Seen on the StageH. Holt, 1920 - 268 páginas |
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Página 64
... French in their reasoned catalogue of criticism - have registered a clear distinction between the mot de situation and the mot de caractère . To the com- mon mind , it is obviously funny for any one to fall downstairs ; but a greater ...
... French in their reasoned catalogue of criticism - have registered a clear distinction between the mot de situation and the mot de caractère . To the com- mon mind , it is obviously funny for any one to fall downstairs ; but a greater ...
Página 67
... French Boileau , the English Dryden , or the Ameri- can Henry James . A man must be distinguished be- fore he can afford to laugh in public against the very things he holds most holy . Also , he must feel assured of the existence of an ...
... French Boileau , the English Dryden , or the Ameri- can Henry James . A man must be distinguished be- fore he can afford to laugh in public against the very things he holds most holy . Also , he must feel assured of the existence of an ...
Página 69
... French , - the Irish satirist is more inclined to mots d'esprit and the American is more inclined to mots de caractère . There is an undercurrent of emotion and of friendly sympathy for human nature in this comedy by Mr. Williams that ...
... French , - the Irish satirist is more inclined to mots d'esprit and the American is more inclined to mots de caractère . There is an undercurrent of emotion and of friendly sympathy for human nature in this comedy by Mr. Williams that ...
Página 70
... French critics [ and the French are very careful in their criticism ] this play has never been regarded as a masterpiece , nor was it rated very highly by the author himself ; yet , though over sixty years have now elapsed since the ...
... French critics [ and the French are very careful in their criticism ] this play has never been regarded as a masterpiece , nor was it rated very highly by the author himself ; yet , though over sixty years have now elapsed since the ...
Página 74
... French dramatist of the nineteenth century , discarded the great soliloquy of the heroine as she writes her farewell letter to Armand [ and this soliloquy will be recalled as the finest passage in the play by any- body who remembers the ...
... French dramatist of the nineteenth century , discarded the great soliloquy of the heroine as she writes her farewell letter to Armand [ and this soliloquy will be recalled as the finest passage in the play by any- body who remembers the ...
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Términos y frases comunes
actor actress Alfred de Musset alive American ancient appears Arliss artist audience Beauty called century character Clarence comedy composition Copeau Coquelin Count Tolstoi critics depiction dialogue Ditrichstein drama dramatist Dumas easily easy Edmond Rostand Edward Sheldon emotion English eternal not-ourselves Eugene O'Neill Euripides fact famous France French Gods Guibour Henri Lavedan Henry hero human Ibsen imagined impersonation Italy John Barrymore King laugh Lavedan literary Living Corpse Lord Dunsany Marquis de Priola Married Maurice Maeterlinck Maxim Gorki medieval merely mind modern Molière mood Musset Napoleon nearly never night numbers performance period person phrase piece playwright poet present produced prose reason recent regarded Richard III Richard Mansfield rôle Russian scene Sem Benelli sense Shakespeare Shaw Sophocles sort stage story subject-matter success Tarkington theatre theatre-going thing tion told tragic truth Tyltyl verse write written Yiddish York youth
Pasajes populares
Página 150 - All causes shall give way ; I am in blood Stepp'd in so far, that, should I wade no more, Returning were as tedious as go o'er : Strange things I have in head, that will to hand ; Which must be acted, ere they may be scann'd.
Página 6 - ... that day to God so walked he from his birth, In simpleness and gentleness and honour and clean mirth. So cup to lip in fellowship they gave him welcome high And made him place at the banquet board — the Strong Men ranged thereby, Who had done his work and held his peace and had no fear to die. Beyond the loom of the last lone star, through open darkness hurled, Further than rebel comet dared or hiving star-swarm swirled, Sits he with those that praise our God for that they served His world.
Página 163 - The One remains, the many change and pass; Heaven's light forever shines, Earth's shadows fly; Life, like a dome of many-colored glass, Stains the white radiance of Eternity, Until Death tramples it to fragments.
Página 230 - The aim of a short-story [italics in original] is to produce a single narrative effect with the greatest economy of means that is consistent with the utmost emphasis.
Página 89 - He was neither a Reactionary nor an Anarchist. He neither respected the past for the insufficient reason that it was the past nor revered the future for the insufficient reason that it was the future. He freed his mind at once from traditions and from fads, and devoted his attention to the lofty task of "drawing the Thing as he saw It for the God of Things as They Are.
Página 161 - For theatrical talent consists in the power of making your characters, not only tell a story by means of dialogue, but tell it in such skilfully-devised form and order as shall, within the limits of an ordinary theatrical representation, give rise to the greatest possible amount of that peculiar kind of emotional effect, the production of which is the one great function of the theatre.
Página 22 - Je désire que mes cendres reposent sur les bords de la Seine, au milieu de ce peuple français que j'ai tant aimé.
Página 250 - Je jette avec grace mon feutre, Je fais lentement 1'abandon Du grand manteau qui me calfeutre, Et je tire mon espadon. . . . In a moment or two, the games of backgammon ceased and the whispering of falling cards was quenched in silence. I was soon enthroned upon a table and reading — in my rhetorical schoolboyish manner — the sonorous series of triolets beginning — ' Ce sont les cadets de Gascogne De Carbon de Castel-Jaloux. . . . At the end of the first stanza, that helter-skelter company...
Página 254 - C'est chose bien commune De soupirer pour une Blonde, chataine, ou brune Maitresse, Lorsque brune, chataine, Ou blonde, on 1'a sans peine. — Moi, j'aime la lointaine Princesse ! That final phrase has always sounded to.
Página 51 - All passes. Art alone Enduring stays to us; The Bust outlasts the throne, — The Coin, Tiberius; Even the gods must go ; Only the lofty Rhyme Not countless years o'erthrow,— Not long array of time.