Beckwith (Dr.) 95; his rules for playing Greatorex, 64; memoir of, 466. Bellamy, 63, 403 thorough bass, 380. Bianchi (F.) 167, 168. Green (Dr. Maurice), 67. Glasgow, Logier's System at, 115. Gentlemem of the Chapel Royal, 156. Gerbini (Signora), 171, Garcia, 257. Guglielmi, 319. Gretry, 320; memoir of, 438. Gostling, 323. Goodall (Miss), 404. Garrick, 414. Piccini, 441. Present state of music in London, 400. Power of buildings upon the voice, 27. Philharmonic Society, committee of—their Parsons (Sir William), 158. Paer, 230, 234. Paxton, 301. Paisiello, memoir of, 308; his works, 309. Pyne, 405. Palestine, 478. Perry, 484. Royal academy of music, 58. Rovedino, 323. Rubinelli, 61. Roselli, 62. Royal patronage of Music, 154. Royal concerts, 161. Reeve, 207. Russell, 219. Regulations in France to preserve theatres Rameau, 302. Reeve (Cotton), 407. Relfe, 407; his remarks and Muschedula, Rousseau, 446. Rosabelle, 455. Structure of the Italian opera, 28; simple 29. Stephens (Miss), 64, 404, 406. Smart (Sir, G.) 130, 404. Shield (W.) 158, 203. Sussex (Duke of), 163. Scarlatti (Ales-.), 193. Storace (S) 204. Sarti, 222. Stevenson (Sir J.) 228, 264, 266, 516. Stevens, 322. Sedgewick, 324, Singing, treatises on, 851. Solfeges d'Italie, 351, 364, 367. Southey's Roderick, 492 Style, monodic and polyodic, 504. Tenor singing, change in, 102. Tom Thumb, 146. Burks and Kinnebrook, ERRATA. Page 20, line 16, for Mersenenes read Mersennus. 43, line 15, for sound read round. 171, line 5 of the note, for performing read performed. 172, line 12, read we may be, and for hundreth read hundredth. in fiera. 235, 5th line from the bottom, for forces read focus. 260, line 15, for BAULLI read BARILLI. line 17, dele the comma after Bartolozzi, and for GASIA read GORIA. 273, lines 18 and 23, for us read me. line 29, for we read I. 235, line 36, for we read I. 294, line 5, for public read private. 316, line 3, for are read is. 317, line 33, for overpowed read overpowered. 319, line 11, for unentwined read unenlivened. 321, line 30, for very read many. 323, line 20, for defect read effect. 325, line 6, for we heard read we have heard. line 15, for venture read continue. 333, line 23, for if of a read of a. 337, line 33, for that eminent singer read him. 343, line 27, for principal read principle. 357, line 11, for scholar read master. 372, line 10, for flat 7th highest read 7th highest. 373, line 31, for alterations read alternations. 374, line 14, for latter read former. 379, line 37, for prove read shew. 385, line 25, for for read from. The figures indicating pages 518, 519, 520, are printed 118, 119, 120. Page 518. The sentence at the third line from the bottom should run thus:— The unforeseen difficulties which always attend enquiries that follow the attempt to teach clever children. 9 |