Anglia: Zeitschrift für englische Philologie, Volumen24M. Niemeyer, 1901 |
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Página 11
... meist bezeichnet durch f'e , f'ma etc .; forohtandum Prf . 4 , 16 ; gode Prf . 1 , 2 ; godspellere Prf . 1 , 2 ; golde 188 , 5 ; hlott XIX , 24 ; locc Prf . 6 , 2 ; losas Prf . 4 , 17 ; los- uistes XVII , 12 ; morgen XVIII , 28 ; oft I ...
... meist bezeichnet durch f'e , f'ma etc .; forohtandum Prf . 4 , 16 ; gode Prf . 1 , 2 ; godspellere Prf . 1 , 2 ; golde 188 , 5 ; hlott XIX , 24 ; locc Prf . 6 , 2 ; losas Prf . 4 , 17 ; los- uistes XVII , 12 ; morgen XVIII , 28 ; oft I ...
Página 15
... meist als ei . Westgerm . ë liegt zu grunde bei deign 1 , 45 ; deignas Prf . 1 , 14 etc. ( 7 ) ( daneben degn s . unter e ) ; forleigere VIII , 41 ; auch im lehnwort reigluord IV , 46 ( daneben regluord IV , 49 ) ; auch für ursprünglich ...
... meist als ei . Westgerm . ë liegt zu grunde bei deign 1 , 45 ; deignas Prf . 1 , 14 etc. ( 7 ) ( daneben degn s . unter e ) ; forleigere VIII , 41 ; auch im lehnwort reigluord IV , 46 ( daneben regluord IV , 49 ) ; auch für ursprünglich ...
Página 17
... meist als ei . Westgerm . ë liegt zu grunde bei deign 1 , 45 ; deignas Prf . 1 , 14 etc. ( 7 ) ( daneben degn s . unter e ) ; forleigere VIII , 41 ; auch im lehnwort reigluord IV , 46 ( daneben regluord IV , 49 ) ; auch für ursprünglich ...
... meist als ei . Westgerm . ë liegt zu grunde bei deign 1 , 45 ; deignas Prf . 1 , 14 etc. ( 7 ) ( daneben degn s . unter e ) ; forleigere VIII , 41 ; auch im lehnwort reigluord IV , 46 ( daneben regluord IV , 49 ) ; auch für ursprünglich ...
Página 24
... ( meist analogisch wieder eingeführten ) a ist ć ( S. § 89,3 ) . So in der flexion von fara : 2.3.sg. fćris XI , 8 ; fćrćs XII , 19 ; fćres XIII , 3 etc. Ferner wohl auch bei sćcga gegenüber wests . secgean : pl . ind . sćgces XVIII , 29 ...
... ( meist analogisch wieder eingeführten ) a ist ć ( S. § 89,3 ) . So in der flexion von fara : 2.3.sg. fćris XI , 8 ; fćrćs XII , 19 ; fćres XIII , 3 etc. Ferner wohl auch bei sćcga gegenüber wests . secgean : pl . ind . sćgces XVIII , 29 ...
Página 29
... meist flexionssilben angehört , er- zeugt wird , erfährt er durch ausgleichungen vielfach störung . Gewöhnlich tritt der umlaut nur vor einfachem konsonanten ein , doch findet er sich vereinzelt auch vor konsonantgruppen , s . unten ...
... meist flexionssilben angehört , er- zeugt wird , erfährt er durch ausgleichungen vielfach störung . Gewöhnlich tritt der umlaut nur vor einfachem konsonanten ein , doch findet er sich vereinzelt auch vor konsonantgruppen , s . unten ...
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Términos y frases comunes
2JP III 2WiP Abbey alkin Anglia apokopiert Bacon Bailey Beispiele belege Bokenam briefe Brown Capgrave Caxton Chaucer Chaucer's Colvin dichter diphthong dist distichon eall endung English erscheint erst Ezech finden findet flexion folgenden formen found gedichte gemination George gilden give godspell good häufig Haydon Hunt John John Keats Kath Keats konsonanten kritik L. J. zs lehnwort lich Londoner urkunden Lydgate make Makk Matth meist Mirour Morsbach N. F. XII nasal Norf Norfolk Oxford palatale Paston Letters Pecock ping play plays plur plural praes praet Römstedt schreibt Schwache verba selten sing Skeat stets Suffolk synkope take thing Ueber umlaut unserem VIII vokal Wakefield werke Westgerm Wife wohl wort Wycliffe XVII XVIII ţat ţei
Pasajes populares
Página 196 - Dilke on various subjects; several things dove-tailed in my mind, and at once it struck me what quality went to form a Man of Achievement, especially in Literature, and which Shakespeare possessed so enormously— I mean Negative Capability, that is, when a man is capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason...
Página 159 - The imagination of a boy is healthy, and the mature imagination of a man is healthy, but there is a space of life between in which the soul is in a ferment, the character undecided, the way of life uncertain, the ambition thick-sighted...
Página 164 - Praise or blame has but a momentary effect on the man whose love of beauty in the abstract makes him a severe critic on his own works. My own domestic criticism has given me pain without comparison beyond what " Blackwood" or the "Quarterly" could possibly inflict : and also when I feel I am right, no external praise can give me such a glow as my own solitary reperception and ratification of what is fine. JS is perfectly right in regard to the
Página 199 - When I am in a room with people, if I ever am free from speculating on creations of my own brain, then, not myself goes home to myself, but the identity of every one in the room begins to press upon me, [so] that I am in a very little time annihilated — not only among men ; it would be the same in a nursery of children.
Página 172 - Here are sweet peas, on tip-toe for a flight : With wings of gentle flush o'er delicate white, And taper fingers catching at all things, To bind them all about with tiny rings.
Página 149 - ... once covered his tongue and throat as far as he could reach with cayenne pepper in order to appreciate the "delicious coldness of claret in all its glory"— his own expression.
Página 166 - I feel every confidence that, if I choose, I may be a popular writer. That I will never be ; but for all that I will get a livelihood. I equally dislike the favour of the public with the love of a woman. They are both a cloying treacle to the wings of Independence.
Página 195 - A poet is the most unpoetical of anything in existence, because he has no identity— he is continually in for and filling some other body.
Página 161 - Keats, however, deprecates criticism on this ' immature and feverish work' in terms which are themselves sufficiently feverish; and we confess that we should have abstained from inflicting upon him any of the tortures of the 'fierce hell' of criticism, which terrify his imagination, if he had not begged to be spared in order that he might write more ; if we had not observed in him a certain degree of talent which deserves to be put in the right way, or which, at least, ought to be warned of the wrong...
Página 195 - As to the poetical character itself (I mean that sort, of which, if I am anything, I am a member ; that sort distinguished from the Wordsworthian, or egotistical Sublime ; which is a thing per se, and stands alone), it is not itself — it has no self- -It is...