Six Lectures on Harmony: Delivered at the Royal Institution of Great Britain, Before Easter, 1867Longmans, Green, Reader, and Dyer, 1877 - 224 páginas |
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Página 12
... third , fifth , Greek modes . and seventh ; and the four plagal , to make ever obvious their relationship to the others , were named by the even numbers , second , fourth , sixth , and eighth , each pair being thus distinctly coupled ...
... third , fifth , Greek modes . and seventh ; and the four plagal , to make ever obvious their relationship to the others , were named by the even numbers , second , fourth , sixth , and eighth , each pair being thus distinctly coupled ...
Página 13
... third degrees , and between its sixth and seventh , having thus a tone between its seventh and eighth degrees - an effect most unsatisfactory to modern cultivated ears . Semitone . Semitone . A melody in this Dorian mode is employed by ...
... third degrees , and between its sixth and seventh , having thus a tone between its seventh and eighth degrees - an effect most unsatisfactory to modern cultivated ears . Semitone . Semitone . A melody in this Dorian mode is employed by ...
Página 14
... Third Mode of the Church is the Phrygian and its plagal , the Fourth Mode is the Hypo - Phrygian . The former has E for its principal note , and thus its semitones lie between the first and second , and the fifth and sixth degrees ...
... Third Mode of the Church is the Phrygian and its plagal , the Fourth Mode is the Hypo - Phrygian . The former has E for its principal note , and thus its semitones lie between the first and second , and the fifth and sixth degrees ...
Página 15
... third bar , which is the striking speciality of this mode , and which is most pertinently exemplified in the choral phrase to the words " Lord , bow thine ear to our pray'r , " reiterated with touching pathos throughout the first duet ...
... third bar , which is the striking speciality of this mode , and which is most pertinently exemplified in the choral phrase to the words " Lord , bow thine ear to our pray'r , " reiterated with touching pathos throughout the first duet ...
Página 52
... third below it , that in this inverted form it is classed among the concords of the ancient style . Yet further , this inverted chord with the diminished 5th was often written by early composers in preference to the domi- nant harmony ...
... third below it , that in this inverted form it is classed among the concords of the ancient style . Yet further , this inverted chord with the diminished 5th was often written by early composers in preference to the domi- nant harmony ...
Otras ediciones - Ver todas
Six Lectures on Harmony, Delivered at the Royal Institution of Great Britain ... G. A. Macfarren Sin vista previa disponible - 2017 |
Six Lectures on Harmony: Delivered at the Royal Institution of Great Britain ... George Alexander Macfarren, Sir Sin vista previa disponible - 2016 |
Términos y frases comunes
A. K. H. B. Crown 8vo ancient style augmented 6th bass note beautiful character chro chromatic chord chromatic scale Church common chord composers comprising consonant derived diatonic style Dictionary diminished 5th dissonant domi dominant 7th effect employed Encyclopædia English enharmonic equal temperament Essays example Greek harmonic series harmony History Illustrations interval John John Stuart Mill John Tyndall key-note leading note leading-note Lectures M.A. Crown 8vo major 13th major 3rd major 9th major key Maps matic mediant melody ment minor 13th minor 3rd minor 9th minor key mode modern music modulation nant octave passage passing-notes peculiar pedal perfect 5th pianoforte plagal Plates Post 8vo practice principles progression PUBLISHED BY LONGMANS R. A. Proctor resolved root Second Edition second inversion semitone SONATA sound strict style subdominant submediant supertonic suspended 9th suspension tion tonality tone Translated treatment vols Woodcuts written
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