| Creating art from anything; ideas, materials, techniques by Dona Z. Meilach - 1968 - 119 pages |
| Creative vision for art and for life by Richard Henry Guggenheimer - 1960 - 175 pages |
| Creative vision in artist and audience by Richard Henry Guggenheimer - 1950 - 173 pages |
| Critica d'arte e buongoverno, 1938-1969 by Roberto Longhi - 1985 - 451 pages |
| Criticisms on art - 1843 - 335 pages |
| Critiques of pure abstraction by Mark Lawrence Rosenthal - 1995 - 48 pages |
| Cruces by Natalia Gutiérrez, José Alejandro Restrepo - 2000 - 132 pages |
| Curiosidades estéticas by Charles Baudelaire - 1988 - 232 pages |
| Damas aladas del antiguo Egipto by María José López Grande - 2003 - 159 pages |
| Dans l'oeil du critique by Bernard Lamarche-Vadel, Musée d'art moderne de la ville de Paris - 2009 - 375 pages |
| Darstellung und kritik der ästhetischen grundanschauungen Schopenhauers ... by Fritz Sommerlad - 1895 - 40 pages |
| Das Ende der Kunstgeschichte? by Hans Belting - 1983 - 91 pages |
| Das lyrische Bild - 2010 - 358 pages |
| Das Moderne in der Kunst.- by Julius Lessing - 1898 - 32 pages |
| Das teuflische und groteske in der kunst by Wilhelm Michel - 1911 - 129 pages |
| Das Tragische und die Tragödie by Ludwig Hasenclever - 1927 - 169 pages |
| De l'art cuit à l'art cru by Henri Barras - 2007 - 182 pages |
| De la impresión subjetiva de lo bello, explicación metafísica de la influencia universal de la belleza ... : Discurso leído ante el claustro de la Universidad Central by Ramón Ivañez e Ivañez, Universidad Central (Madrid). Facultad de Filosofía y Letras - 1867 - 34 pages |
| Deep design by Libby Lumpkin - 1999 - 126 pages |
| Den romantiska postmodernismen by Kristoffer Arvidsson, Göteborgs universitet. Institutionen för konst- och bildvetenskap - 2008 - 452 pages |
| Dependent ally by Coral Bell, Australian National University. Dept. of International Relations - 1984 - 296 pages |
| Der Gärtner by Gerhard Altenbourg, Friedrich Dieckmann, Florian Illies, Dieter Brusberg - 1996 - 383 pages |
| Der M̲ensch und sein Gebild by Martín Buber - 1955 - 53 pages |
| Der Nautiluspokal by Hanns-Ulrich Mette - 1995 - 283 pages |
| Der weg aus dem chaos by Paul Ligeti - 1931 - 444 pages |
| Der weg aus dem chaos by Paul Ligeti - 1931 - 444 pages |
| Design criticism by Jack Williamson, Peggy Re - 1959 - 129 pages |
| Deutsche Kunst by Karl Scheffler - 1915 - 112 pages |
| Diderot, critique d'art by Else Marie Bukdahl - 1980 - 393 pages |
| Die Frage nach dem Kunstwerk unter den heutigen Bildern - 1996 - 192 pages |
| Die Frau in der Kunstwissenschaft by Erika Tietze-Conrat - 2007 - 306 pages |
| Die Idee des Schöpferischen in Herders Kalligone. - Bern & München: Francke (1968): (Welsermühl, Wels). 116 S. gr. 8° by Friedrich Ostermann - 1968 - 117 pages |
| Die Philosophie der Kunstgeschichte in der Gegenwart by Walter Passarge, Ernst Wolfgang Huber - 1981 - 127 pages |
| Die Schriften by Franz Wickhoff - 1913 |
| Die Welt als Vorstellung by Paul Westheim - 1919 - 132 pages |
| Die Wiener Schule der Kunstgeschichte by Julius Schlosser (Ritter von), Hans Hahnloser - 1934 - 84 pages |
| Die Wiener Staatsoper by Karl Michael Fritthum - 2000 - 80 pages |
| Die ästhetische Wirklichkeit by Herman Nohl - 1954 - 216 pages |
| Die ästhetische Wirklichkeit by Herman Nohl - 1935 - 216 pages |
| Discovering the sculptures of George Frederick Watts by Elizabeth Hutchings - 2000 - 56 pages |
| Do you see what I see? by Helen Borten - 1959 - 39 pages |
| Dominico Greco y sus obras a lo largo de los siglos XVII y XVIII by José Manuel Pita Andrade, Enrique Pardo Canalís - 1984 - 93 pages |
| Du Laocoon, ou des Limites respectives de la poésie et de la peinture by Gotthold Ephraim Lessing, Vanderbourg - 1802 - 384 pages |
| Du Laocoon, ou des Limites respectives de la poésie et de la peinture by Gotthold Ephraim Lessing, Vanderbourg - 1802 - 384 pages |
| Dynamic symmetry in composition as used by the artists by Jay Hambidge - 1923 - 83 pages |
| Dynamics and performativity of imagination by Bernd Hüppauf, Christoph Wulf - 2009 - 372 pages |
| Déblaiement d'art by Henry van de Velde - 1979 - 198 pages |
| Dénonciation by Liliana Albertazzi - 1991 - 239 pages |
| E me ipso - 1990 - 309 pages |
| E.-J. Delécluze, témoin de son temps, 1781-1863 ... by Robert Baschet - 1942 - 514 pages |
| E.-J. Delécluze, témoin de son temps, 1781-1863 ... by Robert Baschet - 1942 - 514 pages |
| Ecrits sur l'art by Félix Bracquemond - 2002 - 333 pages |
| El engaño a los ojos (notas de estética menor) by Guillermo Díaz-Plaja - 1943 - 179 pages |
| El Greco by Santiago Alcolea Blanch - 1990 - 127 pages |
| El lugar del artista by Isabel Aninat, Rosario Jiménez Gili - 2007 - 147 pages |
| El mirón insistente by Juan Carlos Palenzuela - 1997 - 212 pages |
| El mirón insistente by Juan Carlos Palenzuela - 1997 - 212 pages |
| Elements of art criticism by George Whitefield Samson - 1876 - 837 pages |
| Elements of art criticism by George Whitefield Samson - 1876 - 837 pages |
| Elements of art criticism by George Whitefield Samson - 1876 - 837 pages |
| Elements of criticism by Lord Henry Home Kames - 1857 - 504 pages |
| Encounter with art by W. Reid Hastie, Christian Schmidt - 1969 - 463 pages |
| Engines of ingenuity by Kit Williams - 2001 - 35 pages |
| Enjoying art by Judith Evans Hanhisalo - 1983 - 256 pages |
| Ensayos by Carlos Bravomalo Roatta - 1983 - 372 pages |
| Entendre l'écrit by Francis Parent - 1999 - 397 pages |
| Entre le voir et le dire by Françoise Lucbert - 2005 - 309 pages |
| Entre Picasso et Radiguet by Jean Cocteau - 1967 - 194 pages |
| Entrevues à propos du "complot de l'art" by Jean Baudrillard, Geneviève Bréerette - 1997 - 54 pages |
| Esame analitico dei pregiudizj e delle false idee degli artisti nelle belle arti by Bartolomeo Soster - 1850 - 255 pages |
| Escrits sobre art by Joaquín Torres-García - 1980 - 234 pages |
| Essai sur divers arts by Theophile, L'Escalopier - 1843 |
| Essay on beauty by Lord Francis Jeffrey Jeffrey, Archibald Alison - 1871 - 324 pages |
| Essay on beauty by Lord Francis Jeffrey Jeffrey, Archibald Alison - 1871 - 324 pages |
| Essays in honor of Walter Friedlaender by New York University. Institute of Fine Arts - 1965 - 194 pages |
| Essays on art by Max Weber - 1916 - 77 pages |
| Essays on art, 1915-1933 by Kazimir Severinovich Malevich, Troels Andersen - 1969 - 259 pages |
| Estetika užité tvorby by Dušan Šindelář - 1978 - 295 pages |
| Esthétique des proportions dans la nature et dans les arts by Matila Costiescu Ghyka - 1927 - 452 pages |
| Everyone wants the same painting by Christof Engelhorn - 2007 - 61 pages |
| Evolution in the Arts by Thomas Munro - 1963 - 561 pages |
| Experiencing pictures through analysis of ancient and modern works and through practice of the procedures which make those works effective by Ralph M. Pearson - 1932 - 225 pages |
| Experiencing pictures through analysis of ancient and modern works and through practice of the procedures which make those works effective by Ralph M. Pearson - 1932 - 225 pages |
| Experiencing pictures through analysis of ancient and modern works and through practice of the procedures which make those works effective by Ralph M. Pearson - 1932 - 225 pages |
| Experimental painting: construction, abstraction, destruction, reduction by Stephen Bann - 1970 - 144 pages |
| Extraños en el paraíso by Carlos Jiménez - 1993 - 172 pages |
| F.F., ou, Le critique by Jean Paulhan - 1998 - 170 pages |
| Feminist art criticism by Cassandra L. Langer - 1993 - 291 pages |
| Fernando de Szyszlo by Fernando de Szyszlo, Museo Rufino Tamayo - 1988 - 44 pages |
| Fernando de Szyszlo.. by David Herskovitz, Fernando de Szyszlo - 2010 - 95 pages |
| Fernando de Szyszlo.. by David Herskovitz, Fernando de Szyszlo - 2010 - 95 pages |
| Fijeza by Antonio Saura - 1999 - 382 pages |
| Filosofía del arte by José Camón Aznar - 1974 - 224 pages |
| Filosofía del arte by Alfonso Álvarez Villar, Joseph Addison - 1968 - 254 pages |
| Form als Schicksal by Karl Scheffler - 1943 - 170 pages |
| Form and colour by Lisle March Phillipps - 1915 - 294 pages |
| Form and colour by Lisle March Phillipps - 1915 - 294 pages |
| Form and content by Quentin Bell - 1966 - 16 pages |
| Formstrukturen und Sinnstrukturen in der Kunst - 1991 - 151 pages |
| French connection by Léa Gauthier - 2008 - 797 pages |
| Friedrich Schleiermacher's Ästhetik by Friedrich Schleiermacher, Rudolf Odebrecht, Deutsche Akademie der Wissenschaften zu Berlin, Literatur-archiv-gesellschaft in Berlin - 1931 - 356 pages |
| Friedrich Schleiermachers Ästhetik by Friedrich Schleiermacher, Deutsche Akademie der Wissenschaften zu Berlin, Literaturarchiv-Gesellschaft in Berlin - 1931 - 356 pages |
| Friendly fire by Leonhard Emmerling - 2004 - 79 pages |
| From Swan Sonnenschein to George Allen & Unwin, ltd by Frank Arthur Mumby, Frances Helena Swan Stallybrass - 1955 - 100 pages |
| Frühklassizismus by Helmut Pfotenhauer, Markus Bernauer, Norbert Miller, Thomas Franke - 1995 - 788 pages |
| Fuentes documentales y críticas de las artes plásticas venezolanas by Roldán Esteva Grillet, María Antonia González Arnal, Universidad Central de Venezuela. Consejo de Desarrollo Científico y Humanístico - 2001 |
| Féminisme, art, et histoire de l'art by École nationale supérieure des beaux-arts (France) - 1994 - 146 pages |
| G.F. Watts by Gilbert Keith Chesterton - 1975 - 75 pages |
| Gaetano Milanesi by Piergiacomo Petrioli, Gaetano Milanesi, Accademia senese degli Intronati - 2004 - 204 pages |
| Georg Forster by Gabriele Padberg - 1995 - 341 pages |
| Georges Vasari et le vocabulaire de la critique d'art dans les "Vite" by Roland Le Mollé - 1988 - 273 pages |
| Gesammelte aufsätze by Alois Riegl, Hans Sedlmayr - 1929 - 206 pages |
| Gilbert's living with art by Rita Gilbert, Mark Getlein - 2002 - 581 pages |
| Giovanni Morelli e la cultura dei conoscitori. 3. Illustrazioni by Maria Elisabetta Manca, Matteo Panzeri, Marisa Dalai Emiliani - 1993 - 498 pages |
| Gombrich on art and psychology by Richard Woodfield - 1996 - 271 pages |
| Great art to the grotesque by Kenneth Keith Forbes - 1972 - 67 pages |
| Great works of art and what makes them great by Fred Wellington Ruckstull, Theophilus Bulkeley Hyslop - 1925 - 552 pages |
| Great works of art and what makes them great by Fred Wellington Ruckstull, Theophilus Bulkeley Hyslop - 1925 - 552 pages |
| Great works of art and what makes them great by Fred Wellington Ruckstull, Theophilus Bulkeley Hyslop - 1925 - 552 pages |
| Grip by David Shrigley - 2000 - 207 pages |
| Grundbegriffe der Kunstwissenschaft by August Schmarsow - 1905 - 350 pages |
| Grundbegriffe der Kunstwissenschaft by August Schmarsow - 1905 - 350 pages |
| Grundriss einer allgemeinen aesthetik by Konrad Hermann - 1857 - 326 pages |
| Grundzüge der Ästhetik by Hermann Lotze - 1888 - 128 pages |
| Guido Molinari by Guido Molinari, Pierre Théberge - 1976 - 112 pages |
| Guido Molinari by Pierre Théberge, Guido Molinari, National Gallery of Canada - 1976 - 160 pages |
| Gustav Klimt by Hangaram Design Museum (Sŏul), Österreichische Galerie Belvedere, Österreichische Galerie Belvedere (Wien), Yesul ŭi Chŏndang Misulgwan (Korea) - 2009 - 239 pages |
| Gustav Klimt by Österreichische Galerie Belvedere, Yesul ŭi Chŏndang Misulgwan (Korea) - 2009 - 239 pages |
| ha-Kad mi-Ṭenesi by מאיר אגסי - 2008 - 552 pages |
| Hans Haug, homme de musées by Bernadette Schnitzler, Anne-Doris Meyer, Patrick Absalon, Musées de Strasbourg, Galerie Heitz (Strasbourg, France) - 2009 - 262 pages |
| Harmonie und rhythmus in natur und kunst by Heinrich Frieling - 1937 - 152 pages |
| Has God been insulted here? by Huntington Hartford - 1951 - 21 pages |
| Hegel on the arts by Georg Wilhelm Friedrich Hegel, Henry Paolucci - 1979 - 200 pages |
| Hegels Aesthetik unter einheitlichem gesichtspunkte ausgewählt by Georg Wilhelm Friedrich Hegel - 1922 - 249 pages |
| Hegels ästhetik im verhältnis zu Schiller by Albert Lewkowitz - 1910 - 76 pages |
| Hegels ästhetik im verhältnis zu Schiller by Albert Lewkowitz - 1910 - 76 pages |
| Heinrich Heines verhältnis zur bildenden kunst by Karl Robert Heinrich Hessel - 1931 - 186 pages |
| Heinrich Heines Verhältnis zur bildenden Kunst. - Marburg: Elwert 1931. XI, 186 S. 8° by Karl Robert Heinrich Hessel - 1931 - 186 pages |
| Henszlmann Imre művészetelmélete és kritikusi gyakorlata by Klára Széles - 1992 - 107 pages |
| Herwarth Walden by Herwarth Walden - 1991 - 127 pages |
| Het Lam Gods - 2005 - 143 pages |
| Histoire de l'art by Élie Faure - 1991 - 933 pages |
| Histoire de l'histoire de l'art by Edouard Pommier - 1997 - 850 pages |
| Histoire de la̓rt et lutte des sexes by Françoise d' Eaubonne - 1977 - 182 pages |
| Historia de la crítica de arte en España by Juan Antonio Gaya Nuño - 1975 - 366 pages |
| Historia y crítica de las exposiciones nacionales de bellas artes celebradas en España by Bernardino de Pantorba - 1980 - 655 pages |
| Historia y crítica de las exposiciones nacionales de bellas artes celebradas en España by Bernardino de Pantorba - 1948 - 564 pages |
| History of art criticism by Lionello Venturi - 1936 - 324 pages |
| Homes and haunts of John Ruskin by Sir Edward Tyas Cook - 1912 - 218 pages |
| How to imagine by Gianfranco Baruchello, Henry Martin - 1983 - 157 pages |
| How to see modern pictures by Ralph M. Pearson - 1928 - 228 pages |
| How to see modern pictures by Ralph M. Pearson - 1928 - 228 pages |
| How to see modern pictures by Ralph M. Pearson - 1925 - 228 pages |
| Humor als Lebensgefühl (Der grosse Humor) eine psychologische Studie by Harald Høffding - 1918 - 205 pages |
| I know what I like! by Graham Thatcher - 1983 - 253 pages |
| Icon and idea by Sir Herbert Edward Read - 1955 - 161 pages |
| Icons by Birgit Richard, Robert Klanten, Stefan Heidenreich - 1998 - 176 pages |
| Ideals and idols by Ernst Hans Gombrich - 1979 - 224 pages |
| Ideas and images in world art by René Huyghe - 1959 - 447 pages |
| Ideas sobre el arte en Venezuela en el siglo XIX by Simón Noriega - 1993 - 92 pages |
| Idee und Gestalt by Max Raphael - 1921 - 186 pages |
| Idem by Giulio Paolini - 1975 - 111 pages |
| Il pensiero di Cesare Brandi dalla teoria alla pratica : a 100 anni dalla nascita di Cesare Brandi : atti dei seminari di München, Hildesheim, Valencia, Lisboa, London, Warszawa, Bruxelles, Paris by Giuseppe Basile, Associazione Giovanni Secco Suardo - 2008 - 350 pages |
| Il púngolo dell'arte by Carlo Ludovico Ragghianti - 1956 - 410 pages |
| Illustrious friends by Sheila (Berry) Smith Birkenhead (countess of), Sheila Birkenhead - 1965 - 393 pages |
| Image scavengers, painting by Janet Kardon, University of Pennsylvania. Institute of Contemporary Art - 1982 - 40 pages |
| Images abymées by Bernard Leconte - 2000 - 256 pages |
| Images and imagination; an introduction to art by Roberta M. Capers, Jerrold Maddox - 1965 - 297 pages |
| Images politiques - 2004 - 157 pages |
| In the picture by Andrew Graham-Dixon - 2003 - 212 pages |
| Influencia del sentimiento de lo bello como elemento educador en la historia humana by Francisco Fernández y González, Universidad de Granada - 1856 - 36 pages |
| Interpreting masterpieces by Alfred M. Frankfurter - 1952 - 51 pages |
| Introducción a la crítica de arte by Eugenio d' Ors - 1963 - 148 pages |
| Introduction to art by Aaron Scharf, Timothy Benton, Open University. Arts Foundation Course Team - 1971 - 96 pages |
| Introduction to art by Mrs. Dura Brokaw Cockrell - 1930 - 475 pages |
| Introduction à l'esthétique by Charles Lalo - 1912 - 343 pages |
| Introduction à l'histoire de l'esthet́ique française by Arsène Soreil - 1930 - 155 pages |
| Iris: studies in colour and talks about flowers by Franz Delitzsch - 1889 - 227 pages |
| Iskusstvo kak iskusstvo by Vadim Mikhaĭlovich Polevoĭ - 1995 - 206 pages |
| Itinerario fiorentino by Paolo Costantini, Italo Zannier, Fratelli Alinari - 1986 - 158 pages |
| Izabrana djela by Ljubo Babić, Cvito Fisković - 1985 - 327 pages |
| J. P. Hodin, European critic by Josef Paul Hodin - 1965 - 201 pages |
| J.H. Füsslis (1741-1825) "Lectures on painting" by Gisela Bungarten, Henry Fuseli - 2005 - 362 pages |
| J.H. Füsslis (1741-1825) "Lectures on painting" by Gisela Bungarten, Henry Fuseli - 2005 - 484 pages |
| James Ward's Gordale Scar by Edward J. Nygren, James Ward, Tate Gallery - 1982 - 64 pages |
| Jeannot an Franz by Jean Tinguely, Franz Meyer, Annja Müller-Alsbach, Heinz Stahlhut, Claire Wüest, Museum Jean Tinguely Basel - 2003 - 95 pages |
| Jejak-jejak tradisi bahasa rupa Indonesia lama by Wiyoso Yudoseputro - 2008 - 244 pages |
| Jimmie Durham by Jimmie Durham, Kunstverein München, Daadgalerie - 1998 - 158 pages |
| Johann Gottfried Herders "Plastik" und die Entstehung der neueren Kunstwissenschaft by Bernhard Schweitzer - 1948 - 135 pages |
| Johann Joachim Winckelmann by Élisabeth Décultot - 2000 - 337 pages |
| John Ruskin by George Allan Cate - 1988 - 146 pages |
| John Ruskin by Frederic Harrison - 1925 - 216 pages |
| John Ruskin by Frederic Harrison - 1902 - 216 pages |
| John Ruskin - 1898 - 191 pages |
| John Ruskin and aesthetic thought in America, 1840-1900 by Roger B. Stein - 1967 - 321 pages |
| John Ruskin and Victorian art by James S. Dearden, Isetan Bijutsukan, Ishibashi Bijutsukan - 1993 - 366 pages |
| John Ruskin e le Alpi by John Ruskin, James S. Dearden, Museo nazionale della montagna "Duca degli Abruzzi." - 1990 - 75 pages |
| John Ruskin und die Schweiz by Elisabeth Gertrud Koenig - 1943 - 152 pages |
| John Ruskin's wife by Eva McDonald - 1979 - 219 pages |
| John Ruskin, economist by Sir Patrick Geddes - 1884 - 43 pages |