 | 1926 - 550 páginas
...character determines men's qualities, but it is by their actions that they are made happy or the reverse. Dramatic action, therefore, is not with a view to...representation of character : character comes in as a subsidiary to the action. Hence the incidents and the plot are the end of a tragedy; and the end... | |
 | Samuel Henry Butcher - 1895 - 418 páginas
...characters of men determine their qualities, but it is by their actions that they are happy or the reverse. Dramatic action, therefore, is not with a view to...the representation of character: character comes in .jt§_.siibsidiary to the action. Hence the incidents and the plot are the I v end of a tragedy ; and... | |
 | Samuel Henry Butcher, Aristotle - 1898 - 454 páginas
...character determines men's qualities, but it is by their actions that they are happy or the reverse. Dramatic action, therefore, is not with a view to...of character: character comes in as subsidiary to thef action. Hence the incidents and the plot are the end of a tragedy ; and the end is the chief thing... | |
 | 1898 - 584 páginas
...end is a mode of p.ction, not a quality. . . . Dramatic action, therefore, is not with a view to a representation of character ; character comes in as subsidiary to the action. Hence the incident and plot are the end of a tragedy ; and the end is the chief thing of all. Again, without... | |
 | Edward Capps - 1901 - 516 páginas
...character determines men's qualities, but it is by their actions that they are happy or the reverse. Dramatic action, therefore, is not with a view to...representation of character ; character comes in as a subsidiary to the action. Hence the incidents and the plot are the end of a tragedy ; and the end... | |
 | William John Courthope - 1903 - 642 páginas
...character determines men's qualities, but it is by their actions that they are happy or the reverse. Dramatic action therefore is not with a view to the...of character : character comes in as subsidiary to action." 2 We have seen how strictly Shakespeare adhered to this principle in his treatment of Romance... | |
 | Aristotle - 1907 - 148 páginas
...character determines men's qualities, but it is by their actions that they are happy or the reverse. Dramatic action, therefore, is not with a view to...character : character comes in as subsidiary to the actions. Hence the incidents and the plot are the end of a tragedy ; and the end is the chief thing... | |
 | William John Courthope - 1910 - 526 páginas
...character determines men's qualities, but it is by their actions that they are happy or the reverse. Dramatic action, therefore, is not with a view to...character : character comes in as subsidiary to the actions. Hence the incidents and the plot are the end of a tragedy ; and the end is the chief thing... | |
 | Samuel Henry Butcher - 1911 - 468 páginas
...character determines men's qualities, but it is by their actions that they are happy or the reverse. Dramatic action, therefore, is not with a view to...character : character comes in as subsidiary to the actions. Hence the ineideBts .and the plot are- the end of a tragedy; and the end is the chief thing... | |
 | Herbert Samuel Mallory - 1923 - 554 páginas
...character determines men's qualities, but it is by their actions that they are happy or the reverse. Dramatic action, therefore, is not with a view to...character : character comes in as subsidiary to the actions. Hence the incidents and the plot are the end of a tragedy; and the end is the chief thing... | |
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Now character determines men's qualities, but it is by their actions that they are happy or the reverse. Dramatic action, therefore, is not with a view to the representation of character: character comes in as subsidiary to the actions. Hence the incidents... 
