others praise, and that highly, not to speak it profanely, that, neither having the accent of Christians nor the gait of Christian, pagan, nor man, have so strutted and bellowed that I have thought some of nature's journeymen had made men and not made them well, they imitated humanity so abominably. First Player. I hope we have reformed that indifferently with us. Hamlet. O! reform it altogether. And let those that play your clowns speak no more than is set down for them; for there be of them that will themselves laugh, to set on some quantity of barren spectators to laugh too, though in the mean time some necessary question of the play be then to be considered ; that's villanous, and shows a most pitiful ambition in the fool that uses it. Hamlet, III. ii. 1-50 The character of a player (two views) The best in this kind are but shadows, and the worst are no worse, if imagination amend them. A Midsummer Night's Dream, v. i. 215 Whatsoever is commendable to the grave orator, is most exquisitely perfect in him; for by a full and significant action of body, he charms our attention: sit in a full theatre, and you will think you see so many lines drawn from the circumference of so many cars, whiles the actor is the centre. He doth not strive to make nature monstrous; she is often seen in the same scene with him, but neither on stilts nor crutches; and for his voice, 'tis not lower than the prompter, nor louder than the foil and target. By his action he fortifies moral precepts with examples; for what we see him personate, we think truly done before us a man of a deep thought might apprehend the ghost of our ancient heroes walked again, and take him (at several times) for many of them. He is much affected to painting, and 'tis a question whether that make him an excellent player, or his playing an excellent painter. He adds grace to the poet's labours: for what in the poet is but ditty, in him is both ditty and music. He entertains us in the best leisure of our life, that is between meals, the most unfit time either for study or bodily exercise. The flight.of hawks and chase of wild beasts, either of them are delights noble: but some think 44444 this sport of men the worthier, despite all calumny. All men have been of his occupation: and indeed, what he doth feignedly, that do others essentially: this day one plays a monarch, the next a private person. Here one acts a tyrant, on the morrow an exile: a parasite this man to-night, to-morrow a precisian, and so of divers others. I observe, of all men living, a worthy actor in one kind is the strongest motive of affection that can be: for when he dies, we cannot be persuaded any man can do his parts like him. But to conclude, I value a worthy actor by the corruption of some few of the quality, as I would do gold in the ore; I should not mind the dross, but the purity of the metal. Sir THOMAS OVERBURY, Characters 1614—16 Players are discredited in the very subject of their profession, which is only scratching the itching humours of scabbed minds with pleasing content and profane jests; and how can he be well reputed, that employs all his time in vanity and lies, counterfeiting and practising nothing else. Player is afraid of the plague, as much as a coward of a musket: for as death is formidable to the one, so is poverty and wants to the other. Player is afraid of the statute, for if he have no better supportation than his profession, he is neither admitted in public, nor if he be a roamer dares justify himself in private, being a flat rogue by the statute. Player's practices can hardly be warranted in religion: for a man to put on woman's apparel, and a woman a man's, is plain prohibition; I speak not of execrable oaths, artificial lies, discoveries of cozenage, scurrilous words, obscene discourses, corrupt courtings, licentious motions, lascivious actions, and lewd jestures: for all these are incident to other men. But here is the difference in these they come by imperfection, in them by profession. Player is a great spender, and indeed may resemble strumpets, who get their money filthily, and spend it profusely. Player is much out of countenance, if fools do not laugh at them, boys clap their hands, peasants ope their throats, and the rude rascal rabble cry "excellent, excellent”: the knaves have acted their parts in print. Player hath many times many excellent qualities: as dancing, activity, music, song, elocution, ability of body, memory, vigilancy, skill of weapon, pregnancy of wit, and such like: in all which he resembleth an excellent spring of water, which grows the more sweeter and the more plentiful by the often drawing out of it: so are all these the more perfect and plausible by the often practice. Player is at the first very bashful, as stricken with amaze at the multitude, which being of various dispositions, will censure him accordingly: but custom maketh perfectness, and emboldeneth him sometimes to be shameless. Player must take heed of wrested and enforced action: for if there be not a facility in his deliverance, and as it were a natural dexterity, it must needs sound harsh to the auditor, and procure his distaste and displeasure. Player is like a garment which the tailor maketh at the direction of the owner; so they frame their action at the disposing of the poet : so that in truth they are reciprocal helps to one another; for the one writes for money, and the other plays for money, and the spectator pays his money. T. G., The Rich Cabinet 1616 The magnificence of players' dress Overlashing in apparel is so common a fault, that the very hirelings of some of our players, which stand at reversion of six shillings by the week, jet it under gentlemen's noses in suits of silk, exercising themselves to prating on the stage, and common scoffing when they come abroad, where they look askance over the shoulder at every man, of whom the Sunday before they begged an alms. I speak not this, as though every one that professeth the quality so abused himself, for it is well known that some of them are sober, discreet, properly learned, honest householders and citizens, well thought on amongst their neighbours at home, though the pride of their shadows (I mean those hangbys whom they succour with stipend) cause them to be somewhat ill talked of abroad. STEPHEN GOSSON, The Schoole of Abuse 1579 A story of the Queen's players touring in the provinces [see also p. 20] Amongst other choleric wise justices he was one, that having a play presented before him and his township by Tarlton and the rest of his fellows, her Majesty's servants, and they were now entering into their first merriment (as they call it), the people began exceedingly to laugh when Tarlton first peeped out his head. Whereat the justice, not a little moved, and seeing with his becks and nods he could not make them cease, he went with his staff, and beat them round about unmercifully on the bare pates, in that they, being but farmers and poor country hinds, would presume to laugh at the Queen's ́ men, and make no more account of her cloth in his presence. THOMAS NASHE, Pierce Penilesse 1592 A royal licence for Shakespeare's company, James by the grace of God etc. To all justices, mayors, sheriffs, constables, headboroughs and other our officers and loving subjects greeting. Know ye that We of our special grace, certain knowledge and mere motion, have licensed and authorised and by these presents do license and authorise these our servants Lawrence Fletcher, William Shakespeare, Richard Burbage, Augustine Phillipps, John Heming, Henry Condell, William Sly, Robert Armin, Richard Cowley, and the rest of their associates freely to use and exercise the art and faculty of playing comedies, tragedies, histories, interludes, morals, pastorals, stage-plays, and such others like as they have already studied or hereafter shall use or study, as well for the recreation of our loving subjects as for our solace and pleasure when we shall think good to see them during our pleasure. And the said comedies, tragedies, histories, interludes, morals, pastorals, stage-plays and such like to shew and exercise publicly to their best commodity, when the infection of the plague shall decrease, as well within their now usual house, called the Globe, within our county of Surrey, as also within any town-halls or moot-halls or other convenient places within the liberties and A freedom of any other city, university town or borough whatsoever within our said realms and dominions. Willing and commanding you and every of you as you tender our pleasure not only to permit and suffer them herein without any your lets and hindrances or molestations during our said pleasure, but also to be aiding and assisting to them if any wrong be to them offered. And to allow them such former courtesies as hath been given to men of their place and quality, and also what further favour you shall show to these our servants, for our sake, we shall take kindly at your hands. In witness whereof etc. witness ourself at Westminster the nineteenth day of May. § 5. Puritan opposition to the theatre [From the erection of the theatres in 1576 to their suppression at the outbreak of the Civil War, the Puritan party waged an unceasing warfare against the stage. But for the protection of the court the Elizabethan drama would have come to an untimely end before Shakespeare reached London. The tracts on either side of the controversy tell us a good deal about the theatrical and dramatic conditions of the day.] Puritan denunciation from Paul's Cross Look but upon the common plays in London, and see the multitude that flocketh to them and followeth them. Behold the sumptuous theatre houses, a continual monument of London's prodigality and folly. But I understand they are now forbidden because of the plague. I like the policy well if it hold still, for a disease is but lodged or patched up that is not cured in the cause, and the cause of plagues is sin, if you look to it well: and the cause of sin are plays: therefore the cause of plagues are plays. THOMAS WHITE, A Sermon Preached at Pawles Crosse 1578 Will not a filthy play, with the blast of a trumpet, sooner call thither a thousand, than an hour's tolling of a bell bring to the sermon a hundred? Nay even here in the city, without it be at this place and some other certain ordinary audience, where shall you find a reasonable company? Whereas if you resort to the Theater, the Curtain, and other places of plays in the city, you shall on the Lord's day have those places, with |