English Critical Essays: (sixteenth, Seventeenth, and Eighteenth Centuries)Edmund David Jones Oxford University Press, 1947 - 394 páginas |
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Página 114
... scene ought to be con- tinued through the play , in the same place where it was laid in the beginning : for , the stage on which it is represented being but one and the same place , it is unnatural to conceive it many , —and those far ...
... scene ought to be con- tinued through the play , in the same place where it was laid in the beginning : for , the stage on which it is represented being but one and the same place , it is unnatural to conceive it many , —and those far ...
Página 122
... scenes ; but the reason is , because they have seldom above two or three scenes , properly so called , in every act ; for it is to be accounted a new scene , not only every time the stage is empty ; but every person who enters , though ...
... scenes ; but the reason is , because they have seldom above two or three scenes , properly so called , in every act ; for it is to be accounted a new scene , not only every time the stage is empty ; but every person who enters , though ...
Página 147
... scene lies under it . This gentle- man is called away , and leaves his servant with his mistress ; presently her father is heard from within ; the young lady is afraid the serving - man should be discovered , and thrusts him into a ...
... scene lies under it . This gentle- man is called away , and leaves his servant with his mistress ; presently her father is heard from within ; the young lady is afraid the serving - man should be discovered , and thrusts him into a ...
Contenido
SIR PHILIP SIDNEY 155486 | 1 |
THOMAS CAMPION 15671620 | 55 |
SAMUEL DANIEL 15621619 | 61 |
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Términos y frases comunes
action admiration Aeneas Aeneid ancients Aristotle beauties Ben Jonson better blank verse characters Chaucer comedy commendation composition conceit Crites critics delight discourse divine doth Dryden English epic epic poetry Eugenius Euripides excellent fable Faerie Queene fame fancy father fault French genius give glory Gothic Greek hath heroic Homer honour Horace humour Iliad imagination imitation invention Jonson judge judgement kind labour language Latin learning lines Lisideius manner Milton mind modern Muse nature never noble numbers observed Ovid Paradise Lost passion perfection perhaps persons philosopher Pindar Plato Plautus play plot Plutarch poem Poesy poet poetical poetry praise prose reader reason rhyme Romans rules scene sense sentiments Shakespeare Silent Woman sometimes speak spirit stage stanza syllables things thought tion tragedy translated trochee true truth Virgil virtue words write written