical oriental origin pagan painting panels Pantheon period Perkins Pompeii principles Ravenna relief Rivoira Roman Architecture Roman art Roman Imperial roof sarcophagi scenes sculpture second century Septimius Severus slabs space spatial structure Syria techniques Temple theory third century tion tomb tradition Trajan tunnel vault ture walls West Western Roman Wickhoff