Roman Sources of Christian ArtColumbia University Press, 1951 - 248 páginas |
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Página 58
... method might better be called the simultaneous . The second , or isolating , method , distinguished by Wickhoff , is based on the classic principle of unity both in time and place , that is , in any one scene repre- sented a single ...
... method might better be called the simultaneous . The second , or isolating , method , distinguished by Wickhoff , is based on the classic principle of unity both in time and place , that is , in any one scene repre- sented a single ...
Página 59
... method only by the omission of scenes which would lead up to or follow the climactic exploit.15 There seems little doubt that this cyclic method , which first appears on the Megarian bowls , was introduced into Hellenistic art under the ...
... method only by the omission of scenes which would lead up to or follow the climactic exploit.15 There seems little doubt that this cyclic method , which first appears on the Megarian bowls , was introduced into Hellenistic art under the ...
Página 60
... method appears " as an independent style , no longer a Hellenistic , but a Roman mode of narration , " 21 we must note in passing that other scholars of more phil - Hellenic tempera- ment insist categorically that its real prototype ...
... method appears " as an independent style , no longer a Hellenistic , but a Roman mode of narration , " 21 we must note in passing that other scholars of more phil - Hellenic tempera- ment insist categorically that its real prototype ...
Contenido
ROME AND THE MIDDLE AGES | 3 |
PAGAN ANCESTORS OF THE CHRISTIAN BASILICAS | 9 |
CHRISTIAN SYMBOLISM AND THE NARRATIVE STYLE | 50 |
Derechos de autor | |
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Términos y frases comunes
aisles Alinari photo Ancient Rome Anthemius appears apse arch architects artistic Baalbek Baptistery Baths Baths of Diocletian brick building Byzantine Architecture Cathedral century B.C. Christian Art circular classic Claudia Antonia colorism coloristic columns Constantine Constantinople corbel Creswell crown dated decoration developed dome domical vault drill earlier earliest early Christian Early Muslim Architecture East Eastern effect Empire entirely esthetic example exterior fact figures flat Flavian frescoes frieze frontal Galla Placidia Greek Hadrian Hagia Sophia half-domes Hellenistic Ibid illusionistic interior Italy Kunst L'Art later lbid Lepcis marble ment merging pendentives monuments mosaic nave octagonal optical oriental origin pagan painting panels Pantheon period Perkins Pompeii principles Ravenna relief Rivoira Roman Architecture Roman art Roman Imperial roof sarcophagi scenes sculpture second century Septimius Severus slabs space spatial structure Syria techniques Temple theory third century tion tomb tradition Trajan tunnel vault ture walls West Western Roman Wickhoff