| The murder of music by American Society of Composers, Authors and Publishers - 1933 - 15 pages |
| The Music Business by Dick Weissman - 2003 - 416 pages |
| The music business by Andrew Blake - 1992 - 128 pages |
| The music industry by John Qualen - 1985 - 37 pages |
| The music industry by John Qualen - 1985 - 37 pages |
| The music industry by Billboard Publishing Company - 1970 - 324 pages |
| The Music Industry Raw by Tony Portelli - 2006 - 204 pages |
| The Music information and education guide by Robert Allen Livingston - 1983 - 44 pages |
| The music machine by Roger Karshner - 1971 - 196 pages |
| The music powers that be-- by C. Cirocco Jones - 2005 - 360 pages |
| The Music Producer's Handbook by Bobby Owsinski - 2010 - 290 pages |
| The Music Producer's Handbook by Bobby Owsinski - 2010 - 290 pages |
| The music profession in Britain since the eighteenth century by Cyril Ehrlich - 1985 - 269 pages |
| The music recording industry in Australia, 15 February 1978 by Australia. Industries Assistance Commission - 1978 - 79 pages |
| The music trade directory - 1912 |
| The Musician's Guide to Licensing Music by Darren Wilsey, Daylle Deanna Schwartz - 2010 - 304 pages |
| The Musician's Guide to Licensing Music by Darren Wilsey, Daylle Deanna Schwartz - 2010 - 304 pages |
| The Musician's Guide to the Internet by Todd Souvignier, Gary Hustwit - 2002 - 88 pages |
| The Musician's Handbook by Bobby Borg - 2003 - 256 pages |
| The national rap directory by Barbara Taylor - 1995 - 200 pages |
| The Never-Ending Revival by Michael F. Scully - 2008 - 288 pages |
| The never-ending revival by Michael F. Scully - 2008 - 259 pages |
| The New Grove dictionary of American music - 1986 - 2736 pages |
| The New Grove dictionary of American music - 1986 - 2736 pages |
| The New Songwriter's Guide to Music Publishing by Randy Poe - 2011 - 160 pages |
| The New Songwriter's Guide to Music Publishing by Randy Poe - 2005 - 160 pages |
| The paper dog by Michael W. Sherman - 1987 - 43 pages |
| The pop industry inside out by Michael Cable - 1977 - 228 pages |
| The printed note by Toledo Museum of Art - 1957 - 144 pages |
| The printing of music, 1480-1680 by John Evan Kreider, Alcuin Society - 1980 - 15 pages |
| The production of culture in the music industry by John Ryan - 1985 - 159 pages |
| The Professional Singer's Handbook by Gloria Rusch - 1998 - 206 pages |
| The publisher's office manual by Walter E. Hurst - 1974 - 538 pages |
| The publisher's office manual by Walter E. Hurst - 1966 - 1000 pages |
| The Purchaser's guide to the music industries - 1973 |
| The Purchaser's guide to the music industries - 1972 |
| The Purchaser's guide to the music industries - 1971 |
| The Purchaser's guide to the music industries - 1969 |
| The Purchaser's guide to the music industries - 1968 |
| The Purchaser's guide to the music industries - 1967 |
| The Purchaser's guide to the music industries - 1966 |
| The Purchaser's guide to the music industries - 1965 |
| The Purchaser's guide to the music industries - 1964 |
| The Purchaser's guide to the music industries - 1962 |
| The Purchaser's guide to the music industries - 1961 |
| The Purchaser's guide to the music industries - 1958 |
| The record promotion and radio station directory by Robert Allen Livingston - 1985 - 35 pages |
| The recording industry career handbook by NARAS Foundation - 1994 |
| The recording industry in numbers by International Federation of the Phonographic Industry - 2002 |
| The recording studio directory by Robert Allen Livingston - 1986 - 31 pages |
| The Recording Studio Directory-East by Robert Allen Livingston - 1986 - 31 pages |
| The Rise & Fall of EMI Records by Brian Southall |
| The Self-Promoting Musician by Peter Spellman - 2008 - 238 pages |
| The selling sound by Diane Pecknold - 2007 - 294 pages |
| The selling sound by Diane Elisabeth Pecknold - 2002 - 608 pages |
| The Songwriter's market guide to song and demo submission formats by Donna Collingwood - 1994 - 153 pages |
| The structure of the popular music industry by Paul Morris Hirsch, University of Michigan. Institute for Social Research - 1969 - 72 pages |
| The structure of the popular music industry by Paul Morris Hirsch, University of Michigan. Institute for Social Research - 1969 - 72 pages |
| The structure of the popular music industry by Paul Morris Hirsch, University of Michigan. Institute for Social Research - 1969 - 72 pages |
| The Touring Musician by Hal Galper - 2007 - 256 pages |
| The U.S. master producers & British music scene book by Walter E. Hurst - 1968 |
| They could have been bigger than EMI by Joachim Gaertner - 2007 - 567 pages |
| They want us with salt and onions by Angela Impey - 1992 - 498 pages |
| This Business of Artist Management by H. Lee Hetherington, Xavier M. Frascogna, Jr. - 2004 - 304 pages |
| This Business of Artist Management by Watson-Guptill - 1997 - 304 pages |
| This Business of Artist Management by Watson-Guptill - 1997 - 304 pages |
| This Business of Concert Promotion and Touring by Rich Barnet, Jake Berry, Ray D. Waddell - 2007 - 272 pages |
| This Business of Concert Promotion and Touring by Rich Barnet, Jake Berry, Ray D. Waddell - 2007 - 272 pages |
| This business of global music marketing by Tad Lathrop - 2007 - 275 pages |
| This Business of Music by M. William Krasilovsky, Sidney Shemel - 2007 - 510 pages |
| This Business of Music by M. William Krasilovsky, Sidney Shemel - 2007 - 510 pages |
| This Business of Music by M. William Krasilovsky, Sidney Shemel - 2007 - 510 pages |
| This Business of Music by M. William Krasilovsky, Sidney Shemel - 2003 - 544 pages |
| This business of music by M. William Krasilovsky, Sidney Shemel - 2000 - 558 pages |
| This business of music by Sidney Shemel, M. William Krasilovsky - 1990 - 688 pages |
| This business of music by Sidney Shemel, M. William Krasilovsky - 1985 - 646 pages |
| This business of music by Sidney Shemel, M. William Krasilovsky - 1985 - 646 pages |
| This business of music by Sidney Shemel, M. William Krasilovsky - 1979 - 575 pages |
| This Business of Music Marketing and Promotion by Tad Lathrop - 2003 - 320 pages |
| Thomas East and Music Publishing in Renaissance England by Jeremy L. Smith - 2003 - 233 pages |
| Three spheres: a life in politics, business and music by Günter Henle - 1971 - 277 pages |
| Ticket Masters by Dean Budnick, Josh Baron - 2012 - 400 pages |
| Tinfoil phonographs by René Rondeau - 2001 - 168 pages |
| Tour:Smart by Martin Atkins - 2007 - 592 pages |
| Tour:Smart by Martin Atkins - 2007 - 592 pages |
| Tour:Smart by Martin Atkins |
| United States of America, petitioner, vs. American society of composers, authors and publishers, Music publishers protective association, Music dealers service, inc., et al., defendants. Answer. Nathan Burkan, attorney for defendants ... by Nathan Burkan, American Society of Composers, Authors and Publishers - 1934 - 61 pages |
| Venezia 1501 by Giulio Cattin, Patrizia Dalla Vecchia - 2005 - 800 pages |
| Venezia 1501 by Giulio Cattin, Patrizia Dalla Vecchia - 2005 - 800 pages |
| Victorian illustrated music sheets by Catherine Haill - 1981 - 32 pages |
| Victorian music publishers by John A. Parkinson - 1990 - 315 pages |
| Vincent Novello--and company by Michael Hurd - 1982 - 163 pages |
| Vincent Novello--and company by Michael Hurd - 1981 - 163 pages |
| Vinyl Lexikon by Frank Wonneberg - 2000 - 448 pages |
| Voxpop: profiles of the pop process by Michael Wale - 1972 - 320 pages |
| Waiting for the Sun by Barney Hoskyns - 2009 - 418 pages |
| What happens after graduation? by Charles Stier - 1993 - 72 pages |
| What's Up Dawg? by Randy Jackson, K.C. Baker - 2004 - 288 pages |
| What's Up, Dawg? by Randy Jackson - 2004 - 288 pages |
| When the music stops-- by Norman Lebrecht - 1996 - 455 pages |
| Where have all the good times gone? by Louis Barfe - 2004 - 395 pages |
| Where the dark and the light folks meet by Randy Sandke - 2010 - 277 pages |
| Where the Dark and the Light Folks Meet by Randy Sandke - 2010 - 277 pages |
| Will small music labels and entrepreneurs prosper in the internet age by United States. Congress. House. Committee on Small Business - 2001 - 100 pages |
| Working Musicians by Bruce Pollock - 2002 - 416 pages |
| You Gotta Be Bad Before You Can Be Good by Cliffie Stone, Joan Carol Stone, Victor Muschetto - 2000 - 250 pages |
| You Talkin to Me? by Marc Apple - 2004 - 144 pages |
| Young, gifted and black by Michael De Koningh, Laurence Cane-Honeysett - 2003 - 311 pages |
| "Sterling" by Sydney H. Carter, Frank Andrews - 1975 - 108 pages |
| Étude sur les prix et les marges dans la distribution des disques de musique classique dans l'U.E.B.L. by Herman Daems, G. Labeau, M. van Kerkem - 1979 - 115 pages |
| Дыра, прикрытая глянцем by Андрей Горохов - 2007 - 83 pages |
| История начала грамзаписи в России by П. Н. Грюнберг, Валентин Лаврентьевич Янин - 2002 - 650 pages |
| Наш друг - грампластинка by Анатолий Иванович Железный - 1989 - 280 pages |
| Политика-- вершина шоу-бизнеса by Иосиф Пригожин - 2001 - 316 pages |
| זכויות יוצרים by Agudat ḳompoziṭorim, meḥabrim u-molim le-musiḳah be-Yiśraʾel - 1971 |
| זכויות יוצרים - 1971 |
| تاريخ تحول ضبط موسيقى در ايران by Sāsān Sipantā - 1987 - 476 pages |
| نقابة المهن الموسيقية by عياد، هاني - 2004 - 123 pages |
| ポピュラー音楽は誰が作るのか by 生明俊雄 - 2004 - 251 pages |
| レコード產業界 by Shigeru Kawabata - 1977 - 262 pages |
| 日本レコード文化史 by 倉田喜弘 - 2006 - 336 pages |
| 日本レコード文化史 by 倉田喜弘 - 1992 - 272 pages |
| 粤韻留聲 by Sai-shing Yung - 2006 - 245 pages |