Keats and EmbarrassmentClarendon Press, 1974 - 224 páginas In this acclaimed book, Professor Ricks argues for the importance of embarrassment in human life and for the value works of art which help us deal with embarrassment by recognizing and refining it. As a poet and a man, Keats was especially sensitive to, and morally intelligent about, embarrassment. This study demonstrates the particular direction of his insight and moral concern to acknowledge embarrassability and its involvement in important moral concerns. |
Dentro del libro
Resultados 1-3 de 23
Página 28
... passage from Madagascar to the cape , with a pipe in her mouth and looking out with a round- eyed skinny lidded , inanity — with a sort of horizontal idiotic move- ment of her head — squab and lean she sat and puff'd out the smoke while ...
... passage from Madagascar to the cape , with a pipe in her mouth and looking out with a round- eyed skinny lidded , inanity — with a sort of horizontal idiotic move- ment of her head — squab and lean she sat and puff'd out the smoke while ...
Página 151
... passage asks to be related to Lamia's earlier vision of Lycius ' Charioting foremost in the envious race ' ; I. 217. ) But , way down , it could at least be said for Lycius that it was his foes and not his friends that he wished should ...
... passage asks to be related to Lamia's earlier vision of Lycius ' Charioting foremost in the envious race ' ; I. 217. ) But , way down , it could at least be said for Lycius that it was his foes and not his friends that he wished should ...
Página 184
... passages which select them- selves in that Keats marked them in his Shakespeare . There is Cleopatra's taunt : As I ... passage marked by Keats manifestly replaces the essen- tially dramatic ( a character blushing or not , on the stage ) ...
... passages which select them- selves in that Keats marked them in his Shakespeare . There is Cleopatra's taunt : As I ... passage marked by Keats manifestly replaces the essen- tially dramatic ( a character blushing or not , on the stage ) ...
Contenido
INTRODUCTORY | 1 |
KEATS AND BLUSHING | 19 |
DARWIN BLUSHING AND LOVE | 50 |
Derechos de autor | |
Otras 8 secciones no mostradas
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Términos y frases comunes
admiration Agnes ambivalence Bailey beauty bliss blood blush breast Brown Burgess Byron Charles Cowden Clarke cheek contemplate cool creative Critical Heritage Darwin delight Dilke disconcerting distaste eating embar embarrassment emotion Endymion erotic Erythrophobia Eve of St eyes face Fall of Hyperion Fanny Brawne flush forehead George and Georgiana Georgiana Keats give hand happiness honey human humour Hyperion imagination innocence John Keats Keats's letters Keats's lines Keats's poetry Keats's sense kiss lady Lamia lips literature look love's lovers matter mind mouth natural never nipple pain paradox pathetic fallacy perhaps physical pleasure poem poet possibility practical joke prurience recognition relation Reynolds rhyme rich Robert Gittings sensation Sept sexual shame simply Sleep and Poetry slimy soft sooth speak sweet sympathy thing thought tion Tom Keats true truth unembarrassability Walter Jackson Bate warm wish woman Woodhouse word writing young
Referencias a este libro
Humiliation: And Other Essays on Honor, Social Discomfort, and Violence William Ian Miller Vista previa limitada - 1993 |
The Loaded Table : Representations of Food in Roman Literature ... Emily Gowers Vista previa limitada - 1993 |