Roman Sources of Christian ArtColumbia University Press, 1951 - 248 páginas |
Dentro del libro
Resultados 1-3 de 52
Página 52
... classic background of the all- inclusive Roman culture . And , since the first ad- herents to the new faith were largely recruited in the more populous centers amidst the ferment of new ideas and doctrines preached by rival sects ...
... classic background of the all- inclusive Roman culture . And , since the first ad- herents to the new faith were largely recruited in the more populous centers amidst the ferment of new ideas and doctrines preached by rival sects ...
Página 70
... classic . It offers , indeed , a rather unfortunate con- trast to the clearcut , plastic forms of the pagan temple with its noble colonnades and sunny mar- ble laid in clean ashlar courses , and is therefore not admired by the confirmed ...
... classic . It offers , indeed , a rather unfortunate con- trast to the clearcut , plastic forms of the pagan temple with its noble colonnades and sunny mar- ble laid in clean ashlar courses , and is therefore not admired by the confirmed ...
Página 152
... classic tradition of sculp- ture.39 And yet , it is quite clear that of all these assertions only the last may be allowed , if by the " classic tradition of sculpture " is meant the old tactile - optic Greek tradition . In the light of ...
... classic tradition of sculp- ture.39 And yet , it is quite clear that of all these assertions only the last may be allowed , if by the " classic tradition of sculpture " is meant the old tactile - optic Greek tradition . In the light of ...
Otras ediciones - Ver todas
Términos y frases comunes
aisles Alinari photo Ancient Rome Anthemius appears apse arch architects artistic Baalbek Baptistery Baths Baths of Diocletian brick building Byzantine Architecture Cathedral century B.C. Christian Art circular classic Claudia Antonia colorism coloristic columns Constantine Constantinople corbel Creswell crown dated decoration developed dome domical vault drill earlier earliest early Christian Early Muslim Architecture East Eastern effect Empire entirely esthetic example exterior fact figures flat Flavian frescoes frieze frontal Galla Placidia Greek Hadrian Hagia Sophia half-domes Hellenistic Ibid illusionistic interior Italy Kunst L'Art later lbid Lepcis marble ment merging pendentives monuments mosaic nave octagonal optical oriental origin pagan painting panels Pantheon period Perkins Pompeii principles Ravenna relief Rivoira Roman Architecture Roman art Roman Imperial roof sarcophagi scenes sculpture second century Septimius Severus slabs space spatial structure Syria techniques Temple theory third century tion tomb tradition Trajan tunnel vault ture walls West Western Roman Wickhoff