ShakespeareRoutledge, 2013 M10 11 - 208 páginas First published in 1951. |
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Página 10
... nature— the reverse. That is to say, “the hero . . . is a prey to passions foreign (in a sense) to his nature, and is led into conduct to which he is not inclined.” “There can be no question,” says Professor Stoll, “for those who either ...
... nature— the reverse. That is to say, “the hero . . . is a prey to passions foreign (in a sense) to his nature, and is led into conduct to which he is not inclined.” “There can be no question,” says Professor Stoll, “for those who either ...
Página 11
... nature forbids him to accept, to the point of distrusting the testimony and character of those whom both his nature and their own forbid him to discredit. 'His unquestioning faith in Desdemona is his life,' says Sir Walter Raleigh—in so ...
... nature forbids him to accept, to the point of distrusting the testimony and character of those whom both his nature and their own forbid him to discredit. 'His unquestioning faith in Desdemona is his life,' says Sir Walter Raleigh—in so ...
Página 14
... nature” (I, iii, 98, 101). Invoking the facts of real-life psychology, one might well suggest that Othello might have had a deep-rooted inferiority complex on account of his race and colour: he might well himself wonder sometimes how ...
... nature” (I, iii, 98, 101). Invoking the facts of real-life psychology, one might well suggest that Othello might have had a deep-rooted inferiority complex on account of his race and colour: he might well himself wonder sometimes how ...
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... nature Whom passion could not shake? (IV. i. 275—7) These lines describe Othello as Venice knew him, before the temptation. Can such a change be psychologically credible? But there is evidence in the play that Lodovico and the “full ...
... nature Whom passion could not shake? (IV. i. 275—7) These lines describe Othello as Venice knew him, before the temptation. Can such a change be psychologically credible? But there is evidence in the play that Lodovico and the “full ...
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Contenido
7 | |
9 | |
Chapter II Shakespeare and the OrderDisorder Antithesis | 39 |
Chapter III Comedy | 57 |
Chapter IV Imaginative Interpretation and Troilus and Cressida | 89 |
Chapter V History | 115 |
Chapter VI Tragedy | 157 |
Chapter VII The Last Plays | 188 |
Book List | 201 |
Index | 205 |
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Términos y frases comunes
according Achilles antithesis audience Aufidius Belarius believe Bolingbroke character Claudius comedy concerned conflict Coriolanus court Cressida criticism Cymbeline deed deposed Desdemona disorder-figures disordered personality doth Dover Wilson dramatic Duke Elizabethan evil fact Falstaff father feel fight figure final find first forest of Arden foul gives God’s Greek Guiderius Hamlet hath Hector Henry Henry IV plays Henry’s hero honour Hotspur Iago idea imaginative influence interpretation king King Lear L. C. Knights Lady Macbeth law of order Lear lover Machiavelli Malvolio man’s means mind moral murder nature Olivia Othello passion poetic Posthumus Prince Professor Dover Professor Stoll psychological reader reason regards Richard Richard II Rome satire says scene Shake Shakespeare play Shakespeare wants Shakespearian significance Sir Toby speaks subconscious suggested Tamburlaine theme things thou tragedy Troilus Troilus and Cressida true Twelfth Night universe unnatural usurpation wife Wilson Knight Witches words wrong