Roman Sources of Christian ArtColumbia University Press, 1951 - 248 páginas |
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Página 10
... eastern end of the building . It follows that , to a worshiper entering the church , the right - hand aisle was always to the south and the left to the north . Adjoining the eastern or upper end of the nave and at right angles to it was ...
... eastern end of the building . It follows that , to a worshiper entering the church , the right - hand aisle was always to the south and the left to the north . Adjoining the eastern or upper end of the nave and at right angles to it was ...
Página 24
... Eastern type of columnar structure seems to have spread to Mesopotamia to influence , paradoxically enough , a style of architecture in which few , if any , columns were actually used , that is , the style of ancient Assyria . Here ...
... Eastern type of columnar structure seems to have spread to Mesopotamia to influence , paradoxically enough , a style of architecture in which few , if any , columns were actually used , that is , the style of ancient Assyria . Here ...
Página 123
... eastern Mediter- ranean influence , is by no means as clear as some recent sup- porters of this view would have us believe . " by introducing a cornice , which was needed to give access to the inside of its crown of forty win- dows ...
... eastern Mediter- ranean influence , is by no means as clear as some recent sup- porters of this view would have us believe . " by introducing a cornice , which was needed to give access to the inside of its crown of forty win- dows ...
Contenido
ROME AND THE MIDDLE AGES | 3 |
PAGAN ANCESTORS OF THE CHRISTIAN BASILICAS | 9 |
CHRISTIAN SYMBOLISM AND THE NARRATIVE STYLE | 50 |
Derechos de autor | |
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Términos y frases comunes
aisles Alinari photo Ancient Rome Anthemius appears apse arch architects artistic Baalbek Baptistery Baths Baths of Diocletian brick building Byzantine Architecture Cathedral century B.C. Christian Art circular classic Claudia Antonia colorism coloristic columns Constantine Constantinople corbel Creswell crown dated decoration developed dome domical vault drill earlier earliest early Christian Early Muslim Architecture East Eastern effect Empire entirely esthetic example exterior fact figures flat Flavian frescoes frieze frontal Galla Placidia Greek Hadrian Hagia Sophia half-domes Hellenistic Ibid illusionistic interior Italy Kunst L'Art later lbid Lepcis marble ment merging pendentives monuments mosaic nave octagonal optical oriental origin pagan painting panels Pantheon period Perkins Pompeii principles Ravenna relief Rivoira Roman Architecture Roman art Roman Imperial roof sarcophagi scenes sculpture second century Septimius Severus slabs space spatial structure Syria techniques Temple theory third century tion tomb tradition Trajan tunnel vault ture walls West Western Roman Wickhoff