Six Lectures on Harmony: Delivered at the Royal Institution of Great Britain, Before Easter, 1867Longmans, Green, Reader, and Dyer, 1877 - 224 páginas |
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Página xiii
... Inversion of con- cords . Inversion of the diminished triad . Inversion of con- Arbitrary Leap of Sus- cords in minor keys . Inversion on minor 7th . Pedals . Sequences . Diatonic discord . Passing notes . alterations of minor scale ...
... Inversion of con- cords . Inversion of the diminished triad . Inversion of con- Arbitrary Leap of Sus- cords in minor keys . Inversion on minor 7th . Pedals . Sequences . Diatonic discord . Passing notes . alterations of minor scale ...
Página xiv
... inversion of concords Tonic , Subdominant , Dominant . Distinction be- tween suspended 4th and inverted 5th . Harmonics . Fun- damental chords . Exceptional treatment of dominant super- tonic and tonic . Chord of the dominant 7th ...
... inversion of concords Tonic , Subdominant , Dominant . Distinction be- tween suspended 4th and inverted 5th . Harmonics . Fun- damental chords . Exceptional treatment of dominant super- tonic and tonic . Chord of the dominant 7th ...
Página xv
... Inversion of the augmented 6th . Augmented 6th on minor 2nd . Pedals in the free style . Sub - mediant a root of fundamental chords . Inverted pedals . Extended relationship of keys . Unity of Day's theory . Discrepancies in notation ...
... Inversion of the augmented 6th . Augmented 6th on minor 2nd . Pedals in the free style . Sub - mediant a root of fundamental chords . Inverted pedals . Extended relationship of keys . Unity of Day's theory . Discrepancies in notation ...
Página 10
... inversion the 4th are distinguished , in modern terminology , by the epithet perfect , and it is to be remarked that their distinction was already observed in remotest times , and when many niceties , which are obvious to modern ...
... inversion the 4th are distinguished , in modern terminology , by the epithet perfect , and it is to be remarked that their distinction was already observed in remotest times , and when many niceties , which are obvious to modern ...
Página 12
... inverted position of the Tonic and Dominant , as at the interval of a 5th or of a 4th , is so made constantly apparent , for the lower note of each authentic mode is the upper note in the plagal . In the second half of the tenth century ...
... inverted position of the Tonic and Dominant , as at the interval of a 5th or of a 4th , is so made constantly apparent , for the lower note of each authentic mode is the upper note in the plagal . In the second half of the tenth century ...
Otras ediciones - Ver todas
Six Lectures on Harmony, Delivered at the Royal Institution of Great Britain ... G. A. Macfarren Sin vista previa disponible - 2017 |
Six Lectures on Harmony: Delivered at the Royal Institution of Great Britain ... George Alexander Macfarren, Sir Sin vista previa disponible - 2016 |
Términos y frases comunes
A. K. H. B. Crown 8vo ancient style augmented 6th bass note beautiful character chro chromatic chord chromatic scale Church common chord composers comprising consonant derived diatonic style Dictionary diminished 5th dissonant domi dominant 7th effect employed Encyclopædia English enharmonic equal temperament Essays example Greek harmonic series harmony History Illustrations interval John John Stuart Mill John Tyndall key-note leading note leading-note Lectures M.A. Crown 8vo major 13th major 3rd major 9th major key Maps matic mediant melody ment minor 13th minor 3rd minor 9th minor key mode modern music modulation nant octave passage passing-notes peculiar pedal perfect 5th pianoforte plagal Plates Post 8vo practice principles progression PUBLISHED BY LONGMANS R. A. Proctor resolved root Second Edition second inversion semitone SONATA sound strict style subdominant submediant supertonic suspended 9th suspension tion tonality tone Translated treatment vols Woodcuts written
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