Rhetoric and Renaissance CultureWalter de Gruyter, 2008 M08 22 - 596 páginas Der Band bietet eine kulturhistorische Darstellung der europäischen Renaissance mit dem Schwerpunkt von Poetik und Literatur unter den Aspekten Imagination/Inventio, Gattungstheorie/Dispositio, Stil/Elocutio, Architektur/Memoria sowie Darstellung/Actio. Shakespeares Werke dienen der exemplarischen Veranschaulichung der beschriebenen rhetorischen Phänomene. Besondere Aufmerksamkeit ist der Rhetorik von Malerei und Musik sowie der rhetorischen Kulturideologie gewidmet. |
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Página 66
... enargeia, which effects a vivid actualization of the past and creates a semi-literary genre that in its turn serves as the source of literary inventions. The fictionalization of history through rhetoric met, however, with the fierce ...
... enargeia, which effects a vivid actualization of the past and creates a semi-literary genre that in its turn serves as the source of literary inventions. The fictionalization of history through rhetoric met, however, with the fierce ...
Página 96
... enargeia or evidentia: For as in this time of yeare, so then in our bodies there is a dry and withering cold, which congealeth the crudled blood, and frieseth the wetherbeaten flesh, with stormes of Fortune, and hoare frosts of Care. To ...
... enargeia or evidentia: For as in this time of yeare, so then in our bodies there is a dry and withering cold, which congealeth the crudled blood, and frieseth the wetherbeaten flesh, with stormes of Fortune, and hoare frosts of Care. To ...
Página 98
... enargeia / evidentia, 2. tropicity, 3. epideixis, and 4. affections. These permeate not only poetic but also non-poetic, intermedial works, be they made up of words, pictures, musical compositions or hybrid compounds of them. 1. enargeia ...
... enargeia / evidentia, 2. tropicity, 3. epideixis, and 4. affections. These permeate not only poetic but also non-poetic, intermedial works, be they made up of words, pictures, musical compositions or hybrid compounds of them. 1. enargeia ...
Página 99
... enargeia / evidentia are categories of representation, of one that is lifelike, lively, natural, realistic, and illusionistic in various degrees of manifest materialization - from mental image to theat- rical performance or, in terms of ...
... enargeia / evidentia are categories of representation, of one that is lifelike, lively, natural, realistic, and illusionistic in various degrees of manifest materialization - from mental image to theat- rical performance or, in terms of ...
Página 121
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Contenido
1 | |
11 | |
85 | |
C Intermedial Rhetoric | 295 |
Shakespeare as Orator Poet | 413 |
E Iconography of Rhetoric and Eloquence | 499 |
Backmatter | 553 |
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Términos y frases comunes
action actor Apology for Poetry Art of Memory Arte of English Arte of Rhetorique artem Ben Jonson century chap chapter Cicero classical comedy commonplace concept Coriolanus courtier courtly Critical culture decorum dispositio drama edition effect Elizabethan elocutio Eloquence emblem emotions enargeia England English Poesie English Renaissance epideictic Essays Facsimile Reprint Figure Frankfurt/M genres George Puttenham H.F. Plett Hamlet Henry Peacham Hercules Gallicus humanist Iago icon illustrate images imagination imitation intertextuality inventio invention Johann John Julius Caesar Scaliger language Latin literary literature London meditation metaphor mnemonic München nature orator Orpheus Othello Oxford painter painting passion philosophy pictorial picture play poem poet poeta poétique Princeton prosopopoeia Quintilian Renaissance Rhetoric representation rhetoric Rhetorica Rhetorik Richard role Scaliger Shakespeare Sidney social speaking speech stage Studies style stylistic theatrical theory things Thomas Sébillet thou tion tradition tragedy Trans treatise tropes verbal visual words York