Rhetoric and Renaissance CultureWalter de Gruyter, 2008 M08 22 - 596 páginas Der Band bietet eine kulturhistorische Darstellung der europäischen Renaissance mit dem Schwerpunkt von Poetik und Literatur unter den Aspekten Imagination/Inventio, Gattungstheorie/Dispositio, Stil/Elocutio, Architektur/Memoria sowie Darstellung/Actio. Shakespeares Werke dienen der exemplarischen Veranschaulichung der beschriebenen rhetorischen Phänomene. Besondere Aufmerksamkeit ist der Rhetorik von Malerei und Musik sowie der rhetorischen Kulturideologie gewidmet. |
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Página xi
... Henry Peacham (1546-1634): Title-page of The Garden of Eloquence (1577). 9. John Bulwer (fl. 1644-1654): Chironomia (1644), chirogrammatic plate. Johann Heinrich Alsted (1588-1638): Portrait. Johann Sturm (1507-1589): Portrait. Petrus ...
... Henry Peacham (1546-1634): Title-page of The Garden of Eloquence (1577). 9. John Bulwer (fl. 1644-1654): Chironomia (1644), chirogrammatic plate. Johann Heinrich Alsted (1588-1638): Portrait. Johann Sturm (1507-1589): Portrait. Petrus ...
Página xiv
... Henry Purcell (1659-1695) as Orpheus Britannicus. Elizabethan playhouse. Henry Peacham: Drawing of a pathetic performance of Shakespeare's Titus Andronicus (I.i): “Enter Tamora and pleadinge for her sonnes going to execution.” David ...
... Henry Purcell (1659-1695) as Orpheus Britannicus. Elizabethan playhouse. Henry Peacham: Drawing of a pathetic performance of Shakespeare's Titus Andronicus (I.i): “Enter Tamora and pleadinge for her sonnes going to execution.” David ...
Página 32
... Henry Peacham (1546-1634): Title-page of The Garden ofEloquence. 44 Cf. Annabel Patterson, “Letters to Friends: The Self in Familiar Form,” in: A. M. Patterson, Censorship and Interpretation: The Conditions of Writing and Reading in ...
... Henry Peacham (1546-1634): Title-page of The Garden ofEloquence. 44 Cf. Annabel Patterson, “Letters to Friends: The Self in Familiar Form,” in: A. M. Patterson, Censorship and Interpretation: The Conditions of Writing and Reading in ...
Página 37
... Henry Peacham's The Garden of Eloquence (1577, 21593)62 which, despite its florid title, was written by a clergyman for clergymen (Figure 8). An early Tudor rhetoric manifesting this orientation has come down to posterity in a unique ...
... Henry Peacham's The Garden of Eloquence (1577, 21593)62 which, despite its florid title, was written by a clergyman for clergymen (Figure 8). An early Tudor rhetoric manifesting this orientation has come down to posterity in a unique ...
Página 38
Heinrich F. Plett. Figure 8: Henry Peacham (1546-1634): Title-page of The Garden ofEloquence (1577). Figure 9: John Bulwer (fl. 1644-1654): Chironomia (1644), chirogrammatic plate. 38 A. Scope and Genres of Renaissance Rhetoric.
Heinrich F. Plett. Figure 8: Henry Peacham (1546-1634): Title-page of The Garden ofEloquence (1577). Figure 9: John Bulwer (fl. 1644-1654): Chironomia (1644), chirogrammatic plate. 38 A. Scope and Genres of Renaissance Rhetoric.
Contenido
1 | |
11 | |
85 | |
C Intermedial Rhetoric | 295 |
Shakespeare as Orator Poet | 413 |
E Iconography of Rhetoric and Eloquence | 499 |
Backmatter | 553 |
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action actor Andrea Alciato Apology for Poetry Arte ofEnglish Poesie Arte ofRhetorique artem Ben Jonson century chap chapter Cicero classical commonplace concept Coriolanus courtier courtly Critical culture decorum dispositio drama edition effect Elizabethan elocutio eloquence emblem emotions enargeia England epideictic Essays Facsimile Reprint Figure Frankfurt/M genres George Puttenham H.F. Plett Hamlet Henry Peacham Hercules Gallicus humanist Iago Iago’s icon illustrate images imagination intertextuality inventio invention Johann John Julius Caesar Scaliger l’art language Latin literary literature London meditation memory metaphor Midsummer Night’s Dream mnemonic München nature ofthe orator Orpheus Othello Oxford painter painting passion pictorial picture play poem poet Princeton prosopopoeia Quintilian Renaissance Rhetoric representation rhetoric Rhetorica Rhetorik rhétorique Richard role Scaliger Shakespeare’s Sidney Sidney’s social speaking speech stage Studies style stylistic theatrical theory things Thomas Thomas Sébillet thou tion tradition tragedy Trans treatise tropes verbal visual words York