Roman Sources of Christian ArtColumbia University Press, 1951 - 248 páginas |
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Página 77
... monuments of accepted Asiatic provenience offer the slightest evidence for the early use of the dosseret in the East . On the other hand , this same scholar distin- guishes a considerable number of sarcophagi , which show a combination ...
... monuments of accepted Asiatic provenience offer the slightest evidence for the early use of the dosseret in the East . On the other hand , this same scholar distin- guishes a considerable number of sarcophagi , which show a combination ...
Página 184
... monuments whose coloristic qualities are so decisive that they prove beyond all possible doubt the main thesis advanced in this chapter , namely , that the coloristic principle itself not only was of exclusively Roman and Western ori ...
... monuments whose coloristic qualities are so decisive that they prove beyond all possible doubt the main thesis advanced in this chapter , namely , that the coloristic principle itself not only was of exclusively Roman and Western ori ...
Página 212
... monuments , S. Vitale and the Baptistery , in which the domes are smaller and the effect much less monumental . An- other distinction appears in the fact that although both groups of buildings stem from the late Ro- man , as is shown by ...
... monuments , S. Vitale and the Baptistery , in which the domes are smaller and the effect much less monumental . An- other distinction appears in the fact that although both groups of buildings stem from the late Ro- man , as is shown by ...
Contenido
ROME AND THE MIDDLE AGES | 3 |
PAGAN ANCESTORS OF THE CHRISTIAN BASILICAS | 9 |
CHRISTIAN SYMBOLISM AND THE NARRATIVE STYLE | 50 |
Derechos de autor | |
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Términos y frases comunes
aisles Alinari photo Ancient Rome Anthemius appears apse arch architects artistic Baalbek Baptistery Baths Baths of Diocletian brick building Byzantine Architecture Cathedral century B.C. Christian Art circular classic Claudia Antonia colorism coloristic columns Constantine Constantinople corbel Creswell crown dated decoration developed dome domical vault drill earlier earliest early Christian Early Muslim Architecture East Eastern effect Empire entirely esthetic example exterior fact figures flat Flavian frescoes frieze frontal Galla Placidia Greek Hadrian Hagia Sophia half-domes Hellenistic Ibid illusionistic interior Italy Kunst L'Art later lbid Lepcis marble ment merging pendentives monuments mosaic nave octagonal optical oriental origin pagan painting panels Pantheon period Perkins Pompeii principles Ravenna relief Rivoira Roman Architecture Roman art Roman Imperial roof sarcophagi scenes sculpture second century Septimius Severus slabs space spatial structure Syria techniques Temple theory third century tion tomb tradition Trajan tunnel vault ture walls West Western Roman Wickhoff