The Atlantic Monthly, Volumen53Atlantic Monthly Company, 1884 |
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Página 98
... ghazal where the name of sugar candy is said to excite the jealous taunts of the " sweets " ( shîrînân ) of Shîrâz . One of the best known and most pop- ular of Hâfiz's odes is the eighth , which begins as follows : " If that Shirâzian ...
... ghazal where the name of sugar candy is said to excite the jealous taunts of the " sweets " ( shîrînân ) of Shîrâz . One of the best known and most pop- ular of Hâfiz's odes is the eighth , which begins as follows : " If that Shirâzian ...
Página 100
... ghazals in a sober , rational manner , without seeking to refine away every carnal element and every confession of natural feeling , and to subtilize the glowing sensuousness of these lyrics into vapid and vaporous allegory . Sûdi , on ...
... ghazals in a sober , rational manner , without seeking to refine away every carnal element and every confession of natural feeling , and to subtilize the glowing sensuousness of these lyrics into vapid and vaporous allegory . Sûdi , on ...
Página 104
... ghazal , for example , bright cheeks , alluring dimples , languishing eyes , and wanton ringlets are intended to typify divine attributes . In such cases the two elements are so closely blended that it is hard to separate them , and to ...
... ghazal , for example , bright cheeks , alluring dimples , languishing eyes , and wanton ringlets are intended to typify divine attributes . In such cases the two elements are so closely blended that it is hard to separate them , and to ...
Página 107
... ghazal requires the introduction of the poet's name in the final couplet , and this mention of himself is expected to be laudatory . Indeed , the author must ex- ercise considerable ingenuity and fertil- ity of invention in order to ...
... ghazal requires the introduction of the poet's name in the final couplet , and this mention of himself is expected to be laudatory . Indeed , the author must ex- ercise considerable ingenuity and fertil- ity of invention in order to ...
Página 310
... ghazal , or ode , with the annotations of this learned and judicious commentator , and also with the variants of the Calcutta edition . Thus a firm foundation has been laid on which it is possible to build anew , and by a further ...
... ghazal , or ode , with the annotations of this learned and judicious commentator , and also with the variants of the Calcutta edition . Thus a firm foundation has been laid on which it is possible to build anew , and by a further ...
Otras ediciones - Ver todas
Términos y frases comunes
ain't Arles Aryans asked Avignon beauty Benoni better Bishop called charm color course daugh dear Demming Dîvân door England English eral eyes face fact father feel felt French ghazal girl give Greek Hâfiz hand head heard heart Hedwig Herford Hester hour ical king knew Krakatoa lady laugh less live looked Madame Madame de Longueville marriage ment mind morning Morton mother nature ness never night Nino Oliphant once party passed person Plutarch poem poet political Prince of Condé seemed Seward Shakespeare slavery smile Sorel speak speech story Surcingle sure talk Tarascon tell thar thing thought tion told Toppingham ture turned Vander Vaucluse voice Wendell Westerley whole Wilmington woman women words young
Pasajes populares
Página 427 - Dilke on various subjects; several things dove-tailed in my mind, and at once it struck me what quality went to form a Man of Achievement, especially in Literature, and which Shakespeare possessed so enormously — I mean Negative Capability, that is, when a man is capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason...
Página 98 - Subtle as Sphinx; as sweet and musical As bright Apollo's lute, strung with his hair; And, when Love speaks, the voice of all the gods Makes heaven drowsy with the harmony. Never durst poet touch a pen to write, Until his ink were temper'd with Love's sighs; O, then his lines would ravish savage ears, And plant in tyrants mild humility.
Página 424 - This morning I am in a sort of temper, indolent and supremely careless — I long after a stanza or two of Thomson's Castle of Indolence — my passions are all asleep, from my having slumbered till nearly eleven, and weakened the animal fibre all over me, to a delightful sensation, about three degrees on this side of faintness. If I had teeth of pearl and the breath of lilies I should call it languor, but as I am* I must call it laziness.
Página 429 - The little dramatic skill I may as yet have, however badly it might show in a drama, would, I think, be sufficient for a poem. I wish to diffuse the colouring of St. Agnes' Eve throughout a poem in which character and sentiment would be the figures to such drapery.
Página 201 - If you choose to play ! — is my principle. Let a man contend to the uttermost For his life's set prize, be it what it will!
Página 646 - That general life, which does not cease, Whose secret is not joy, but peace; That life, whose dumb wish is not miss'd If birth proceeds, if things subsist; The life of plants, and stones, and rain, The life he craves — if not in vain Fate gave, what chance shall not control, His sad lucidity of soul.
Página 239 - Through God we shall do valiantly : for he it is that shall tread down our enemies.
Página 648 - Flow'd with the stream ; — all down his cold white side The crimson torrent ran, dim now and soil'd, Like the soil'd tissue of white violets Left, freshly...
Página 646 - But be his My special thanks, whose even-balanced soul, From first youth tested up to extreme old age, Business could not make dull, nor passion wild ; Who saw life steadily, and saw it whole ; The mellow glory of the Attic stage, Singer of sweet Colonus, and its child.
Página 427 - This pursued through volumes would perhaps take us no further than this, that with a great poet the sense of Beauty overcomes every other consideration, or rather obliterates all consideration.