Roman Sources of Christian ArtColumbia University Press, 1951 - 248 páginas |
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Página 28
... elements appear throughout the entire group , others seem merely sporadic or are re- stricted to rather definite regions . Thus , accord- ing to his analysis , the following features must be considered as essential and invariable ...
... elements appear throughout the entire group , others seem merely sporadic or are re- stricted to rather definite regions . Thus , accord- ing to his analysis , the following features must be considered as essential and invariable ...
Página 77
... elements , as Western imitations of his principal type , asserting that the earlier examples at any rate maintain the Asiatic tradition , particularly in " retaining the Asiatic impost blocks above the capitals of the arched lateral ...
... elements , as Western imitations of his principal type , asserting that the earlier examples at any rate maintain the Asiatic tradition , particularly in " retaining the Asiatic impost blocks above the capitals of the arched lateral ...
Página 219
... elements handled flatly and sche- matically in a spirit of oriental abstraction . From this style the surviving traces of classic naturalism are gradually eliminated , and with them disap- pears the reminiscence of those Western spatial ...
... elements handled flatly and sche- matically in a spirit of oriental abstraction . From this style the surviving traces of classic naturalism are gradually eliminated , and with them disap- pears the reminiscence of those Western spatial ...
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Términos y frases comunes
aisles Alinari photo Ancient Rome Anthemius appears apse arch architects artistic Baalbek Baptistery Baths Baths of Diocletian brick building Byzantine Architecture Cathedral century B.C. Christian Art circular classic Claudia Antonia colorism coloristic columns Constantine Constantinople corbel Creswell crown dated decoration developed dome domical vault drill earlier earliest early Christian Early Muslim Architecture East Eastern effect Empire entirely esthetic example exterior fact figures flat Flavian frescoes frieze frontal Galla Placidia Greek Hadrian Hagia Sophia half-domes Hellenistic Ibid illusionistic interior Italy Kunst L'Art later lbid Lepcis marble ment merging pendentives monuments mosaic nave octagonal optical oriental origin pagan painting panels Pantheon period Perkins Pompeii principles Ravenna relief Rivoira Roman Architecture Roman art Roman Imperial roof sarcophagi scenes sculpture second century Septimius Severus slabs space spatial structure Syria techniques Temple theory third century tion tomb tradition Trajan tunnel vault ture walls West Western Roman Wickhoff