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XIX.

POLITICAL SATIRE.

THE most marked trait in the finest political writing is its personality. It is very plausible to reiterate the hackneyed maxim, "principles, not men," but it is next to impossible to separate the two. An intimate connection necessarily subsists between principles and those who hold them, as between a man and his dress, a book and its author. Certain abstract philosophers, (a very small class,) may be enabled by long practice and dint of study, to disabuse their minds of favorite prejudices, and set up a species of claim to impartiality and fairness; yet such thinkers are seldom actors on the great stage, but rather spectators of the stirring contests in the actual arena of politics. They may write philosophical treatises on Government, the Wealth of Nations, or the Spirit of Laws, but they make inefficient "working members." Even Burke was a partisan, and such have the ablest and honestest politicians of all ages been. There is unquestionably truth mingled with error in every party; yet a man of decided character will find more truth and less error cn one side, than on the other. Many partisans have been hypocrites, but by no manner of means all. It is rather (unless there exist natural suspicions of interested motives or palpable deficiency) an ar

gument in a man's favor that he is a zealous partisan; for in its integrity, such a character supposes vigor, earnestness, and fidelity, the three manly qualities by pre-eminence. Among the many reasons that incline a man to join this party or that, may be enumerated-hereditary tendencies, peculiarities of mental or moral constitution, personal gratitude, the influence of a superior mind, chance, or prejudice. We are apt to consider that this last cause is much more defensible than is generally supposed. Viewed in a certain light, some of the noblest virtues are no more than prejudices. Compared with the universal spirit of philanthropy, patriotism shrinks into a narrow passion; the worthy father makes by no means so distinguished a figure as the humane citizen of the world. Religion, too, in its most important article, impresses a refined selfishness at the same time that it teaches charity and general benevolence. For we must be most solicitous for our own souls; no man can stand in our place, nor can we become the substitute for another. So in the field of politics: a nobler contest than that of the "tented field," a man must take his side, and stand or fall with it. Middle men become indifferent, if originally honest. and well-meaning, or mere trimmers, if the reverse; and it is difficult to determine which is the more despicable character. Imperceptibly, too, a man's principles become identified with himself, and by a natural consequence, if we have faith in the one, we learn to love the other. In the wisest men, we see every day the force of political attachments, which sometimes exhibit a devotion almost heroical. And this is right. One who hazards all for a great principle, a master-doctrine, should be strongly supported. A politician needs his backers as well as a pugilist, to give him heart and constancy. We never could understand the

separation, upon which many insist, between the characters of the statesman and the private individual. We cannot distinguish the two different characters of the same person. A single mind impresses an unity of design upon all its performances, and an upright man should be governed by the same law of right and sense of duty, in his official position, that control his domestic and familiar actions. If we admire ability and trust to the unbiassed exercise of it, if we believe in the same creed and favor the same principles, how can we refrain from embracing the possessor of such talents, and the advocate of such doctrines as a personal friend.

To come back to our text. Personality, we affirm to be the most striking trait of the most brilliant political writing. Party spirit begets political satire. Along with its evident advantages, partisanship includes a spirit of bigotry that displays its worst features. "Party spirit incites people to attack with rashness, and to defend without sincerity. Violent partisans are apt to treat a political opponent in such a manner, when they argue with him, as to make the question quite personal, as if he had been present, as it were, and a chief agent in all the crimes which they attribute to his party. Nor does the accused hesitate to take the matter upon himself, and in fancied self-defence, to justify things which otherwise he would not hesitate, for one moment, to condemn."* Exact statements and precise deductions can hardly be expected when a man is making the most of his materials, and defending what he believes to be the true view, though it may have weak spots.

* From an admirable Essay on Party Spirit,--vide "Essays written in the intervals of business."-Pickering, London.

In politics, as in most things, the most striking arguments are those ad hominem and ad absurdum. Ridicule serves too often for a test of truth; and though this delicate instrument may be perverted to great injury, yet we all know very well how many people can be laughed out of notions which could not be removed by the fairest and most conclusive argumentation. A laugh is the best logic for these. How many subjects, too, of no little detriment to a cause, though in themselves of diminutive importance, cannot be appropriately treated except in the way of jesting and raillery. The littleness of some men is far beneath aught but the levity of a squib or a pun; whereas the specific gravity, (or, in plain terms, stolid presumption,) of others, requires merely a superficial exposition, to make them ridiculous for ever.

There are other considerations that tend to confirm the usefulness of political satire. Much may be done indirectly that we cannot openly face and attack. An allegorical narrative may include real characters, which it might be imprudent to depict in express language. Bold, bad men, in power, may be scourged with impunity and poetic justice, by the dramatist and novel writer, when a faithful picture of them by a chronicler of the times would, in other days and lands than our own, send him into duress. Existing public abuses, which, from their intangible and irresponsible character, cannot always be publicly met, may still be so described in a work of fiction, as in time to effect a thorough popular reformation of them.

The argument ad hominem affects a man's interest, and appeals to his pride, or excites his indignation, and moves his feelings. It is the most effective argument to be used with the majority of men, and when enlivened by comic

ridicule, or exaggerated into something like vituperative eloquence by the presence of a Juvenal tone of sarcastic rebuke, it displays the perfection of political satire, and such as we find it in the most eminent instances.

The finest and most permanent satire, whether religious or political, has been conveyed in works of imagination, which, falling into the hands of the greatest number of readers, have, consequently, at the same time obtained universal reputation, and exercised the widest influence. Of this nature, especially, are the immortal works of Swift, "Gulliver's Travels," and "The Tale of a Tub," the most admirable union of exquisite satire and allegory. The extravagance of unmitigated burlesque, however, does not in all respects become the true character of able political writing, which, when it does admit of satire, invariably demands that the wit be based on vigorous sense and logic, and that it appear rather in the form of great intellectual acuteness, sharpened by exercise, than in the guise of pure. pleasantry, or jesting without an aim. And here we may remark, that not a single political writer is to be mentioned, of any eminence, and who has a reputation for wit or humor, whose wit and humor is not founded upon great strength of understanding, shrewdness, and knowledge of mankind. Political wit admits of little play of fancy, and few or no imaginative excursions. In fact, it is only a livelier mode of stating an argument. It is reasoning by pointed analogies, or happy illustrations, a species of epigrammatic logic. This is the wit of Junius, of Horne Tooke, of Tom Paine, and of William Hazlitt. They sought to reach the reductio ad absurdum by the argument ad hominem. The accumulation of ridiculous traits of character made up a comic picture, and demonstrated practical absur

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