The Resisting Muse: Popular Music and Social ProtestThe contributors in this volume examine the various ways in which popular music has been deployed as anti-establishment and how such opposition both influences and responds to the music produced. |
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Contenido
so many and so few | 3 |
Michelle Shocked | 30 |
from Belafonte to Bono | 49 |
hiphop in the aftermath of postmodernity | 65 |
popular music race and the articulation | 75 |
women in rap | 89 |
popular music as a representation of Australian | 119 |
The bleak country? The Black Country and the rhetoric of escape | 132 |
heavy metal as a reinvention of social | 149 |
cassettetapes authorship and the privatization | 163 |
Gothic music and the decadent individual | 177 |
the failure of protest in straight edge | 189 |
Bibliography | 206 |
222 | |
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Términos y frases comunes
Aboriginal activities album American appear argue artists attempt audience authenticity bands became become Bragg causes claim concerts connection continue Country created critics culture decades drugs early effect emerged engagement established example exist experience expression fact feminist figure folk force future genre Guthrie hip-hop human ideas identity important independent individual interest issues kind language largely less listeners live means movement musicians noted notion original particular past performers perhaps played political popular music position possible practices present problems projects protest songs punk quoted racial Rastafarian recording reference reggae resistance rock role roll scene sense sing singers social sort sound straight edge suggests tape things topical traditional United University vision women writes young youth
Referencias a este libro
Making Music in Japan s Underground: The Tokyo Hardcore Scene Jennifer Milioto Matsue Sin vista previa disponible - 2008 |