Six Lectures on Harmony: Delivered at the Royal Institution of Great Britain, Before Easter, 1867Longmans, Green, Reader, and Dyer, 1877 - 224 páginas |
Dentro del libro
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Página xi
... Church , which it is the aim of some zealous and well - meaning persons to introduce into the standard use of the Church of England . Not to give even the trifling support of these pages to the perpetuation of that error , the passages ...
... Church , which it is the aim of some zealous and well - meaning persons to introduce into the standard use of the Church of England . Not to give even the trifling support of these pages to the perpetuation of that error , the passages ...
Página xiii
... Church modes inapt to the Church of England . B flat . Harmony originated by the Northern Laity . Key- Major , Minor . Names of the seven notes of a key . Close , cadence or fall . Full close . Half close . Interrupted close ...
... Church modes inapt to the Church of England . B flat . Harmony originated by the Northern Laity . Key- Major , Minor . Names of the seven notes of a key . Close , cadence or fall . Full close . Half close . Interrupted close ...
Página 10
... Churches of Milan and Rome , of which the two worthies were severally bishops , and men described . themselves as ... Church differ essentially from those of the Greeks . The earliest mention of them that has been traced is by our ...
... Churches of Milan and Rome , of which the two worthies were severally bishops , and men described . themselves as ... Church differ essentially from those of the Greeks . The earliest mention of them that has been traced is by our ...
Página 11
... Church modes was within the century and a half before the year 800 , and St. Gregory and St. Ambrose had no more to do with the same than had St. Peter . The Gallican principles of music were superseded by the Roman , and these again ...
... Church modes was within the century and a half before the year 800 , and St. Gregory and St. Ambrose had no more to do with the same than had St. Peter . The Gallican principles of music were superseded by the Roman , and these again ...
Página 12
... Church music prior to the time of the Reformation with its enfranchisement of learning , exemplify one constant purpose - the employment of the most advanced condition of the art , from period to period of its progress , the most ...
... Church music prior to the time of the Reformation with its enfranchisement of learning , exemplify one constant purpose - the employment of the most advanced condition of the art , from period to period of its progress , the most ...
Otras ediciones - Ver todas
Six Lectures on Harmony, Delivered at the Royal Institution of Great Britain ... G. A. Macfarren Sin vista previa disponible - 2017 |
Six Lectures on Harmony: Delivered at the Royal Institution of Great Britain ... George Alexander Macfarren, Sir Sin vista previa disponible - 2016 |
Términos y frases comunes
A. K. H. B. Crown 8vo ancient style augmented 6th bass note beautiful character chro chromatic chord chromatic scale Church common chord composers comprising consonant derived diatonic style Dictionary diminished 5th dissonant domi dominant 7th effect employed Encyclopædia English enharmonic equal temperament Essays example Greek harmonic series harmony History Illustrations interval John John Stuart Mill John Tyndall key-note leading note leading-note Lectures M.A. Crown 8vo major 13th major 3rd major 9th major key Maps matic mediant melody ment minor 13th minor 3rd minor 9th minor key mode modern music modulation nant octave passage passing-notes peculiar pedal perfect 5th pianoforte plagal Plates Post 8vo practice principles progression PUBLISHED BY LONGMANS R. A. Proctor resolved root Second Edition second inversion semitone SONATA sound strict style subdominant submediant supertonic suspended 9th suspension tion tonality tone Translated treatment vols Woodcuts written
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