Shakespeare and the Modern Stage: With Other EssaysConstable, 1906 - 251 páginas |
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Página 19
... human society -but to the superior imaginative faculty of adult Elizabethan or Jacobean playgoers , in whom , as in Garrick's time , the needful dramatic illusion was far more easily evoked than it is nowadays . This is no exhilarating ...
... human society -but to the superior imaginative faculty of adult Elizabethan or Jacobean playgoers , in whom , as in Garrick's time , the needful dramatic illusion was far more easily evoked than it is nowadays . This is no exhilarating ...
Página 30
... human nature that literature had known , and , as subsequent ex- perience has proved , was likely to know . There is evidence that throughout his lifetime and for a generation afterwards his plays drew crowds to pit , boxes , and ...
... human nature that literature had known , and , as subsequent ex- perience has proved , was likely to know . There is evidence that throughout his lifetime and for a generation afterwards his plays drew crowds to pit , boxes , and ...
Página 32
... human feeling , which were to inspire Titanic achievements in the future . Soon after , Shakespeare scaled the tragic heights of Romeo and Juliet , and he was hailed as the prophet of a new world of art . Fashionable London society then ...
... human feeling , which were to inspire Titanic achievements in the future . Soon after , Shakespeare scaled the tragic heights of Romeo and Juliet , and he was hailed as the prophet of a new world of art . Fashionable London society then ...
Página 36
... human faculty , still , from some points of view , there is ground for surprise that the Elizabethan playgoer's enthusiasm for Shakespeare's work was so marked and unequivocal as we know that it was . Let us consider for a moment the ...
... human faculty , still , from some points of view , there is ground for surprise that the Elizabethan playgoer's enthusiasm for Shakespeare's work was so marked and unequivocal as we know that it was . Let us consider for a moment the ...
Página 46
... humanity so abominably . " The player amiably responds : " I hope we have reformed that indifferently with us . " Shakespeare in the person of Hamlet retorts in a tone of some impatience : " O ! reform it altogether . And let those that ...
... humanity so abominably . " The player amiably responds : " I hope we have reformed that indifferently with us . " Shakespeare in the person of Hamlet retorts in a tone of some impatience : " O ! reform it altogether . And let those that ...
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acting actor actor-manager actor-manager system actors and actresses artistic audience Ben Jonson Benson's Betterton biography career character Charles comedy contemporary critical Cymbeline D'Avenant D'Avenant's death dramatic art dramatist Drury Lane Dryden Elizabethan Elizabethan playgoer endeavour England English experience French genius gossip Hamlet Henry histrionic honour imagination interests of dramatic Jonson Julius Cæsar King less literary drama literature London London County Council Lowin Macbeth manager memory ment methods Midsummer Night's Dream modern monument moral municipal theatre nation never Nicholas Rowe oral tradition Othello patriotic instinct Pepys's performance Phelps Phelps's philosophy piece playgoing playhouse plays of Shakespeare poet poet's poetic poetry present produced realise rendered reputation Richard II rôles scene scenery scenic sentiment seventeenth century Shake Shakespeare's plays Shakespearean drama speare speare's spearean spectacular speech stage Stratford Stratford-on-Avon Tempest theatrical enterprise tion tragedy Twelfth Night William Beeston William D'Avenant writing wrote