Pastiches, Parodies and Other Imitations / Pastiches, Parodies and Autres ImitationsMarius Buning, Matthijs Engelberts, Sjef Houppermans Rodopi, 2002 - 325 páginas |
Dentro del libro
Resultados 1-5 de 25
Página 35
... , and in particular has proven difficult to square with Beckett's parodic undermining of literary forms.3 The discussion that follows will suggest 35 Michael D'Arcy THE TASK OF THE LISTENER: Beckett, Proust, Perpetual Translation 35.
... , and in particular has proven difficult to square with Beckett's parodic undermining of literary forms.3 The discussion that follows will suggest 35 Michael D'Arcy THE TASK OF THE LISTENER: Beckett, Proust, Perpetual Translation 35.
Página 36
... discussion that follows will suggest that Beckett's reference to music in Proust is more closely connected to the parodic gesture in his work referred to above than has often been recog- nized . The conception of music that Beckett ...
... discussion that follows will suggest that Beckett's reference to music in Proust is more closely connected to the parodic gesture in his work referred to above than has often been recog- nized . The conception of music that Beckett ...
Página 37
... discussion of music should be elided with an endorsement of the reconcilia- tory capabilities of the literary symbol . The issue we are concerned with here may be framed in the following terms : should Beckett's reference to music in ...
... discussion of music should be elided with an endorsement of the reconcilia- tory capabilities of the literary symbol . The issue we are concerned with here may be framed in the following terms : should Beckett's reference to music in ...
Página 38
... discussion for our purposes is the connection he makes between metaphor and music in Proust . Dandieu connects involuntary memory to both Proustian metaphor and to music . At points , he identifies involuntary memory with metaphor : he ...
... discussion for our purposes is the connection he makes between metaphor and music in Proust . Dandieu connects involuntary memory to both Proustian metaphor and to music . At points , he identifies involuntary memory with metaphor : he ...
Página 40
... discussion suggests that literary allegory involves a reconciliation of conceptual thought with particular perception : " [ ... ] so does the poet know how to precipitate , as it were , the concrete , the individual , the representation ...
... discussion suggests that literary allegory involves a reconciliation of conceptual thought with particular perception : " [ ... ] so does the poet know how to precipitate , as it were , the concrete , the individual , the representation ...
Contenido
11 | |
21 | |
35 | |
55 | |
Florence Godeau | 71 |
Julie Campbell | 81 |
Steve Barfield and Philip | 93 |
Michèle Touret | 107 |
Sophie Ratcliffe | 147 |
Sinead Mooney | 163 |
Véronique Védrenne | 177 |
Yoshiki Tajiri | 193 |
David Hayman | 205 |
Matthew Feldman | 215 |
Lois Oppenheim | 235 |
Deborah Weagel | 249 |
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Pastiches, Parodies & Other Imitations / Pastiches, Parodies & Autres Imitations Matthijs Engelberts,Marius Buning,Sjef Houppermans Sin vista previa disponible - 2002 |
Términos y frases comunes
aesthetic allusions Augustine autres Beckett's texts Beckettian Belacqua bien body Burton c'est Calder Carlyle Carlyle's Clov couvercles critical d'une dark Dasein death deux discourse Dream Duthuit Endgame essay Estragon être fait fiction Fin de Partie fois Ghost Trio Gontarski Hamm Hamm's Ill Seen Ill intertextual involuntary memory James Knowlson John John Cage Joyce Krapp's Last Tape l'œuvre language light literary literature London machine Maguy Marin Manichaean Manichaeism Marinetti Middling Women Minuit Molloy monologue Murphy musical passage n'est Nagg narrative narrator nature morte Notebook notes novel object œuvre Paris parodique parody peinture personnages peut pièce play poubelles Pozzo premier Pricks than Kicks propre prose protagonist Proust qu'il reading reference representation rien Rodopi Samuel Beckett scène Schopenhauer Schopenhauer's sense seul silence suggests symbolic temps textual théâtre Three Dialogues tion tout trans translation Unnamable Vladimir voice Waiting for Godot Watt words writing York
Pasajes populares
Página 157 - What is a man, If his chief good and market of his time Be but to sleep and feed? a beast, no more. Sure he that made us with such large discourse, Looking before and after, gave us not That capability and god-like reason To fust in us unus'd.
Página 127 - The light which enlightens, which has enlightened the darkness of the world ; and this not as a kindled lamp only, but rather as a natural luminary shining by the gift of Heaven ; a flowing light-fountain, as I say, of native original insight, of manhood and heroic nobleness ; — in whose radiance all souls feel that it is well with them.
Página 260 - Moment upon moment, pattering down, like the millet grains of... (he hesitates) . . . that old Greek, and all life long you wait for that to mount up to a life.
Página 122 - We cannot look, however imperfectly, upon a great man, without gaining something by him. He is the living light-fountain, which it is good and pleasant to be near.
Página 81 - You invent nothing, you think you are inventing, you think you are escaping, and all you do is stammer out your lesson, the remnants of a pensum one day got by heart and long forgotten, life without tears, as it is wept.
Página 300 - ... table of basic stimuli one sing nails in armpit two speak blade in arse three stop thump on skull four louder pestle on kidney five softer index in anus six bravo clap athwart arse seven lousy same as three eight encore same as one or two as may be...
Página 70 - Flagellation and the Flagellants. — A History of the Rod in all Countries, from the Earliest Period to the Present Time. By the Rev. W. COOPER, BA Second Edition, revised and corrected, with numerous Illustrations.
Página 44 - Une impression de ce genre, pendant un instant, est pour ainsi dire sine materia.