to promise what I was not entirely sure that ] could perform, and I was not prepared to say that I thought we were exactly able to maintain' this.”

"But," said he, "Seward insisted that we ought to take this ground; and the words finally went in!"

"It is a somewhat remarkable fact," he subsequently remarked, "that there were just one hundred days between the dates of the two proclamations issued upon the 22d of September and the 1st of January. I had not made the calculation at the time."

Having concluded this interesting statement, the President then proceeded to show me the various positions occupied by himself and the different members of the Cabinet, on the occasion of the first meeting. "As nearly as I remember," said he, "I sat near the head of the table; the Secretary of the Treasury and the Secretary of War were here, at my right hand; the others were grouped at the left."

At this point, I exhibited to him a pencil sketch of the composition as I had conceived it, with no knowledge of the facts or details. The leading idea of this I found, as I have stated on a previous page, to be entirely consistent with the account I had just heard. I saw, however, that I should have to reverse the picture, placing the President at the other end of the table, to make it accord with his description. I had resolved to discard all

appliances and tricks of picture-making, and endeavor, as faithfully as possible, to represent the scene as it actually transpired; room, furniture, accessories, all were to be painted from the actualities. It was a scene second only in historical importance and interest to that of the Declaration of Independence; and I felt assured, that, if honestly and earnestly painted, it need borrow no interest from imaginary curtain or column, gorgeous furniture or allegorical statue. Assenting heartily to what is called the "realistic" school of art, when applied to the illustration of historic events, I felt in this case, that I had no more right to depart from the facts, than has the historian in his record.

When friends said to me, as they frequently did, "Your picture will be bald and barren," my reply was, "If I cannot make the portraiture of the scene itself sufficiently attractive without the false glitter of tapestry hangings, velvet table-cloths, and marble columns, then I shall at least have the satisfaction of having failed in the cause of truth." I reasoned in this way: The most important document submitted to a cabinet during our existence as a nation is under discussion. A spectator per

mitted to look in upon that scene would give little thought and small heed to the mere accessories and adjuncts of the occasion. His mind would centre upon the immortal document, its anxious author, conscious of his solemn responsibility, announcing

his matured and inflexible purpose to his assembled councillors. He would listen with anparalleled eagerness to the momentous sentences uttered for the first time in the ears of men, and to the discussion upon them, impatient of mere formalities and technicalities. Should a thought be sprung of important bearing, or an overlooked contingency be brought forward, how intently would its effect be watched. What varying emotions, consequent upon peculiarities of temperament and character, would be expressed in the countenances of the different individuals composing the group. How each in turn would be scanned. Above all, the issues involved: the salvation of the Republic the freedom of a Race. "Surely," I said, "such a scene may be painted, and abiding if not absorbing interest secured, without the aid of conventional trappings. The republican simplicity of the room and furniture, with its thronging associations, will more than counterbalance the lack of splendor, and the artistic mania for effect. I will depend solely for my success upon the interest of the subject, and its truthfulness of representation." And this purpose I carried with me to the end.

VIII.

The first sketch of the composition, as it was afterward placed upon the canvas, was matured, I believe, the same afternoon, or the following Mon

day after the interview recorded above, upon the back of a visiting card; my pockets affording evidence of the employment of all loose material at hand in leisure moments, in the study of the work. The final arrangement of the figures was the result of much thought and many combinations, though the original conception as to the moment of time and incident of action was preserved throughout. The general arrangement of the group, as described by the President, was fortunately entirely consistent with my purpose, which was to give that prominence to the different individuals which belonged to them respectively in the Administration. There was a curious mingling of fact and allegory in my mind, as I assigned to each his place on the canvas. There were two elements in the Cabinet, the radical and the conservative. Mr. Lincoln was placed at the head of the official table, between two groups, nearest that representing the radical, but the uniting point of both. The chief powers of a government are War and Finance the ministers of these were at his right, -the Secretary of War, symbolizing the great struggle, in the immediate foreground; the Secretary of the Treasury, actively supporting the new policy, standing by the President's side. The Army being the right hand, the Navy may very properly be styled the left hand of the government. The place for the Secretary of the Navy seemed, therefore, very naturally to be on Mr. Lin

coln's left, at the rear of the table. To the Secretary of State, as the great expounder of the principles of the Republican party, the profound and sagacious statesman, would the attention of all at such a time be given. Entitled to precedence in discussion by his position in the Cabinet, he would necessarily form one of the central figures of the group. The four chief officers of the government were thus brought, in accordance with their relations to the Administration, nearest the person of the President, who, with the manuscript proclamation in hand, which he had just read, was represented leaning forward, listening to, and intently considering the views presented by the Secretary of State. The AttorneyGeneral, absorbed in the constitutional questions involved, with folded arms, was placed at the foot of the table opposite the President. The Secretary of the Interior and the Postmaster-General, occupying the less conspicuous positions of the Cabinet, seemed to take their proper places in the background of the picture.

When, at length, the conception as thus described was sketched upon the large canvas, and Mr. Lincoln came in to see it, his gratifying remark, often subsequently repeated, was, "It is as good as it can be made."