ShakespeareRoutledge, 2013 M10 11 - 208 páginas First published in 1951. |
Dentro del libro
Resultados 1-5 de 36
Página 10
... words once more, “the generous and unsuspicious hero, believing a person whom he does not love or really know and has no right reason to trust, . . . falls, in the self-same scene, without proof of the accuser's 0r inquiry and ...
... words once more, “the generous and unsuspicious hero, believing a person whom he does not love or really know and has no right reason to trust, . . . falls, in the self-same scene, without proof of the accuser's 0r inquiry and ...
Página 13
... words might of course sink down into Othello's subconscious mind, to reappear in his conscious mind later on at a critical moment.) I would suggest that, in terms of real life, there is nothing improbable about the following. Othello is ...
... words might of course sink down into Othello's subconscious mind, to reappear in his conscious mind later on at a critical moment.) I would suggest that, in terms of real life, there is nothing improbable about the following. Othello is ...
Página 16
... is himself guiding us. By his “blood” Othello means passion. The word “collied'-' means “blackened”. Passion, Othello declares, has blackened his reason, and is trying to get control over his personality. This does not 16 SHAKESPEARE.
... is himself guiding us. By his “blood” Othello means passion. The word “collied'-' means “blackened”. Passion, Othello declares, has blackened his reason, and is trying to get control over his personality. This does not 16 SHAKESPEARE.
Página 17
... words indicate to us that he is a man in whom, at critical points, passion is liable to try to get the upper hand over reason. Apparently no one in Venice thinks that he is such a man: it is doubtless a case of a noble man with an evil ...
... words indicate to us that he is a man in whom, at critical points, passion is liable to try to get the upper hand over reason. Apparently no one in Venice thinks that he is such a man: it is doubtless a case of a noble man with an evil ...
Página 18
... stand accountant for as great a sin, But partly led to diet my revenge, . . . . (II, i, 300-3 Noting the words “though peradventure . . . a sin” we must take it that Iago is admitting that he loves Desdemona 18 SHAKESPEARE.
... stand accountant for as great a sin, But partly led to diet my revenge, . . . . (II, i, 300-3 Noting the words “though peradventure . . . a sin” we must take it that Iago is admitting that he loves Desdemona 18 SHAKESPEARE.
Contenido
7 | |
9 | |
Chapter II Shakespeare and the OrderDisorder Antithesis | 39 |
Chapter III Comedy | 57 |
Chapter IV Imaginative Interpretation and Troilus and Cressida | 89 |
Chapter V History | 115 |
Chapter VI Tragedy | 157 |
Chapter VII The Last Plays | 188 |
Book List | 201 |
Index | 205 |
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Términos y frases comunes
according Achilles antithesis audience Aufidius Belarius believe Bolingbroke character Claudius comedy concerned conflict Coriolanus court Cressida criticism Cymbeline deed deposed Desdemona disorder-figures disordered personality doth Dover Wilson dramatic Duke Elizabethan evil fact Falstaff father feel fight figure final find first forest of Arden foul gives God’s Greek Guiderius Hamlet hath Hector Henry Henry IV plays Henry’s hero honour Hotspur Iago idea imaginative influence interpretation king King Lear L. C. Knights Lady Macbeth law of order Lear lover Machiavelli Malvolio man’s means mind moral murder nature Olivia Othello passion poetic Posthumus Prince Professor Dover Professor Stoll psychological reader reason regards Richard Richard II Rome satire says scene Shake Shakespeare play Shakespeare wants Shakespearian significance Sir Toby speaks subconscious suggested Tamburlaine theme things thou tragedy Troilus Troilus and Cressida true Twelfth Night universe unnatural usurpation wife Wilson Knight Witches words wrong