 | John Dryden - 1800 - 624 páginas
...narration. It. is a great mistake in us to believe the French present no part of the action on the stage : every alteration or crossing of a design, every new-sprung...nothing to be action till the players come to blows ; as if the painting of the hero's mind were not more properly the poet's work than the strength of... | |
 | John Dryden, Edmond Malone - 1800 - 591 páginas
...narration. It is a great mistake in us to believe the French present no part of the action on the stage : every alteration or crossing of a design, every new-sprung...nothing to be action till the players come to blows ; as if the painting of the hero's mind were not more properly the poet's work than the strength of... | |
 | John Dryden, Walter Scott - 1808 - 432 páginas
...narration. It is a great mistake in us to believe the French present no part of the action on the stage : every alteration or crossing of a design, every new-sprung...nothing to be action till the players come to blows; as if the painting of the hero's mind were not more properly the poet's work, than the strength of... | |
 | John Dryden, Walter Scott - 1821 - 442 páginas
...narration. It is a great mistake in us to believe the French present no part of the action on the stage : every alteration or crossing of a design, every new-sprung...nothing to be action till the players come to blows ; as if the painting of the hero's mind were not more properly the poet's work, than the strength of... | |
 | John Dryden, John Mitford - 1836 - 488 páginas
...narration. It is a great mistake in us to believe the French present no part of the action on the stage : every alteration or crossing of a design, every newsprung...nothing to be action till the players come to blows ; as if the painting of the hero's mind were not more properly the poet's work, than the strength of... | |
 | John Dryden, John Mitford - 1844 - 536 páginas
...narration. It is a great mistake in us to helieve the French present no part of the action on the stage : every alteration or crossing of a design, every newsprung...turn of it, is a part of the action, and much the nohlest, except we conceive nothing to he action till the players come to hlows ; as if the painting... | |
 | John Dryden - 1859 - 482 páginas
...us to helieve the French present no part of the action on the stage : every alteration or erossing of a design, every newsprung passion, and turn of it, is a part ef the action, and much the nohlest, except we conceive nothing to he action till the players come... | |
 | Eugen Kölbing, Johannes Hoops, Reinald Hoops - 1881 - 536 páginas
...werden, und eben so verfahren die Franzosen. »Every alteration or crossing of a design, every new sprung passion, and turn of it, is a part of the action,...noblest, except we conceive nothing to be action till they come to blows ; as if the painting of the hero's mind were not more properly the poets work than... | |
 | Eugen Kölbing, Johannes Hoops, Reinald Hoops - 1881 - 536 páginas
...Franzosen. »Every alteration or crossing of a design, every new sprung passion, and turn of it, is a pari of the action, and much the noblest, except we conceive nothing to be action till they come to blows ; as if the painting of the hero's mind were not more properly the poets work than... | |
 | John Dryden - 1889 - 208 páginas
...narration. 'Tis a great mistake in us to believe the French present no part of the action on the stage ; every alteration or crossing of a design, every new-sprung...passion, and turn of it, is a part of the action, and 30 much the noblest, except we conceive nothing to be action till the players come1 to blows ; as if... | |
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Tis a great mistake in us to believe the French present no part of the action on the stage; every alteration or crossing of a design, every new-sprung passion and turn of it is a part of the action, and much the noblest, except we conceive nothing to... 
