MISSIONARY HYMN. From Greenland's icy mountains, From India's coral strand, Where Afric's sunny fountains, Roll down their golden sand; From many an ancient river, From many a palmy plain, They call us to deliver Their land from error's chain. What though the spicy breezes Can we, whose souls are lighted The joyful sound proclaim Has learned Messiah's Name. Waft, waft, ye winds, his story, It spreads from pole to pole; In bliss returns to reign. HOPE FOR THE DEAD. Thou art gone to the grave; but we will not deplore thee, Though sorrows and darkness encompass the tomb: The Saviour hath passed through its portal before thee, And the lamp of his love is thy guide through the gloom! Thou art gone to the grave: we no longer behold thee, Nor tread the rough path of the world by thy side; But the wide arms of Mercy are spread to enfold thee, And sinners may die, for the Sinless has died! Thou art gone to the grave: and, its mansion forsaking, Thou art gone to the grave: but we will not deplore thee; Whose God was thy Ransom, thy Guardian, and Guide! He gave thee, He took thee, and He will restore thee; And death has no sting, for the Saviour hath died! ROBERT POLLOK was born in 1799, at Muirhouse, in the parish of Eaglesham, in Renfrewshire, and after receiving his preparatory education in the parish school, entered as a student of the University of Glasgow. He went through a five-years' course of theological study to fit himself for the ministry of the Scottish Secession Church. Scarcely had he been admitted as a licentiate and published his "Course of Time," before the effects of hard study manifested themselves in a strong tendency to pulmonary consumption. He sought recovery in the south of England; and died, after having at first shown some fugitive signs of improvement, at Shirley Common, near Southampton, Sept. 15th, 1827. Whilst at College, Pollok wrote a series of "Tales of the Covenanters,” which he published anonymously. The "Course of Time" is a poem of much grandeur, in which a bard of earth recounts to a select assembly of the sons of heaven, who had been gathered from various worlds, the fortunes of his native planet. The mechanism of the poem is a little cumbrous; the feeling is intense and not seldom grim and gloomy, the rhythm is often wantonly faulty and broken, and the author relies for the effect of his style upon directness and iteration, in even a greater degree-if that were possible-than did Young upon the epigrammatic and paradoxical. HAPPINESS. Whether in crowds or solitudes, in streets And with the nymph made assignations there, Advised their sons to court her in the shade. Was self-approving, God-approving joy, True, these were of themselves exceeding fair : How fair at morn and even! worthy the walk Of loftiest mind, and gave, when all within Was right, a feast of overflowing bliss, But were the occasion, not the cause of joy. They waked the native fountains of the soul, Which slept before; and stirred the holy sides Of feeling up, giving the heart to drink, From its own treasures, draughts of perfect sweet. The Christian faith, which better knew the heart Of man, him thither sent for peace, and thus Declared: Who finds it, let him find it there; Who finds it not, for ever let him seek In vain-'tis God's most holy, changeless will. True Happiness had no localities, But these apart. In sacred memory lives The morn of life, first morn of endless daysMost joyful morn! nor yet for nought the joy. A being of eternal date commenced; A young immortal then was born; and who The glorious earth, and glorious heaven, and face All new! when thought awoke, thought never more Nor happy only, but the cause of joy, Which those who never tasted, always mourned. All who had hearts here pleasure found: and oft My weary thoughts among their guiltless sports, And watched them run and cross the tempting flower, Of praise and answered curious questions, put And heard their observations, strange and new; Young loves, young hopes, dancing on morning's cheek, So beautiful, so full of life, they seemed |