Six Lectures on Harmony: Delivered at the Royal Institution of Great Britain, Before Easter, 1867Longmans, Green, Reader, and Dyer, 1877 - 224 páginas |
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Página xv
... root of fundamental chords . Inverted pedals . Extended relationship of keys . Unity of Day's theory . Discrepancies in notation . Conclusion pp . 191-224 LECTURES ON HARMONY . I LECTURE I. INTRODUCTORY . AM CONTENTS . XV.
... root of fundamental chords . Inverted pedals . Extended relationship of keys . Unity of Day's theory . Discrepancies in notation . Conclusion pp . 191-224 LECTURES ON HARMONY . I LECTURE I. INTRODUCTORY . AM CONTENTS . XV.
Página 37
... by a fundamental note or root ; and they refer therefore to the several combinations of intervals as each a separate fact , without any general principle or bond of unity . As THE ANCIENT STRICT OR DIATONIC STYLE . 37.
... by a fundamental note or root ; and they refer therefore to the several combinations of intervals as each a separate fact , without any general principle or bond of unity . As THE ANCIENT STRICT OR DIATONIC STYLE . 37.
Página 41
... roots - fundamental or generative notes - from which they are traced upwards in masses , instead of running side by side in continuous lines . The following are examples of plain and florid counterpoint . ISRAEL IN EGYPT . - Handel . b ...
... roots - fundamental or generative notes - from which they are traced upwards in masses , instead of running side by side in continuous lines . The following are examples of plain and florid counterpoint . ISRAEL IN EGYPT . - Handel . b ...
Página 51
... root , in the bass . The only inversion of a common chord available in the diatonic style , is when the 3rd stands as the bass note , the root being at the interval of a 6th above this , and the 5th of the original chord being at the ...
... root , in the bass . The only inversion of a common chord available in the diatonic style , is when the 3rd stands as the bass note , the root being at the interval of a 6th above this , and the 5th of the original chord being at the ...
Página 66
... root of a chord , to which root it must proceed while the chord continues . The root may be sounded as a bass together with the 9th 66 THE ANCIENT STRICT OR DIATONIC STYLE .
... root of a chord , to which root it must proceed while the chord continues . The root may be sounded as a bass together with the 9th 66 THE ANCIENT STRICT OR DIATONIC STYLE .
Otras ediciones - Ver todas
Six Lectures on Harmony, Delivered at the Royal Institution of Great Britain ... G. A. Macfarren Sin vista previa disponible - 2017 |
Six Lectures on Harmony: Delivered at the Royal Institution of Great Britain ... George Alexander Macfarren, Sir Sin vista previa disponible - 2016 |
Términos y frases comunes
A. K. H. B. Crown 8vo ancient style augmented 6th bass note beautiful character chro chromatic chord chromatic scale Church common chord composers comprising consonant derived diatonic style Dictionary diminished 5th dissonant domi dominant 7th effect employed Encyclopædia English enharmonic equal temperament Essays example Greek harmonic series harmony History Illustrations interval John John Stuart Mill John Tyndall key-note leading note leading-note Lectures M.A. Crown 8vo major 13th major 3rd major 9th major key Maps matic mediant melody ment minor 13th minor 3rd minor 9th minor key mode modern music modulation nant octave passage passing-notes peculiar pedal perfect 5th pianoforte plagal Plates Post 8vo practice principles progression PUBLISHED BY LONGMANS R. A. Proctor resolved root Second Edition second inversion semitone SONATA sound strict style subdominant submediant supertonic suspended 9th suspension tion tonality tone Translated treatment vols Woodcuts written
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