Roman Sources of Christian ArtColumbia University Press, 1951 - 248 páginas |
Dentro del libro
Resultados 1-3 de 68
Página 52
... less than Ro- mans or Latinized Greek and oriental citizens of the vast Roman empire . They were hence en- dowed with the classic background of the all- inclusive Roman culture . And , since the first ad- herents to the new faith were ...
... less than Ro- mans or Latinized Greek and oriental citizens of the vast Roman empire . They were hence en- dowed with the classic background of the all- inclusive Roman culture . And , since the first ad- herents to the new faith were ...
Página 195
... less upon vision than it does upon an intellectual realization of the factors involved . In this case the missing factor was the concept of three - dimensional space . It remained , then , for the Romans to solve the problems of spatial ...
... less upon vision than it does upon an intellectual realization of the factors involved . In this case the missing factor was the concept of three - dimensional space . It remained , then , for the Romans to solve the problems of spatial ...
Página 212
... less monumental . An- other distinction appears in the fact that although both groups of buildings stem from the late Ro- man , as is shown by their illusionistic techniques , the effects of dematerialization , of illusionistic spatial ...
... less monumental . An- other distinction appears in the fact that although both groups of buildings stem from the late Ro- man , as is shown by their illusionistic techniques , the effects of dematerialization , of illusionistic spatial ...
Contenido
ROME AND THE MIDDLE AGES | 3 |
PAGAN ANCESTORS OF THE CHRISTIAN BASILICAS | 9 |
CHRISTIAN SYMBOLISM AND THE NARRATIVE STYLE | 50 |
Derechos de autor | |
Otras ediciones - Ver todas
Términos y frases comunes
aisles Alinari photo Ancient Rome Anthemius appears apse arch architects artistic Baalbek Baptistery Baths Baths of Diocletian brick building Byzantine Architecture Cathedral century B.C. Christian Art circular classic Claudia Antonia colorism coloristic columns Constantine Constantinople corbel Creswell crown dated decoration developed dome domical vault drill earlier earliest early Christian Early Muslim Architecture East Eastern effect Empire entirely esthetic example exterior fact figures flat Flavian frescoes frieze frontal Galla Placidia Greek Hadrian Hagia Sophia half-domes Hellenistic Ibid illusionistic interior Italy Kunst L'Art later lbid Lepcis marble ment merging pendentives monuments mosaic nave octagonal optical oriental origin pagan painting panels Pantheon period Perkins Pompeii principles Ravenna relief Rivoira Roman Architecture Roman art Roman Imperial roof sarcophagi scenes sculpture second century Septimius Severus slabs space spatial structure Syria techniques Temple theory third century tion tomb tradition Trajan tunnel vault ture walls West Western Roman Wickhoff