Roman Sources of Christian ArtColumbia University Press, 1951 - 248 páginas |
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Página 200
... effect of the latter must certainly have been to impart to the space of its interior a rhythmic alternation of light and shade - exactly the effect which in the other arts of this period we have recognized as coloristic ( Pl . XIX ) ...
... effect of the latter must certainly have been to impart to the space of its interior a rhythmic alternation of light and shade - exactly the effect which in the other arts of this period we have recognized as coloristic ( Pl . XIX ) ...
Página 202
... effect of the superstructure must have been considerably less massive and more articulate than at present . A similar criticism— but in an inverted sense - applies to his remarks on the effect of the fenestration and wall surfaces on ...
... effect of the superstructure must have been considerably less massive and more articulate than at present . A similar criticism— but in an inverted sense - applies to his remarks on the effect of the fenestration and wall surfaces on ...
Página 203
... effect depends upon broad , flat forms , and indeterminate outlines . It is hence obvious that applied detail as such had to be eliminated or re- duced to a very minor role . Multiplicity of detail , as in the Baroque or Gothic styles ...
... effect depends upon broad , flat forms , and indeterminate outlines . It is hence obvious that applied detail as such had to be eliminated or re- duced to a very minor role . Multiplicity of detail , as in the Baroque or Gothic styles ...
Contenido
ROME AND THE MIDDLE AGES | 3 |
PAGAN ANCESTORS OF THE CHRISTIAN BASILICAS | 9 |
CHRISTIAN SYMBOLISM AND THE NARRATIVE STYLE | 50 |
Derechos de autor | |
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Términos y frases comunes
aisles Alinari photo Ancient Rome Anthemius appears apse arch architects artistic Baalbek Baptistery Baths Baths of Diocletian brick building Byzantine Architecture Cathedral century B.C. Christian Art circular classic Claudia Antonia colorism coloristic columns Constantine Constantinople corbel Creswell crown dated decoration developed dome domical vault drill earlier earliest early Christian Early Muslim Architecture East Eastern effect Empire entirely esthetic example exterior fact figures flat Flavian frescoes frieze frontal Galla Placidia Greek Hadrian Hagia Sophia half-domes Hellenistic Ibid illusionistic interior Italy Kunst L'Art later lbid Lepcis marble ment merging pendentives monuments mosaic nave octagonal optical oriental origin pagan painting panels Pantheon period Perkins Pompeii principles Ravenna relief Rivoira Roman Architecture Roman art Roman Imperial roof sarcophagi scenes sculpture second century Septimius Severus slabs space spatial structure Syria techniques Temple theory third century tion tomb tradition Trajan tunnel vault ture walls West Western Roman Wickhoff