Roman Sources of Christian ArtColumbia University Press, 1951 - 248 páginas |
Dentro del libro
Resultados 1-3 de 83
Página 153
... earlier classic ideal of variety and grace , has always been explained as the resur- gence of course , under oriental influence - of the primitive pre - Greek mode of representation common to Egyptian , Assyrian , and other early ...
... earlier classic ideal of variety and grace , has always been explained as the resur- gence of course , under oriental influence - of the primitive pre - Greek mode of representation common to Egyptian , Assyrian , and other early ...
Página 195
... earlier periods of antiquity , as opposed to that of Rome , the Middle Ages , and modern times , is that in the earlier arts three - dimensional space was either not considered at all or was consciously minimized and where possible ...
... earlier periods of antiquity , as opposed to that of Rome , the Middle Ages , and modern times , is that in the earlier arts three - dimensional space was either not considered at all or was consciously minimized and where possible ...
Página 223
... earlier sections of the present study the writer has not hesitated to set forth his conviction that the arts of Rome were distinguished from those of all earlier periods by the indigenous de- velopment and consistent application of ...
... earlier sections of the present study the writer has not hesitated to set forth his conviction that the arts of Rome were distinguished from those of all earlier periods by the indigenous de- velopment and consistent application of ...
Contenido
ROME AND THE MIDDLE AGES | 3 |
PAGAN ANCESTORS OF THE CHRISTIAN BASILICAS | 9 |
CHRISTIAN SYMBOLISM AND THE NARRATIVE STYLE | 50 |
Derechos de autor | |
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Términos y frases comunes
aisles Alinari photo Ancient Rome Anthemius appears apse arch architects artistic Baalbek Baptistery Baths Baths of Diocletian brick building Byzantine Architecture Cathedral century B.C. Christian Art circular classic Claudia Antonia colorism coloristic columns Constantine Constantinople corbel Creswell crown dated decoration developed dome domical vault drill earlier earliest early Christian Early Muslim Architecture East Eastern effect Empire entirely esthetic example exterior fact figures flat Flavian frescoes frieze frontal Galla Placidia Greek Hadrian Hagia Sophia half-domes Hellenistic Ibid illusionistic interior Italy Kunst L'Art later lbid Lepcis marble ment merging pendentives monuments mosaic nave octagonal optical oriental origin pagan painting panels Pantheon period Perkins Pompeii principles Ravenna relief Rivoira Roman Architecture Roman art Roman Imperial roof sarcophagi scenes sculpture second century Septimius Severus slabs space spatial structure Syria techniques Temple theory third century tion tomb tradition Trajan tunnel vault ture walls West Western Roman Wickhoff