The Collected Poems of Amy ClampittKnopf, 1997 - 471 páginas When Amy Clampitt's first book of poems, The Kingfisher, was published in January 1983, the response was jubilant. The poet was sixty-three years old, and there had been no debut like hers in recent memory. "A dance of language," said May Swenson. "A genius for places," wrote J. D. McClatchy, and the "New York Times Book Review" said, "With the publication of her brilliant first book, Clampitt immediately merits consideration as one of the most distinguished contemporary poets." She went on to publish four more collections in the next eleven years, the last one, A Silence Opens, appearing in the year she died. Now, for the first time, the five collections are brought together in a single volume, allowing us to experience anew the distinctiveness of Amy Clampitt's voice: the brilliant language--an appealing mix of formal and everyday expression--that poured out with such passion and was shaped in rhythms and patterns entirely her own. Amy Clampitt's themes are the very American ones of place and displacement. She, like her pioneer ancestors, moved frequently, but she wrote with lasting and deep feeling about all sorts of landscapes--the prairies of her Iowa childhood, the fog-wrapped coast of Maine, and places she visited in Europe, from the western isles of Scotland to Italy's lush countryside. She lived most of her adult life in New York City, and many of her best-known poems, such as "Times Square Water Music" and "Manhattan Elegy," are set there. She did not hesitate to take on the larger upheavals of the twentieth century--war, Holocaust, exile--and poems like "The Burning Child" and "Sed de Correr" remind us of the dark nightmare lurking in the interstices of ourdaily existence. It is impossible to speak of Amy Clampitt's poetry without mentioning her immense, lifelong love of birds and wildflowers, a love that produced some of her most profound images--like the kingfisher's "burnished plunge, the color / of felicity afire," which came "glancing like an arrow / through landscapes of untended memory" to remind her of the uninhabitable sorrow of an affair gone wrong; or the sun underfoot among the sundews, "so dazzling / . . . that, looking, / you start to fall upward." The Collected Poems offers us a chance to consider freshly the breadth of Amy Clampitt's vision and poetic achievement. It is a volume that her many admirers will treasure and that will provide a magnificent introduction for a new generation of readers. With a foreword by Mary Jo Salter |
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Página 101
... dream that his child was standing beside his bed , caught him by the arm and whispered reproachfully : " Father , don't you see I'm burning ? " FREUD , The Interpretation of Dreams Dreamwork , the mnemonic flicker of the wave of lost ...
... dream that his child was standing beside his bed , caught him by the arm and whispered reproachfully : " Father , don't you see I'm burning ? " FREUD , The Interpretation of Dreams Dreamwork , the mnemonic flicker of the wave of lost ...
Página 154
... dream he'd had came back as pure enjoyment . Welcomed by Francesca , late of Rimini , into the storm of starlings , joined to another solely by a kiss , for what had seemed an aeon's celestial levitation , HE DREAMS OF BEING WARM he had ...
... dream he'd had came back as pure enjoyment . Welcomed by Francesca , late of Rimini , into the storm of starlings , joined to another solely by a kiss , for what had seemed an aeon's celestial levitation , HE DREAMS OF BEING WARM he had ...
Página 155
... dream . Damp , half - charred firewood brought in from the rain , it wouldn't kindle - until , on the twenty - first of April , in an aubade set to the starved meter of a ballad , he harpooned the levitating kiss , and quartered it ...
... dream . Damp , half - charred firewood brought in from the rain , it wouldn't kindle - until , on the twenty - first of April , in an aubade set to the starved meter of a ballad , he harpooned the levitating kiss , and quartered it ...
Contenido
The Cove | 5 |
Beach Glass | 11 |
On the Disadvantages of Central Heating | 17 |
Derechos de autor | |
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already arrive asked become begin beside bloom blue body breathing brought called church close cold comes dark dead dream drowned edge everything eyes face fall father finally fire flower garden gives gone green grow half hands he'd head hear heard hollow hour imagined Italy John keep knew land later leaves less letter light lines live look lost memory merely mind morning mother moving nature never night once passing past poems prairie rain rose round running seems seen shore silence single spring stand stone strange Street summer tell there's thing thought took trees turned wait walk wall weather week whole wind window winter write wrote