Rhetoric and Renaissance CultureWalter de Gruyter, 2008 M08 22 - 596 páginas Der Band bietet eine kulturhistorische Darstellung der europäischen Renaissance mit dem Schwerpunkt von Poetik und Literatur unter den Aspekten Imagination/Inventio, Gattungstheorie/Dispositio, Stil/Elocutio, Architektur/Memoria sowie Darstellung/Actio. Shakespeares Werke dienen der exemplarischen Veranschaulichung der beschriebenen rhetorischen Phänomene. Besondere Aufmerksamkeit ist der Rhetorik von Malerei und Musik sowie der rhetorischen Kulturideologie gewidmet. |
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Página xiii
... emblem no. 111: “In aulicos.” 44. Leonardo da Vinci (1492-1519): Sketch of Judas for The Last Supper fresco in Milan (1495-1497). 45. Daniel Mytens (c. 1590-1647): Painting of Thomas Howard, Earl of Arundel (c. 1618), pointing at his ...
... emblem no. 111: “In aulicos.” 44. Leonardo da Vinci (1492-1519): Sketch of Judas for The Last Supper fresco in Milan (1495-1497). 45. Daniel Mytens (c. 1590-1647): Painting of Thomas Howard, Earl of Arundel (c. 1618), pointing at his ...
Página 37
... emblem). Their principal aim was not to supply poets with stylistic techniques. Instead of being a kind of stylistic poetics in the manner of New Criticism, they served thoroughly pragmatic uses, as is shown by Henry Peacham's The ...
... emblem). Their principal aim was not to supply poets with stylistic techniques. Instead of being a kind of stylistic poetics in the manner of New Criticism, they served thoroughly pragmatic uses, as is shown by Henry Peacham's The ...
Página 41
... emblems . On the whole , the Renaissance witnessed a change in the architecture of memory . The Roman villa of Ciceronian rhetoric is . converted to a theatre , or , occasionally , to the medieval structure of a cathedral or a monastery ...
... emblems . On the whole , the Renaissance witnessed a change in the architecture of memory . The Roman villa of Ciceronian rhetoric is . converted to a theatre , or , occasionally , to the medieval structure of a cathedral or a monastery ...
Página 76
... ( Emblem XCIII . ) . The English translation reads : “ Eloquence superior to strength - His left hand holds a bow , his right hand a stout club , the lion of Nemea clothes his bare body . So this is a figure of Hercules . But he is old ...
... ( Emblem XCIII . ) . The English translation reads : “ Eloquence superior to strength - His left hand holds a bow , his right hand a stout club , the lion of Nemea clothes his bare body . So this is a figure of Hercules . But he is old ...
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Contenido
1 | |
11 | |
85 | |
C Intermedial Rhetoric | 295 |
Shakespeare as Orator Poet | 413 |
E Iconography of Rhetoric and Eloquence | 499 |
Backmatter | 553 |
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Términos y frases comunes
action actor Apology for Poetry Art of Memory Arte of English Arte of Rhetorique artem Ben Jonson century chap chapter Cicero classical comedy commonplace concept Coriolanus courtier courtly Critical culture decorum dispositio drama edition effect Elizabethan elocutio Eloquence emblem emotions enargeia England English Poesie English Renaissance epideictic Essays Facsimile Reprint Figure Frankfurt/M genres George Puttenham H.F. Plett Hamlet Henry Peacham Hercules Gallicus humanist Iago icon illustrate images imagination imitation intertextuality inventio invention Johann John Julius Caesar Scaliger language Latin literary literature London meditation metaphor mnemonic München nature orator Orpheus Othello Oxford painter painting passion philosophy pictorial picture play poem poet poeta poétique Princeton prosopopoeia Quintilian Renaissance Rhetoric representation rhetoric Rhetorica Rhetorik Richard role Scaliger Shakespeare Sidney social speaking speech stage Studies style stylistic theatrical theory things Thomas Sébillet thou tion tradition tragedy Trans treatise tropes verbal visual words York