Six Lectures on Harmony: Delivered at the Royal Institution of Great Britain, Before Easter, 1867Longmans, Green, Reader, and Dyer, 1877 - 224 páginas |
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Página xiv
... by the chord of the 11th . Chord of the dominant minor 13th - resolved on a note of the same chord - resolved on a note of another chord . False notation of minor 13th . Distinction between augmented 5th xiv CONTENTS .
... by the chord of the 11th . Chord of the dominant minor 13th - resolved on a note of the same chord - resolved on a note of another chord . False notation of minor 13th . Distinction between augmented 5th xiv CONTENTS .
Página xv
... augmented 6th on minor 6th . Inversion of the augmented 6th . Augmented 6th on minor 2nd . Pedals in the free style . Sub - mediant a root of fundamental chords . Inverted pedals . Extended relationship of keys . Unity of Day's theory ...
... augmented 6th on minor 6th . Inversion of the augmented 6th . Augmented 6th on minor 2nd . Pedals in the free style . Sub - mediant a root of fundamental chords . Inverted pedals . Extended relationship of keys . Unity of Day's theory ...
Página 44
... conclusive in their effect . You will observe in the next example that the alteration of the perfect 5th , either by augmentation or diminu- tion , changes the harmony from a concord to a 44 THE ANCIENT STRICT OR DIATONIC STYLE .
... conclusive in their effect . You will observe in the next example that the alteration of the perfect 5th , either by augmentation or diminu- tion , changes the harmony from a concord to a 44 THE ANCIENT STRICT OR DIATONIC STYLE .
Página 45
... augmented 4th , from one to the other of the extreme notes of a tritone , is objectionable in melody ; and our repugnance to it results from the two notes being characteristic of different keys - the F suggesting to the ear , in the ...
... augmented 4th , from one to the other of the extreme notes of a tritone , is objectionable in melody ; and our repugnance to it results from the two notes being characteristic of different keys - the F suggesting to the ear , in the ...
Página 46
... augmented 4th , by placing the subdominant above the leading note , produces that of the diminished 5th . Triad of the Leading note . Triad of the Mediant . It is essential to a common chord that the 5th be perfect ; hence it is no ...
... augmented 4th , by placing the subdominant above the leading note , produces that of the diminished 5th . Triad of the Leading note . Triad of the Mediant . It is essential to a common chord that the 5th be perfect ; hence it is no ...
Otras ediciones - Ver todas
Six Lectures on Harmony, Delivered at the Royal Institution of Great Britain ... G. A. Macfarren Sin vista previa disponible - 2017 |
Six Lectures on Harmony: Delivered at the Royal Institution of Great Britain ... George Alexander Macfarren, Sir Sin vista previa disponible - 2016 |
Términos y frases comunes
A. K. H. B. Crown 8vo ancient style augmented 6th bass note beautiful character chro chromatic chord chromatic scale Church common chord composers comprising consonant derived diatonic style Dictionary diminished 5th dissonant domi dominant 7th effect employed Encyclopædia English enharmonic equal temperament Essays example Greek harmonic series harmony History Illustrations interval John John Stuart Mill John Tyndall key-note leading note leading-note Lectures M.A. Crown 8vo major 13th major 3rd major 9th major key Maps matic mediant melody ment minor 13th minor 3rd minor 9th minor key mode modern music modulation nant octave passage passing-notes peculiar pedal perfect 5th pianoforte plagal Plates Post 8vo practice principles progression PUBLISHED BY LONGMANS R. A. Proctor resolved root Second Edition second inversion semitone SONATA sound strict style subdominant submediant supertonic suspended 9th suspension tion tonality tone Translated treatment vols Woodcuts written
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