| The drawings of Henry Moore by Henry Moore - 1946 - 2 pages |
| The drawings of John Ruskin by Paul H. Walton - 1972 - 134 pages |
| The drawings of Picasso by Pablo Picasso, Arthur Millier - 1961 - 48 pages |
| The educational theories of John Ruskin by Hilda Boettcher Hagstotz - 1942 - 294 pages |
| The educational theories of John Ruskin by Hilda Boettcher Hagstotz - 1942 - 294 pages |
| The Enemy by Wyndham Lewis, David Peters Corbett - 1994 - 246 pages |
| The enemy - 1968 |
| The enemy - 1968 |
| The Enemy - 1927 |
| The Enjoyment of Art by Carleton Eldredge Noyes - 1904 - 101 pages |
| The exquisite tragedy by Amabel Williams-Ellis - 1929 - 371 pages |
| The eye of the painter and the elements of beauty by Andrew Loomis - 1961 - 144 pages |
| The flow of art by Henry McBride, Daniel Catton Rich - 1975 - 462 pages |
| The flower teachers by Candace Jesse Stout - 2001 - 248 pages |
| The freedom of art by Honor Arundel - 1965 - 104 pages |
| The gate of appreciation by Carleton Eldredge Noyes - 1907 - 279 pages |
| The golden relationship by Martha Boles, Rochelle Newman - 1987 |
| The grass roots of art by Sir Herbert Edward Read - 1967 - 160 pages |
| The grass roots of art by Herbert Read - 1967 - 160 pages |
| The grass roots of art by Sir Herbert Edward Read - 1955 - 160 pages |
| The grass roots of art by Sir Herbert Edward Read - 1955 - 160 pages |
| The grass roots of art by Sir Herbert Edward Read - 1955 - 160 pages |
| The grass roots of art by Sir Herbert Edward Read - 1955 - 160 pages |
| The grass roots of art by Herbert Read - 1949 - 92 pages |
| The grass roots of art by Sir Herbert Edward Read - 1947 - 92 pages |
| The grass roots of art by Sir Herbert Edward Read - 1947 - 92 pages |
| The grass roots of art by Sir Herbert Edward Read - 1946 - 92 pages |
| The Grove book of art writing by Martin Gayford, Karen Wright - 2000 - 620 pages |
| The harvest of Ruskin by John William Graham - 1920 - 269 pages |
| The heaven of invention by George Boas - 1962 - 394 pages |
| The humanities by Louise Dudley, Austin Faricy, McGraw-Hill Book Company - 1973 - 439 pages |
| The humanities by Louise Dudley - 1951 - 518 pages |
| The humanities; applied aesthetics by Louise Dudley, Austin Faricy - 1960 - 466 pages |
| The hunters and the hunted by Sacheverell Sitwell - 1947 - 313 pages |
| The hunters and the hunted by Sacheverell Sitwell - 1947 - 313 pages |
| The idea of the literary by Nicholas Harrison - 2005 - 146 pages |
| The ideal in art by Hippolyte Taine - 1874 - 186 pages |
| The ideas of progress and their impact on art by Ernst Hans Gombrich - 1971 - 89 pages |
| The image and the eye by Ernst Hans Gombrich - 1994 - 320 pages |
| The image and the eye by Ernst Hans Gombrich - 1982 - 320 pages |
| The image in form by Adrian Durham Stokes, Richard Wollheim - 1972 - 320 pages |
| The image in form: selected writings of Adrian Stokes by Adrian Stokes, Richard Wollheim - 1972 - 320 pages |
| The inscription over the gate by H. R. Wackrill, Tate Gallery - 1937 - 125 pages |
| The intent of the artist by Sherwood Anderson - 1970 - 162 pages |
| The interpretation of art by Solomon Fishman - 1963 - 195 pages |
| The invention of truth by Marta Morazzoni - 1993 - 99 pages |
| The invitation in art by Adrian Durham Stokes - 1965 - 67 pages |
| The irresponsible arts by William Snaith - 1964 - 277 pages |
| The irresponsible arts by William Snaith - 1964 - 277 pages |
| The irresponsible arts by William Snaith - 1964 - 277 pages |
| The irresponsible arts by William Snaith - 1964 - 277 pages |
| The Journal of Aesthetics and Art Criticism - 1964 |
| The Journal of Aesthetics and Art Criticism - 1961 |
| The Journal of Aesthetics and Art Criticism - 1960 |
| The Journal of Aesthetics and Art Criticism - 1958 |
| The Journal of Aesthetics and Art Criticism - 1956 |
| The Journal of Aesthetics and Art Criticism - 1947 |
| The Journal of aesthetics and art criticism by American Society for Aesthetics, JSTOR (Organization) - 1944 |
| The Journal of aesthetics and art criticism - 1942 |
| The Journal of aesthetics and art criticism by Dagobert David Runes, American Society for Aesthetics - 1941 - 25 pages |
| The Journal of the theory and criticism of the visual arts - 1981 |
| The Journal of the theory and criticism of the visual arts by Arizona State University. School of Art - 1981 |
| The joyous vision by Al Hurwitz, Stanley S. Madeja - 1977 - 302 pages |
| The Kennedy Center Alliance for Arts Education network by Donald J. Killeen - 1997 - 636 pages |
| The lamp of beauty - 1959 - 344 pages |
| The lamp of beauty - 1959 - 344 pages |
| The Lamp of memory by Michael Wheeler, Nigel Whiteley - 1992 - 238 pages |
| The landscape vision of Paul Nash by Roger Cardinal - 1989 - 136 pages |
| The language of painting by Charles Johnson - 1949 - 276 pages |
| The language of painting by Charles Johnson - 1949 - 276 pages |
| The life of forms in art by Henri Focillon - 1966 - 94 pages |
| The life of forms in art by Henri Focillon - 1948 - 94 pages |
| The life of John Ruskin by William Gershom Collingwood - 1912 - 314 pages |
| The life of John Ruskin by William Gershom Collingwood - 1902 - 427 pages |
| The life of John Ruskin by William Gershom Collingwood - 1900 - 427 pages |
| The limitations of verbal criticism of works of art by Samuel Isham - 1928 - 40 pages |
| The limitations of verbal criticism of works of art by Samuel Isham - 1928 - 40 pages |
| The limitations of verbal criticism of works of art by Samuel Isham - 1928 - 40 pages |
| The limits of art - 1954 - 1473 pages |
| The limits of art by Huntington Cairns - 1948 - 1473 pages |
| The limits of art by Huntington Cairns - 1948 - 1473 pages |
| The Lord's Prayer and the church by John Ruskin - 1880 |
| The Lord's prayer and the Church: letters to the clergy. With replies from clergy and laity, and an epilogue. Ed., with essays and comments, by F.A. Malleson by John Ruskin - 1880 |
| The lure of the fine arts by Frederick Colin Tilney - 1931 - 315 pages |
| The lure of the fine arts by Frederick Colin Tilney - 1931 - 315 pages |
| The Macmillan art informer by Trewin Copplestone - 1983 - 384 pages |
| The man-made object by György Kepes - 1966 - 230 pages |
| The Manuscripts and Correspondence of James, First Earl of Charlemont: Lord Charlemont's memoirs of his political life, 1755-1783. Correspondence, 1745-1783 by Lord James Caulfeild Charlemont, Edward Perceval Wright, Great Britain. Royal Commission on Historical Manuscripts, Royal Irish Academy - 1891 |
| The Manuscripts and Correspondence of James, First Earl of Charlemont: Lord Charlemont's memoirs of his political life, 1755-1783. Correspondence, 1745-1783 by Lord James Caulfeild Charlemont, Edward Perceval Wright, Great Britain. Royal Commission on Historical Manuscripts, Royal Irish Academy - 1891 |
| The meaning and purpose of art by Arthur Rowland Howell - 1957 - 219 pages |
| The meaning of art by Sir Herbert Edward Read - 1972 - 280 pages |
| The meaning of art by Sir Herbert Edward Read - 1968 - 280 pages |
| The meaning of art by Sir Herbert Edward Read - 1951 - 262 pages |
| The meaning of art by Sir Herbert Edward Read - 1951 - 262 pages |
| The meaning of art by Sir Herbert Edward Read - 1936 - 224 pages |
| The meaning of art by Amos Philip McMahon - 1930 - 306 pages |
| The meaning of art by Amos Philip McMahon - 1930 - 306 pages |
| The meaning of art by University of Dacca, Rabindranath Tagore - 1926 - 48 pages |
| The meaning of beauty by Eric Newton - 1950 - 205 pages |
| The meaning of beauty by Eric Newton - 1950 - 205 pages |
| The meaning of beauty by Walter Terence Stace - 1929 - 254 pages |
| The meaning of beauty by Walter Terence Stace - 1929 - 254 pages |
| The ministry of art by Ralph Adams Cram - 1914 - 245 pages |
| The Mint by Geoffrey Grigson - 1948 - 220 pages |
| The Mint - 1946 |
| The mirror of art, critical studies by Charles Baudelaire - 1955 - 361 pages |
| The mirror of the passing world by Mary Cecil Allen - 1928 - 86 pages |
| The mirror of the passing world by Mary Cecil Allen - 1928 - 86 pages |
| The mirror of the passing world by Mary Cecil Allen - 1928 - 86 pages |
| The mirror of the passing world - 1928 - 86 pages |
| The Missing text - 1991 - 131 pages |
| The modern dilemma in art by Ira Jean Belmont - 1944 - 271 pages |
| The modern dilemma in art by Ira Jean Belmont - 1944 - 271 pages |
| The Museum of Bad Art by Tom Stankowicz, Marie Jackson - 1996 - 104 pages |
| The naked truth and personal vision by Bartlett H. Hayes - 1955 - 112 pages |
| The nature and art of motion by György Képes - 1965 - 195 pages |
| The nature and art of motion by György Képes - 1965 - 195 pages |
| The nature and art of motion by György Képes - 1965 - 195 pages |
| The nature of art by Arthur Little - 1946 - 264 pages |
| The nature of the fine arts by Henry Parker - 1885 - 359 pages |
| The New art history by A. L. Rees, Frances Borzello - 1986 - 173 pages |
| The new criticism - 1930 - 359 pages |
| The new gate keepers by Christopher Hawthorne, András Szántó - 2003 - 223 pages |
| The new vision, 1928 by László Moholy-Nagy - 1949 - 92 pages |
| The new vision, 1928 by László Moholy-Nagy - 1947 - 92 pages |
| The new vision, 1928, 4th rev. ed by László Moholy-Nagy, Daphne M. Hoffmann - 1947 - 92 pages |
| The occult in art by Owen S. Rachleff - 1983 - 176 pages |
| The Olympic image by Wei Yew - 1996 - 448 pages |
| The open eye by Katharine Kuh - 1971 - 272 pages |
| The order of release by James, William Milbourne James, John Ruskin, Lady Euphemia Chalmers Gray Millais, Sir John Everett Millais - 1948 - 264 pages |
| The origins of form in art by Sir Herbert Edward Read - 1965 - 207 pages |
| The origins of form in art by Sir Herbert Edward Read - 1965 - 207 pages |
| The origins of form in art by Sir Herbert Edward Read - 1965 - 207 pages |
| The origins of form in art by Herbert Read - 1965 - 207 pages |
| The other half by Kenneth Clark - 1977 - 259 pages |
| The painter looks at nature by Walter F. Isaacs - 1927 - 34 pages |
| The painter looks at nature by Walter F. Isaacs - 1927 - 34 pages |
| The painter of modern life by Charles Baudelaire - 1970 - 224 pages |
| The painter of modern life by Charles Baudelaire, Jonathan Mayne - 1964 - 224 pages |
| The painter's secret geometry by Charles Bouleau - 1963 - 268 pages |
| The Paris sketch book by William Makepeace Thackeray - 1910 - 723 pages |
| The Penn State journal of contemporary criticism by Pennsylvania State University. School of Visual Arts |
| The Penn State journal of contemporary criticism by Pennsylvania State University. School of Visual Arts |
| The Penn State journal of contemporary criticism by Pennsylvania State University. School of Visual Arts |
| The Penn State journal of contemporary criticism by Pennsylvania State University. School of Visual Arts |
| The personalist element in the sociological ideas of John Ruskin ... by Mary Corita O'Brien (sister) - 1939 - 220 pages |
| The personalist element in the sociological ideas of John Ruskin ... by Mary Corita O'Brien (sister) - 1939 - 220 pages |
| The philosophy of art by Giovanni Gentile, Giovanni Gullace - 1972 - 292 pages |
| The philosophy of art by Edward Howard Griggs - 1913 - 347 pages |
| The philosophy of esthetic individualism by Henry Rago - 1941 - 82 pages |
| The philosophy of fine art by Georg Wilhelm Friedrich Hegel - 1999 - 1610 pages |
| The philosophy of fine art by G. W. F. Hegel, F. P. B. Osmaston - 1999 - 1610 pages |
| The philosophy of fine art by Georg Wilhelm Friedrich Hegel - 1975 |
| The philosophy of fine art by Georg Wilhelm Friedrich Hegel - 1920 |
| The philosophy of symbiosis by Kishō Kurokawa - 1994 - 293 pages |
| The philosophy of the beautiful by William Knight - 1893 |
| The physiology of beauty by Arthur Sewell - 1931 - 194 pages |
| The physiology of beauty by Arthur Sewell - 1931 - 194 pages |
| The picture by Chambers Hall - 1837 - 78 pages |
| The picture by Chambers Hall, Peter Pindar, Percival Leigh - 1837 - 78 pages |
| The picturesque by Christopher Hussey - 1927 - 308 pages |
| The pleasures of architecture by Clough Williams-Ellis, Amabel Williams-Ellis - 1954 - 224 pages |
| The pleasures of architecture by Clough Williams-Ellis, Amabel Williams-Ellis - 1924 - 267 pages |
| The poetic museum by Julian Spalding - 2002 - 184 pages |
| The political origins of abstract-expressionist art criticism by James D. Herbert - 1985 - 41 pages |
| The potential role of art in Kierkegaard's description of the individual by Scott Koterbay - 2004 - 309 pages |
| The power of art by Richard Lewis, Susan I. Lewis - 1995 - 494 pages |
| The problem of art by Peter Green - 1937 - 218 pages |
| The province of art by Sherman Brown Neff, University of Utah. Extension Division - 1943 - 18 pages |
| The psychology of art by Robert Morris Ogden - 1938 - 291 pages |
| The psychology of art by Robert Morris Ogden - 1938 - 291 pages |
| The psychology of art by Robert Morris Ogden - 1938 - 291 pages |
| The Psychology of Art: The creative art by André Malraux - 1949 |
| The quest for beauty by James Louis Jarrett - 1957 - 318 pages |
| The Rackham journal of the arts and humanities by University of Michigan, University of Michigan (Ann Arbor, Estados Unidos) - 1992 |
| The Rackham journal of the arts and humanities by University of Michigan - 1991 |
| The Rackham journal of the arts and humanities by University of Michigan - 1987 |
| The Rackham journal of the arts and humanities by University of Michigan - 1986 |
| The Rackham journal of the arts and humanities by University of Michigan - 1980 |
| The reaction against Ruskin in art criticism by Charles Allen Yount - 1941 - 40 pages |
| The realm of art by John Mueller Anderson - 1967 - 190 pages |
| The realm of art by Peter Goffin - 1946 - 119 pages |
| The relations of art and morality by Washington Gladden - 1897 - 81 pages |
| The religion of Ruskin by John Ruskin - 1907 - 449 pages |
| The religion of Ruskin by John Ruskin - 1907 - 449 pages |
| The responsibility of the artist by Jacques Maritain - 1960 - 120 pages |
| The right to dream by Gaston Bachelard - 1971 - 215 pages |
| The right to dream by Gaston Bachelard - 1971 - 215 pages |
| The romantic idealism of art, 1800-1848 ... by Morton Dauwen Zabel - 1938 - 1 pages |
| The Ruskin newsletter by James S. Dearden, Ruskin Association - 1973 |
| The Ruskin reader by John Ruskin - 1895 - 215 pages |
| The sanity of art by Bernard Shaw - 1918 - 113 pages |
| The sanity of art by Bernard Shaw - 1911 - 104 pages |
| The sculpture of Ruth Asawa by Daniell Cornell, Ruth Asawa, M.H. De Young Memorial Museum, Japanese American National Museum (Los Angeles, Calif.) - 2006 - 256 pages |
| The search for the spirit by Christina Ritchie, General Idea (Firm), Art Gallery of Ontario - 1997 - 140 pages |
| The Seeing Eye by Michael Kitson - 2008 - 182 pages |
| The shape of a pocket by John Berger - 2001 - 264 pages |
| The shape of content by Ben Shahn - 1957 - 131 pages |
| The shape of content by Ben Shahn - 1957 - 151 pages |
| The shape of things by Vilém Flusser - 1999 - 192 pages |