A Critical Introduction to Henry Green's Novels: The Living Vision

abstract artistic aspects associated attitude basic beauty becomes birds Caught central characters close colours commitment concerns Concluding conflict context contrast counterpoint Craigan create Criticism dance dark death direct dynamic Edith effect Eisenstein emotional emphasis escape experience expression eyes face fact factory feeling fiction forces function garden girls give Green head Henry Green human idea images imagination important impression individual intensity ironic lack leaves light Lily Lily's Living London looked man's masses meaning mind Miss moment montage nature needs novel objective Party passage pattern peacocks picture pigeons poetic position present produced provides Raunce Raunce's reader reality reflect relation represent response reveals Richard Rock Rock's rose says scene seems sense significance stresses structure subjective suggests symbolic technique themes tone turned values vision visual vital window writer