The Wheel of FireRoutledge, 2020 M07 14 - 416 páginas Originally published in 1930, this classic of modern Shakespeare criticism proves both enlightening and innovative. Standing head and shoulders above all other Shakespearean interpretations, this is the masterwork of the brilliant English scholar, G. Wilson Knight. Founding a new and influential school of Shakespearean criticism, Wheel of Fire was Knight's first venture in the field - his writing sparkles with insight and wit, and his analyses are key to contemporary understandings of Shakespeare. |
Dentro del libro
Resultados 1-5 de 74
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... dramatic environment. That, too, has been my method with other plays; and it is precisely such a 'relationship' that lies regularly behind Shakespeare's use of symbolism as distinct from persons. As for Mr. Whyte's closely similar ...
... dramatic environment. That, too, has been my method with other plays; and it is precisely such a 'relationship' that lies regularly behind Shakespeare's use of symbolism as distinct from persons. As for Mr. Whyte's closely similar ...
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... dramas treated in the following pages have been amplified in The Golden Labyrinth (1962), Shakespearian Production (enlarged 1964), Byron and Shakespeare (1966), and Shakespeare and Religion (1967). These contain much on Timon of Athens ...
... dramas treated in the following pages have been amplified in The Golden Labyrinth (1962), Shakespearian Production (enlarged 1964), Byron and Shakespeare (1966), and Shakespeare and Religion (1967). These contain much on Timon of Athens ...
Página x
... drama in terms of theat- rical technique accomplishes singularly little . Such technicalities should be confined to the theatre from which their terms are drawn . The proper thing to do about a play's dramatic quality is to produce it ...
... drama in terms of theat- rical technique accomplishes singularly little . Such technicalities should be confined to the theatre from which their terms are drawn . The proper thing to do about a play's dramatic quality is to produce it ...
Página xii
... dramatic environment . That , too , has been my method with other plays ; and it is precisely such a ' relationship ' that lies regularly behind Shakespeare's use of symbolism as distinct from persons . As for Mr. Whyte's closely ...
... dramatic environment . That , too , has been my method with other plays ; and it is precisely such a ' relationship ' that lies regularly behind Shakespeare's use of symbolism as distinct from persons . As for Mr. Whyte's closely ...
Página xiii
... dramas treated in the following pages have been amplified in The Golden Labyrinth ( 1962 ) , Shakespearian Production ( enlarged 1964 ) , Byron and Shakespeare ( 1966 ) , and Shakespeare and Religion ( 1967 ) . These contain much on ...
... dramas treated in the following pages have been amplified in The Golden Labyrinth ( 1962 ) , Shakespearian Production ( enlarged 1964 ) , Byron and Shakespeare ( 1966 ) , and Shakespeare and Religion ( 1967 ) . These contain much on ...
Contenido
xxi | |
15 | |
The Pilosophy of Troilus and Cressida | 48 |
Measure for Measure and the Gospels | 77 |
The Othello Music | 107 |
Brutus and Macbeth | 134 |
Macbeth and the Metaphysic of Evil | 158 |
King Lear and the Comedy of the Grotesque | 179 |
The Pilgrimage of Hate an Essay on Timon of Athens | 233 |
Shakespeare and Tolstoy | 271 |
Symbolic Personification | 281 |
The Shakespearian Metaphysic | 289 |
Tolstoys Attack on Shakespeare 1934 | 304 |
Hamlet Reconsidered 1947 | 336 |
TWO NOTES ON THE TEXT OF HAMLET 1947 | 365 |
The Lear Universe | 199 |
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action Alcibiades angel Antony and Cleopatra Apemantus beauty blood Brutus character Claudius consciousness contrast Cordelia crime criticism cynicism death Desdemona disorder divine dramatic Duke earth eclipse Edgar Edmund elements essay ethical evil express eyes fantastic fault fear Fortinbras Ghost Gloucester gods Goneril Hamlet hate hate-theme hath heart Heaven hideous honour human humour Iago imaginative incongruity instinctive intellect interpretation intuition judgement Julius Caesar King Lear Laertes Lear universe Lear's Macbeth madness man's meaning Measure for Measure mind moral murder mystery nature noble Ophelia Othello passion persons philosophy play play's plot poet poet's poetic poetry Polonius purely reality relation rich scene sense Shake Shakespeare Shakespearian significance soliloquy soul speak speech spirit suffering suggestion symbol tempest thee theme Thersites thing thou thought throughout Timon of Athens Tolstoy Tolstoy's tragedy tragic Troilus and Cressida true truth unnatural vision Weird Sisters whole words