Carnival and Theater (Routledge Revivals): Plebian Culture and The Structure of Authority in Renaissance EnglandRoutledge, 2014 M03 18 - 250 páginas In this title, first published in 1985, Michael Bristol draws on several theoretical and critical traditions to study the nature and purpose of theatre as a social institution: on Marxism, and its revisions in the work of Mikhail Bakhtin; on the theories of Emile Durkheim and their adaptations in the work of Victor Turner; and on the history of social life and material culture as practiced by the Annales school. This valuable work is an important contribution to literary criticism, theatre studies and social history and has particular importance for scholars interested in the dramatic literature of Elizabethan England. |
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... Theatrical spectacle and the theatricalization of social and intellectual life were common to virtually all social groups, corporations, and communities in Renaissance England, primarily in informal, amateur organizations. The ...
... Theatrical spectacle and the theatricalization of social and intellectual life were common to virtually all social groups, corporations, and communities in Renaissance England, primarily in informal, amateur organizations. The ...
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... theatrical spectacle. Renaissance drama is important in that it invites consideration of forms of collective life and of subjectivity other than those proposed and legitimated by a hegemonic culture. The problem of specifying the ...
... theatrical spectacle. Renaissance drama is important in that it invites consideration of forms of collective life and of subjectivity other than those proposed and legitimated by a hegemonic culture. The problem of specifying the ...
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... theatrical performances and thus a concrete social and institutional mise—en—scéne. Although in some cultural settings theater has a relatively clear and well-defined relationship to the social structure as a whole, the theater of ...
... theatrical performances and thus a concrete social and institutional mise—en—scéne. Although in some cultural settings theater has a relatively clear and well-defined relationship to the social structure as a whole, the theater of ...
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... theatrical activity are the reflection and the instrument of that world picture, which has an autonomous and virtually objective existence, independent of its actualization in concrete literary, theological or political writing. Even ...
... theatrical activity are the reflection and the instrument of that world picture, which has an autonomous and virtually objective existence, independent of its actualization in concrete literary, theological or political writing. Even ...
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Contenido
PART II THE TEXTS OF CARNIVAL | 55 |
PART III THEATER AND THE STRUCTURE OF AUTHORITY | 105 |
PART IV CARNIVALIZED LITERATURE | 157 |
Notes | 214 |
Bibliography | 226 |
Index | 235 |
Otras ediciones - Ver todas
Carnival and Theater (Routledge Revivals): Plebian Culture and The Structure ... Michael D. Bristol Vista previa limitada - 2014 |
Carnival and Theater: Plebeian Culture and the Structure of Authority in ... Michael D. Bristol Vista de fragmentos - 1989 |
Carnival and Theater: Plebeian Culture and the Structure of Authority in ... Michael D. Bristol Vista de fragmentos - 1985 |
Términos y frases comunes
abundance abuse action activity allocation audience authority Bakhtin Battle of Carnival butchers Carnival and Lent celebration character Claudius clown collective common complex concept conflict critical death discourse dramatic Durkheim E.P. Thompson early modern economic elaborate elite Elizabethan Emile Durkheim epically distanced everyday existence experience Falstaff Faustus festive agon fishmongers folly function Hamlet hierarchy identity ideology individual interpretation Jack king language laughing matter laughter Lenten Lenten Stuffe liminal literary literature Locrine London marriage material matter of Britain Midsummer Night's Dream Mikhail Bakhtin misrule narrative Nashe objectified pageantry pattern play plebeian culture political popular culture popular festive form practice Praise of Folly privileged production Rabkin radical relationship Renaissance represented reveals scene sexual Shakespeare social discipline social structure society speech types strategy Strumbo sustained symbols theater theatrical theory Theseus Thomas Nashe thou thrashing Tillyard tion traditional transgression travesty uncrowning University Press utopian Victor Turner violence wealth