Roman Sources of Christian ArtColumbia University Press, 1951 - 248 páginas |
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Página 48
... final type of church , the so - called Greek- cross - in - square , which , since it became the fa- vored form of the great majority of churches throughout the Balkans and the Slavic East , de- serves more than a passing mention ...
... final type of church , the so - called Greek- cross - in - square , which , since it became the fa- vored form of the great majority of churches throughout the Balkans and the Slavic East , de- serves more than a passing mention ...
Página 56
... final examples of the use of this narrative . style in early Christian art , we turn to two of the many sculptured sarcophagi which , in full ac- cord with Roman custom during the Imperial period , were produced in large numbers for ...
... final examples of the use of this narrative . style in early Christian art , we turn to two of the many sculptured sarcophagi which , in full ac- cord with Roman custom during the Imperial period , were produced in large numbers for ...
Página 114
... final Palestinian monuments , often cited as proof of the Eastern origin of the dome on pendentives , are the Golden Gate and the Double Gate at Jerusalem ( Pl . XXII ) , though each is dated by Creswell as late as the period of ...
... final Palestinian monuments , often cited as proof of the Eastern origin of the dome on pendentives , are the Golden Gate and the Double Gate at Jerusalem ( Pl . XXII ) , though each is dated by Creswell as late as the period of ...
Contenido
ROME AND THE MIDDLE AGES | 3 |
PAGAN ANCESTORS OF THE CHRISTIAN BASILICAS | 9 |
CHRISTIAN SYMBOLISM AND THE NARRATIVE STYLE | 50 |
Derechos de autor | |
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Términos y frases comunes
aisles Alinari photo Ancient Rome Anthemius appears apse arch architects artistic Baalbek Baptistery Baths Baths of Diocletian brick building Byzantine Architecture Cathedral century B.C. Christian Art circular classic Claudia Antonia colorism coloristic columns Constantine Constantinople corbel Creswell crown dated decoration developed dome domical vault drill earlier earliest early Christian Early Muslim Architecture East Eastern effect Empire entirely esthetic example exterior fact figures flat Flavian frescoes frieze frontal Galla Placidia Greek Hadrian Hagia Sophia half-domes Hellenistic Ibid illusionistic interior Italy Kunst L'Art later lbid Lepcis marble ment merging pendentives monuments mosaic nave octagonal optical oriental origin pagan painting panels Pantheon period Perkins Pompeii principles Ravenna relief Rivoira Roman Architecture Roman art Roman Imperial roof sarcophagi scenes sculpture second century Septimius Severus slabs space spatial structure Syria techniques Temple theory third century tion tomb tradition Trajan tunnel vault ture walls West Western Roman Wickhoff