Carnival and Theater (Routledge Revivals): Plebian Culture and The Structure of Authority in Renaissance EnglandRoutledge, 2014 M03 18 - 250 páginas In this title, first published in 1985, Michael Bristol draws on several theoretical and critical traditions to study the nature and purpose of theatre as a social institution: on Marxism, and its revisions in the work of Mikhail Bakhtin; on the theories of Emile Durkheim and their adaptations in the work of Victor Turner; and on the history of social life and material culture as practiced by the Annales school. This valuable work is an important contribution to literary criticism, theatre studies and social history and has particular importance for scholars interested in the dramatic literature of Elizabethan England. |
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Página 6
... individual subjects, such as Shakespeare, has been, even in the most strongly revisionist critical texts, analyzed primarily in light of the image power has of itself as an infinitely resourceful center of initiative, surveillance and ...
... individual subjects, such as Shakespeare, has been, even in the most strongly revisionist critical texts, analyzed primarily in light of the image power has of itself as an infinitely resourceful center of initiative, surveillance and ...
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... individual act of creativity. They also disregard one social group's expropriation of the forms created by another. Elizabethan drama was not created by and for 'Elizabethans' in general: both institutions and specific texts were ...
... individual act of creativity. They also disregard one social group's expropriation of the forms created by another. Elizabethan drama was not created by and for 'Elizabethans' in general: both institutions and specific texts were ...
Página 15
... individual or self in relation to power, Greenblatt relies on a greatly reduced conception of social and collective experience. In a brief but important passage on the poetry of Thomas Wyatt, Greenblatt takes pains to distinguish his ...
... individual or self in relation to power, Greenblatt relies on a greatly reduced conception of social and collective experience. In a brief but important passage on the poetry of Thomas Wyatt, Greenblatt takes pains to distinguish his ...
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Contenido
PART II THE TEXTS OF CARNIVAL | 55 |
PART III THEATER AND THE STRUCTURE OF AUTHORITY | 105 |
PART IV CARNIVALIZED LITERATURE | 157 |
Notes | 214 |
Bibliography | 226 |
Index | 235 |
Otras ediciones - Ver todas
Carnival and Theater (Routledge Revivals): Plebian Culture and The Structure ... Michael D. Bristol Vista previa limitada - 2014 |
Carnival and Theater: Plebeian Culture and the Structure of Authority in ... Michael D. Bristol Vista de fragmentos - 1989 |
Carnival and Theater: Plebeian Culture and the Structure of Authority in ... Michael D. Bristol Vista de fragmentos - 1985 |
Términos y frases comunes
abundance abuse action activity allocation audience authority Bakhtin Battle of Carnival butchers Carnival and Lent celebration character Claudius clown collective common complex concept conflict critical death discourse dramatic Durkheim E.P. Thompson early modern economic elaborate elite Elizabethan Emile Durkheim epically distanced everyday existence experience Falstaff Faustus festive agon fishmongers folly function Hamlet hierarchy identity ideology individual interpretation Jack king language laughing matter laughter Lenten Lenten Stuffe liminal literary literature Locrine London marriage material matter of Britain Midsummer Night's Dream Mikhail Bakhtin misrule narrative Nashe objectified pageantry pattern play plebeian culture political popular culture popular festive form practice Praise of Folly privileged production Rabkin radical relationship Renaissance represented reveals scene sexual Shakespeare social discipline social structure society speech types strategy Strumbo sustained symbols theater theatrical theory Theseus Thomas Nashe thou thrashing Tillyard tion traditional transgression travesty uncrowning University Press utopian Victor Turner violence wealth