And for the way I am prepared SOUL. Then we're agreed; and for thy fare, As for the trouble of the way Which, dark or strait, cannot be long, STANZAS. What if a day, or a month, or a year, Crown thy delights with a thousand wisht contentings, May not the chance of a night, or an hour, Cross those delights with as many sad tormentings? Are but blossoms dying; Are but toys, Idle thoughts deceiving: None hath power Half an hour Of his life's bereaving. The earth's but a point of the world, and a man As to delight in a silly point's adventer? There is nothing biding; Days of pleasure are like streams Time doth go, There is no returning. Secret fates Guide our states, Both in mirth and mourning. What shall a man desire in this world, Since there is nought in this world that's worth desiring? Let not a man cast his eyes to the earth, But to the heavens, with his thoughts high aspiring. Be assured thy days are told: THOMAS HEYWOOD was an actor; and of so great fecundity as a writer of plays that, for prolific production, his name must be placed soon after that of Lope de Vega on the roll of dramatic authors. He claims to have had "an entire hand, or at least a main finger," in no fewer than two hundred and twenty plays, of which only twentythree have survived to our time. Of these perhaps the best known is "A Woman Killed with Kindness," which was produced in the year 1617. He had begun to write for the stage as early as 1596; and his last work, published in 1658, was an "Actor's Vindication." Little is known of the events of his life. The time of his birth is not ascertained; but it appears that he was a native of Lincolnshire, and a some time fellow of Peterhouse, Cambridge. The approximate year of his death is given as above by inference from the date of his last work coupled with a remark made by him in the preface to his "Hierarchie" (1635), that Time "will never suffer our brains to leave working till our pulses cease beating." It is with this work, from which the following powerful poem is taken, that we are concerned; and, as it is little known, a short description of it may not be out of place. It was written when the author was already in his old age; when time, to use his own words, had "cast snow upon his head." It is entitled "The Hierarchie of the Blessed Angells: their Names, Orders, and Offices. The Fall of Lucifer, with his Angells." The dedication is melancholy for its unrealized expression of confidence in the good fortune of the king: "To the Most Excellent and Incomparable Lady, as famous for her illustrious vertues, as fortunat in her regall issue; Henretta Maria, Queene: The Royall Consort and Spouse of the puissant and invincible Monarch, our dread Soveraigne, King Charles." The nine books into which it is divided treat of (1) Seraphim, (2) Cherubim, (3) The Thrones, (4) The Dominations, (5) The Vertues, (6) the Powers, (7) The Principats, (8) The Arch-Angell, (9) The Angell; and the orders of this hierarchy are represented severally by (1) Uriel, (2) Jophiel, (3) Zaphkiel, (4) Zadkiel, (5) Haniel, (6) Raphael, (7), Chamael, (8) Michael, (9) Gabriel. Each book is followed by "Theological, philosophical, moral, poetical, historical, apothegmatical, hieroglyphical, and emblematical observations to the further illustration of the Former (foregoing) Tractate." The "Search after God" is a poetical "meditation" upon the first book, and is called in the metrical argument of the author"A Quære made the world throughout, To find the GOD of whom some doubt." The meditations generally are thoroughly religious, ex perimental, and often profound. Heywood's verse is deficient in harmony; but his directness, earnestness, and solemnity, frequently carry him far in the direction of the sublime. SEARCH AFTER GOD. I sought Thee round about, O Thou my God! I said unto the Earth, " Speak, art thou He?" "I am not." I inquired of creatures all, In general, Contained therein;-they with one voice proclaim, I asked the seas, and all the deeps below, I asked the reptiles, and whatever is Even from the shrimp to the Leviathan But in those deserts which no line can sound I asked the air, If that were He? but know I, from the towering eagle to the wren, If any feathered fowl 'mongst them were such; Offended with my question, in full quire I asked the heavens, sun, moon, and stars; but they The God thou seek'st." I asked what eye or ear What in the world I might descry or know, Above, below: With an unanimous voice all these things said, I asked the world's great universal mass, Which with a mighty and strong voice replied, "I am not He, O man! for know that I By Him on high Was fashioned first of nothing, thus instated I did inquire for Him in flourishing peace, For when I saw what vices, what impurity, (As pride, self-love, lust, surfeit, and excess), Than stay my search; knowing where these abound, God may be sought, but is not to be found. I thought then I might find Him out in war; As at the first; for in revenge and rage, Where unjust quarrels are commenced, and might Where zeal and conscience yield way to sedition, I sought the court; but smooth-tongued Flattery therc In the thronged city there was selling, buying, In the country, craft in simpleness arrayed: "Vain is my search, although my pains be great; All these demands are the true consideration, Of creatures, touching God: all which, accited, Either in air or sea, the earth or sky, Make this reply: "To rob Him of his worship none persuade us; Since it was He, and not our own hands made us." H |