Six Lectures on Harmony: Delivered at the Royal Institution of Great Britain, Before Easter, 1867Longmans, Green, Reader, and Dyer, 1877 - 224 páginas |
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Página vii
... , but not universally recognised , distinctions between the ancient , contrapuntal , artificial style of harmony , com- prised in what may be called archaic art in music ; and the modern , fundamental , natural style of har-
... , but not universally recognised , distinctions between the ancient , contrapuntal , artificial style of harmony , com- prised in what may be called archaic art in music ; and the modern , fundamental , natural style of har-
Página 4
... called good melody , whose absence is implied when critics complain that a piece of music contains no melody at all , since this would be , in true technical terminology , to declare that such a piece was composed of a single reiterated ...
... called good melody , whose absence is implied when critics complain that a piece of music contains no melody at all , since this would be , in true technical terminology , to declare that such a piece was composed of a single reiterated ...
Página 7
... called Enhar- Enharmonic monic . This , with the Greeks , comprised a smaller interval than the semitone - a note , namely , between B and C , higher in pitch than the first but not so high as the second . The word Enharmonic may ...
... called Enhar- Enharmonic monic . This , with the Greeks , comprised a smaller interval than the semitone - a note , namely , between B and C , higher in pitch than the first but not so high as the second . The word Enharmonic may ...
Página 9
... called Plagal ( or side- wise , or relative ) , and were characterized by the two predominant notes of melodies which were cast in them being at the interval of a 4th . These terms Authentic and Plagal have endured to our time , and ...
... called Plagal ( or side- wise , or relative ) , and were characterized by the two predominant notes of melodies which were cast in them being at the interval of a 4th . These terms Authentic and Plagal have endured to our time , and ...
Página 12
... called Gregorian music in the Church of England , evince mistaken zeal , false antiquarianism , illogical deductiveness , artistic blindness , and ecclesiastical error . Originally , the four authentic ecclesiastical modes astical from ...
... called Gregorian music in the Church of England , evince mistaken zeal , false antiquarianism , illogical deductiveness , artistic blindness , and ecclesiastical error . Originally , the four authentic ecclesiastical modes astical from ...
Otras ediciones - Ver todas
Six Lectures on Harmony, Delivered at the Royal Institution of Great Britain ... G. A. Macfarren Sin vista previa disponible - 2017 |
Six Lectures on Harmony: Delivered at the Royal Institution of Great Britain ... George Alexander Macfarren, Sir Sin vista previa disponible - 2016 |
Términos y frases comunes
A. K. H. B. Crown 8vo ancient style augmented 6th bass note beautiful character chro chromatic chord chromatic scale Church common chord composers comprising consonant derived diatonic style Dictionary diminished 5th dissonant domi dominant 7th effect employed Encyclopædia English enharmonic equal temperament Essays example Greek harmonic series harmony History Illustrations interval John John Stuart Mill John Tyndall key-note leading note leading-note Lectures M.A. Crown 8vo major 13th major 3rd major 9th major key Maps matic mediant melody ment minor 13th minor 3rd minor 9th minor key mode modern music modulation nant octave passage passing-notes peculiar pedal perfect 5th pianoforte plagal Plates Post 8vo practice principles progression PUBLISHED BY LONGMANS R. A. Proctor resolved root Second Edition second inversion semitone SONATA sound strict style subdominant submediant supertonic suspended 9th suspension tion tonality tone Translated treatment vols Woodcuts written
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