Six Lectures on Harmony: Delivered at the Royal Institution of Great Britain, Before Easter, 1867Longmans, Green, Reader, and Dyer, 1877 - 224 páginas |
Dentro del libro
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Página viii
... style of har- mony , comprised in the living art of our own times . The application of the terms strict and free to these two styles of harmony , throughout the Lectures , must not be confounded with other frequent technical uses of the ...
... style of har- mony , comprised in the living art of our own times . The application of the terms strict and free to these two styles of harmony , throughout the Lectures , must not be confounded with other frequent technical uses of the ...
Página vii
... style of harmony , com- prised in what may be called archaic art in music ; and the modern , fundamental , natural style of har-
... style of harmony , com- prised in what may be called archaic art in music ; and the modern , fundamental , natural style of har-
Página viii
... style of har- mony , comprised in the living art of our own times . The application of the terms strict and free to these two styles of harmony , throughout the Lectures , must not be confounded with other frequent technical uses of the ...
... style of har- mony , comprised in the living art of our own times . The application of the terms strict and free to these two styles of harmony , throughout the Lectures , must not be confounded with other frequent technical uses of the ...
Página xiii
... STYLE . Distinction between the ancient and modern styles . 1-35 Diatonic concords . Common chords . Tritone . Triad of the leading- note . Triad of the mediant . Common chords in major keys . Triads of supertonic and mediant in minor ...
... STYLE . Distinction between the ancient and modern styles . 1-35 Diatonic concords . Common chords . Tritone . Triad of the leading- note . Triad of the mediant . Common chords in major keys . Triads of supertonic and mediant in minor ...
Página xiv
... STYLE . Exceptional treatment of tonic , dominant and subdominant . Con- secutive 5ths and 8ths . Leading - note . Second inversion of concords Tonic , Subdominant , Dominant . Distinction be- tween suspended 4th and inverted 5th ...
... STYLE . Exceptional treatment of tonic , dominant and subdominant . Con- secutive 5ths and 8ths . Leading - note . Second inversion of concords Tonic , Subdominant , Dominant . Distinction be- tween suspended 4th and inverted 5th ...
Otras ediciones - Ver todas
Six Lectures on Harmony, Delivered at the Royal Institution of Great Britain ... G. A. Macfarren Sin vista previa disponible - 2017 |
Six Lectures on Harmony: Delivered at the Royal Institution of Great Britain ... George Alexander Macfarren, Sir Sin vista previa disponible - 2016 |
Términos y frases comunes
A. K. H. B. Crown 8vo ancient style augmented 6th bass note beautiful character chro chromatic chord chromatic scale Church common chord composers comprising consonant derived diatonic style Dictionary diminished 5th dissonant domi dominant 7th effect employed Encyclopædia English enharmonic equal temperament Essays example Greek harmonic series harmony History Illustrations interval John John Stuart Mill John Tyndall key-note leading note leading-note Lectures M.A. Crown 8vo major 13th major 3rd major 9th major key Maps matic mediant melody ment minor 13th minor 3rd minor 9th minor key mode modern music modulation nant octave passage passing-notes peculiar pedal perfect 5th pianoforte plagal Plates Post 8vo practice principles progression PUBLISHED BY LONGMANS R. A. Proctor resolved root Second Edition second inversion semitone SONATA sound strict style subdominant submediant supertonic suspended 9th suspension tion tonality tone Translated treatment vols Woodcuts written
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